DDG makes serious allegations about Halle Bailey; restraining order against her denied for now
DDG has failed for now in his attempt to get a domestic violence restraining order preventing Halle Bailey from taking their son, Halo, out of the country — but not for lack of trying.
The rapper, real name Darryl Dwayne Granberry Jr., made serious allegations about Bailey in a new court filing this week after she served him with a domestic violence restraining order in mid-May. DDG must keep his distance from his 'The Little Mermaid' ex and their son, who turns 2 in October. He was also ordered to refrain from contacting them in any way, including electronically.
On Wednesday, when a Los Angeles County Superior Court judge was expected to consider whether to make the temporary order more permanent, the 27-year-old influencer's attorney requested that Bailey be prevented from traveling internationally with Halo, specifically to Italy, alleging there was a risk she would kidnap the child. The filing also asked that the hearing be continued to a later date.
DDG's team got the later date. His attorney did not reply to The Times' request for comment.
The domestic violence restraining order request, which was denied pending a hearing later this month, was supported by DDG's version of some of the same incidents his 25-year-old ex cited in her May filing, according to court documents reviewed by The Times. It includes declarations from Tonya Granberry, DDG's mother, and George Charlston, her fiancée, who is also DDG's driver, alleging they found Apple AirTags that had been hidden in the rapper's vehicles and in Halo's diaper bag, presumably by Bailey.
DDG's team complained in his filing about Bailey's alleged 'emotional instability and coercive control,' her 'repeated threats of suicide and self-harm' and instances where she 'endangered the child's safety while in emotional distress.'
The filing includes text exchanges in which Bailey sent myriad frantic-sounding messages, many more than DDG replied with. In one exchange, which occurred after he drove off following an argument in 2022, Bailey sent texts 'claiming she had a knife and implying she would harm herself if he did not return,' the filing says.
'YOI HATE ME AND WANT ME TO DIE!!!' she said amid a flurry of text messages in March 2024, according to the filing, following up with texts saying 'I WANT TO DIE BECAUSE OF YOU!!!' and 'I WILL DIE BECAUSE OF YOU!!!'
In February, Bailey told DDG via text that 'everyday i want to die because of the way you embarrass me online and allow other women to speak on me,' the filing says.
The two dated for two years before breaking up in October 2023; their son was born a couple of months later. Bailey allegedly 'weaponized' her pregnancy to try to persuade DDG to reconcile with her, the filing says. The court filing alleges she tried to medically abort Halo in June 2023 but didn't take the second dose of medication that would complete the task.
The rapper said the singer-actor went through his phone while he was asleep, slapped and punched him during a fight over the phone, falsely claimed that he slammed her head into his car's steering wheel during a custody exchange and surveilled him by planting Apple AirTags in his vehicles.
He accused her in the filing of tracking the AirTags to show up uninvited to events and studio sessions where he was, 'often resulting in confrontations.'
'During emotional outbursts,' the filing says, Bailey 'has destroyed my personal property including my laptop that contained critical music and content word' and 'stole my legally owned firearm during an argument in August of 2023 and was found outside the house in possession of it.'
In March 2024, Bailey allegedly sent DDG 'a series of alarming text messages threatening to kill herself and suggesting that their infant son, Halo, might also be harmed,' the document says. 'She then proceeded to drive her vehicle — with the child in the car — while in an emotionally unhinged state. [DDG] was so disturbed by her condition that he immediately contacted [her] godmother to intervene and assist.'
The filing, which includes photos of a gash in DDG's thumb that he said Bailey caused, notes that similar exchanges happened last September and October, demonstrating that Bailey's alleged 'instability is not a thing of the past, but a present and ongoing danger.'
Bailey's attorney did not respond immediately to The Times' request for comment.
DDG found out about Bailey's restraining order against him via a phone alert in the middle of a livestream in May — no advance notice of the request was given because Bailey, according to court documents, was afraid he would retaliate with violence or by taking Halo out of the area.
In her declaration, Bailey accused DDG of 'badmouthing' her to his millions of fans on Twitch and YouTube whenever he 'wants to cause upset.'
'He claims I am withholding our son and that I am with other men. As a result, I then receive threats and hate on social media. He seems to try to set up drama for his fans. He goes 'live' ranting about me and alleges that I am keeping Halo from him. This is false. I have requested a set schedule, which he refuses.'
