logo
Technology helps resurrect late bandmate's vocals for debut LP

Technology helps resurrect late bandmate's vocals for debut