She also said he frequently calls her 'b—' and says she is 'evil.' She detailed one physical altercation from January of this year that ended with her bruised with a chipped tooth. Bailey was giving DDG their son and strapping him into the rapper-streamer's car when, according to her filing, she asked when the child would be returned. A verbal dispute quickly turned physical, the court document said, and he pulled her hair and slammed her face into the steering wheel.
But DDG says that is false — according to his filing, she hit the steering wheel while launching herself forward from the back seat while trying to hit him. He says he attempted to 'shield himself' by holding her arms down so she couldn't keep hitting him.
'I wanted to get out of the car with Halo but was now stuck,' Bailey said in her filing. 'Darryl then said that since I would not leave the baby in the car, he would take me with them. He drove quickly towards his house. When we arrived at his house, I was crying and told his family what happened. I begged his family who were there to help me figure out a schedule with him. They said just leave Halo and go. I left hysterical.'
A hearing in the case is now scheduled for July 24.
On Thursday evening, DDG lamented his public status on X (formerly Twitter) and got a heaping helping of backlash in return.
'now I know how michael jackson felt being famous,' he wrote. 's— crazy.'
For the most part, X users did not agree. Here's a sampling of the reactions:
'let's aim lower, ur more latoya jackson in terms of fame.'
'You are a Z lister. Stop comparing yourself to an actual talented man who had streets closed down for him and was globally recognized.'
'Everyones crazy is their own crazy. But Michael Jackson lived a life few can even imagine. Its not really the same.'
'mj performed for presidents, royalty, and broke world records. and you? you went viral on TIKTOK. oh come on man, be SERIOUS.'
'You're not famous bro ... You're just known.'
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Miami Herald
2 hours ago
- Miami Herald
Two New Shows Just Premiered at Walt Disney World, and They're Pure Magic
Walt Disney World in Orlando just premiered two much-anticipated stage shows at Disney's Hollywood Studios - and they're fresh, innovative and spectacular. "The Little Mermaid – A Musical Adventure" and 'Disney Villains: Unfairly Ever After" are both now open at the park. While vastly different productions, each is filled with Disney nostalgia and immersive special effects, including the use of dazzling lighting, state-of-the-art sound design, stunning costumes, spot-on casting and more. Our family was there for the new shows' debut on May 27, 2025. Here's everything you need to know about the performances and how to be among the first to see them. The new shows are at Disney's Hollywood Studios: a fitting spot because both are based on hit Disney movies, and Hollywood Studios celebrates the imagined worlds of cinema. "The Little Mermaid – A Musical Adventure" can be found in the park's Animation Courtyard, across from the limited-time dance party "Get Animated" and near Star Wars Launch Bay. "Disney Villains: Unfairly Ever After" is on Sunset Boulevard, just steps from the fan favorite Rock 'n' Roller Coaster Starring Aerosmith. SheBuysTravel tip: If visiting this summer, make sure to head to Animation Courtyard early to enjoy a host of dynamic "Cool Kid Summer" themed events, including ongoing character meet-and-greets, games, crafts and jump rope performances. I attended the performances with my husband and three children (ages 5, 5 and 8). Both productions are upbeat and funny, and strike a wonderful balance of appealing to both kids and adults. Since both are based on widely seen Disney classics, everyone in our family was able to follow the storylines. "The Little Mermaid – A Musical Adventure" is colorful, lively and imaginative. "Disney Villains: Unfairly Ever After" features a few spooky moments (an onscreen dragon "breathing" fire across the stage), but the villains are presented as charming and mischievous. Both productions are fast-paced and action-filled, so there isn't really time for either to become scary. In "The Little Mermaid – A Musical Adventure," my kids went wild when iridescent bubbles filled the theater during a rousing rendition of "Under the Sea." The puppetry is also incredible (and performed so invisibly that the show's many illusions are never broken). While "Disney Villains: Unfairly Ever After" puts the spotlight on three villains, nearly 60 other Disney antagonists are also featured on "mirrors" that surround the stage during the show. My kids loved spotting Wish's Magnifico, Aladdin's Jafar and Beauty and the Beast's Gaston, among others. SheBuysTravel tip: If traveling with young ones, keep your eyes on the show's many "mirrors" and try to name all the other Disney villains as they appear. While neither of the two new shows offer Lighting Lane access yet, both theaters offer continuous scheduled performances and high-capacity seating for each show. Standby lines should move quickly after an initial wait, and "The Little Mermaid – A Musical Adventure" is expected to begin offering Lightning Lane access soon. Showtimes for "The Little Mermaid – A Musical Adventure" are currently running from 9:15 a.m. to 7 p.m., and showtimes for "Disney Villains: Unfairly Ever After" are scheduled from 10 a.m. to 7 p.m. SheBuysTravel tip: To bypass crowds, stay at a Disney Resort Hotel (or a select Disney partner hotel) and enjoy 30-minute early entry to all four theme parks. This will allow time to ride a few rides first, then get in line for the shows. "The Little Mermaid – A Musical Adventure" replaced the prior "Voyage of the Little Mermaid," a show housed in the same theater from 1992 to 2020. While both shows were inspired by Disney's 1989 film, the newest production is fully reimagined, creating an all-new theatrical experience. "Disney Villains: Unfairly Ever After" is in the space formerly occupied by the Cars-themed show Lightning McQueen's Racing Academy from 2019 to 2024. The theater has been dramatically renovated, with plush seating, a wide stage and an elaborate set. The attraction is thought to kick off the future Villains Land, a new themed area coming to the Magic Kingdom. There are many terrific live shows at Walt Disney World . The newest productions join the ranks of other family-friendly theater performances at Disney's Hollywood Studios, including Disney's Beauty and the Beast – Live On Stage and For the First Time in Forever: A Frozen Sing-Along Celebration. Two of my other favorite shows are at Disney's Animal Kingdom: the epic larger-than-live musical show Festival of the Lion King, and the puppetry-filled extravaganza Finding Nemo: The Big Blue… and Beyond! SheBuysTravel tip: For all the stage shows at Walt Disney World , get in line early to get the best seats. While you still may gain entry close to showtime, the closest seats are filled quickly by those first in line. Mom's Guide to Visiting Walt Disney World's Hollywood Studios with Preschoolers and Small ChildrenMagic Kingdom Must-Do's: Essential Experiences for Preschoolers and Young ChildrenHow to Make the Most of Walt Disney World's EPCOT with Preschoolers and Young ChildrenInsider Tips for Visiting Walt Disney World's Animal Kingdom with Preschoolers and Young ChildrenDisney World FAQs for First Time Visitors (and Veterans!) The post Two New Shows Just Premiered at Walt Disney World, and They're Pure Magic appeared first on She Buys Travel. Copyright © 2025 SheBuysTravel · All Rights Reserved
Los Angeles Times
8 hours ago
- Los Angeles Times
Why this author wrote about creative women as they aged: ‘They made much of less'
In this week's newsletter, we have a chat with Susan Gubar, whose new book, 'Grand Finales: The Creative Longevity of Women Artists,' profiles seven creators who found a second wind in their advancing years. We also look at recent releases reviewed in The Times. And a local bookseller tells us what's selling right now. Seventeen years ago, Susan Gubar was handed a death sentence. A distinguished professor emerita of English and women's studies at Indiana University and the co-author (with Sandra M. Gilbert) of 1979's 'The Madwoman in the Attic,' a groundbreaking work of feminist literary theory, Gubar in 2008 was staring down a terminal cancer diagnosis. A clinical trial involving an experimental drug prolonged her life and gave her the impetus to tackle a new project about seven artists — George Eliot, Colette, Georgia O'Keeffe, Isak Dinesen, Marianne Moore, Louise Bourgeois, Mary Lou Williams, Gwendolyn Brooks and Katherine Dunham — who entered a new phase of creative ferment and productivity as they grew older. I talked to Gubar about her new book, the myth of old age and the persistent stereotypes attached to female artists who may be perceived as having outlived their usefulness as creators. (Please note: The Times may earn a commission through links to whose fees support independent bookstores.) Can you talk about how the book came about? In 2008, I was told that I had 3-5 years to live with late-stage ovarian cancer. The standard treatment was ineffectual. But then in 2012, my oncologist encouraged me to enroll in a clinical trial that was experimenting with a new drug. After nine years in the trial, she then urged me to take 'a drug holiday' since long-term use of the medication could cause leukemia. I am still on that holiday. An unanticipated old age made me appreciate the wonderful gifts longevity can bestow. In researching your subjects, what do they all share in common? All of my subjects are artists who experienced the losses of aging. They needed canes and wheelchairs and helpers while they suffered the pains of various diseases and regimens. One coped with blindness, another with deafness and still others with the loss of intimates. Yet in the face of such deficits, they used their art to exhibit their audacity, mojo, chutzpah, bravado. They're exemplars of Geezer Machismo. All of your subjects are women, who have a much tougher time in terms of earning respect and attention as they age. Can you speak to the obstacles they had to overcome as they reinvented themselves as artists in their advanced years? The stereotypical old lady is invisible or risible, but we know that many elderly women thrive. My old ladies did not approach their life stories as prime-and-decline narratives. Instead they reinvented themselves. In part, they managed to do this by changing their objectives as artists. They moved from the stage to the page or from elite to popular forms. Some of them underwent religious or political conversions that energized their last years. They fully understood the losses of old age, but they did not settle for less. Instead, they made much of less. What's interesting about these artists is that — contrary, I must admit, to what I thought would have been the case — these women were supported by men who became their benefactors, and helped them to negotiate their careers. Quite a few of the women that I write about were helped by much younger men in their lives, who became facilitators. This is true for George Eliot, Colette, Georgia O'Keeffe, Louise Bourgeoise, Mary Lou Williams and others. Williams, the great jazz pianist, was helped by a Jesuit named Father O'Brien, who helped her get control of her copyrights. Georgia O'Keeffe, in contrast, has been championed by photographer Alfred Stieglitz, but she had to leave him in her midlife to establish her autonomy late in life. He was very controlling, even though he definitely established her reputation. She was aided in her later years by a man young enough to be her grandson. You are an octogenarian, and writing a book isn't easy, as you know. Where do you find the inspiration and the strength to keep going as a creator? What keeps me going is what kept my subjects flourishing in their seventies, eighties or nineties. Any sort of creative activity involves expression, which is a great antidote to depression. It may take the form of sculpting, painting, playing an instrument, teaching a dance routine, making a quilt or a garden, establishing a park or a prize, you name it. Without my two current writing projects, I'd be lost. Even (or maybe especially) in our dismal political climate, ongoing creative projects make each day an adventure. Heather Scott Partington reviews 'Fox,' Joyce Carol Oates' mystery novel about a murdered pedophile. 'Fox has the bones of a potboiler but is supported by the sinew of the author's elegant structure and syntax,' writes Partington . Leigh Haber weighs in on Jess Walter's book 'So Far Gone,' calling the author a 'slyly adept social critic [who has] clearly invested his protagonist with all of the outrage and heartbreak he himself feels about the dark course our world has taken.' Daniel Felsenthal thinks Geoff Dyer's memoir 'Homework' is somewhat meandering, yet 'bursts with working-class pride, a fond and mournful belief in the possibility of the British welfare state.' And Paula L. Woods talked to five mystery writers about the inspirations for their new books. This week, we're talking about hot books with Nat Eastman, the manager of Chevalier's Books on Larchmont Boulevard in Hollywood, the oldest independent bookstore in Los Angeles. What books are selling in the store right now? We've been moving Percival Everett's 'James' and Ocean Vuong's 'The Emperor of Gladness' hand over fist. Thanks to BookTok, Asako Yuzuki's 'Butter' has become a mainstay on our bestseller list. We also had the honor of hosting Bryan Byrdlong for a reading from his debut poetry collection 'Strange Flowers,' and we've been handselling it right and left ever since. What are your perennial sellers? Kaya Doi's series of picture books, 'Chirri and Chirra,' is a smash hit around here. Joan Didion and bell hooks are reliable customer favorites as well. As an indie shop, though, we love the deeper cuts too — whether that's 'Água Viva,' literally any Yoko Ogawa work or something from our zine collection. Are you seeing more young people buying books? Despite all the reports about declining literacy rates among young folk, our children's section makes up a quarter of our sales. We really try to carve out a space for the next generation of readers with programs like storytime, a middle-grade book club and summer-reading punch cards. To us, messy shelves are annoying everywhere except the kids' section!
Los Angeles Times
13 hours ago
- Los Angeles Times
Massive sculptures worth $2.1 million stolen from warehouse in mysterious heist
The two towering sculptures comprising thousands of pounds of bronze and stainless steel took artist and filmmaker Sir Daniel Winn more than a year to complete. They vanished in a weekend. Police believe that on June 14 or 15 at least one thief made off with both 'Icarus Within' and 'Quantum Mechanics: Homme,' — sculptures valued at a combined $2.1 million — from a warehouse in Anaheim Hills. Other artwork and valuables inside the warehouse that would have been easier to move were untouched. Authorities have scant details about the heist. 'Unfortunately, we have little information but we are investigating,' Anaheim Police Sgt. Matt Sutter said. The life-sized 'Quantum Mechanics: Homme' artwork, composed of lucite, bronze and stainless steel, depicts a winged and horned man and was featured in the award-winning short film 'Creation' in 2022. It's valued at $1.8 million. A second Winn piece, 'Icarus Within,' based partially on the sculptor's chaotic childhood escape from Vietnam, is a steel and bronze sculpture that also stands 8 feet tall, weighs a ton, and is valued at $350,000. Both sculptures were being stored in a temporary facility and were last seen by warehouse workers in Anaheim Hills on Saturday, according to the Anaheim Police Department. When the workers returned to the facility Monday, both pieces were missing, according to police. Winn believes the pieces may have been stolen by an unscrupulous collector while an art recovery expert suspects the two sculptures will be destroyed for scrap metal. 'Typically these sculptures, when we do exhibitions, take about a dozen men and two forklifts to move it and a flatbed or a truck to carry it,' Winn said. 'This is not an easy task.' Winn told The Times that the last few days have been stressful and that his anxiety has been 'through the roof.' Winn is considered a blue-chip artist, meaning his work is highly sought after and has a high monetary value. The former UC Irvine medical student, who was once homeless after switching his major from medicine to art, said he blends fine art, quantum metaphysics and philosophy into his work. The Vietnamese refugee owns the Winn Slavin Fine Art gallery on Rodeo Drive and was appointed earlier this month as Art Commissioner for John Wayne Airport. The loss of his art has pushed Winn 'to a dark place,' he said, though he's found some catharsis in talking about the situation. 'These are my children,' he said of each of his individual works. 'I have no physical, organic children. Every artwork I create is my child.' The larger of two sculptures, 'Homme,' was the seventh and only unsold work in Winn's Quantum Mechanics series, which explores philosophical concepts, universal truths and tries to answer the enduring question: why are we here? The smaller 'Icarus Within' focused on Winn's struggle around the age of 9 in emigrating to the United States in the final days of the Vietnam War. The sculpture was tied to Winn's movie 'Chrysalis,' based on his memoirs, that is supposed to premier this fall. Winn said the level of sophistication in the theft led him to suspect he was targeted and that his pieces may be on the black market. He turned over a list of individuals who have recently inquired about his sculptures to police, he said. Sutter, the Anaheim Police sergeant, said this is the largest burglary he's seen in his 25 years with the department. 'We've had our share of high-end homes that were burglarized, but this type of crime, involving forklifts, trucks, crews and the sheer size of the sculptures is something I can't remember us having before,' Sutter said. Sutter said investigators are asking businesses near the warehouse for any footage that could help them identify a suspect. 'I have no idea where these sculptures are,' Sutter said. 'They could be in somebody's house or in a shipping container somewhere. That's what we're trying to find out.' Chris Marinello, founder of the dispute resolution and art recovery service named Art Recovery International, said the sculptures will likely be scrapped for their metals. Marinello said scrap yards tear apart such works into thousands of small pieces to cloak the metal's origin. 'Unfortunately, the criminals are not that bright and they don't see artwork but, instead, a sculpture worth millions that is more valuable to them for the raw metals like steel and bronze,' Marinello said. Marinello pointed to a two-ton Henry Moore bronze sculpture, known as the Reclining Figure, stolen from the artist's foundation in Hertfordshire, England in 2005. The piece was valued at 3 million pounds, but authorities believe it was scrapped for just 1,500 pounds. 'You can't sell sculptures of this magnitude on the market,' Marinello said of the Winn's stolen pieces.
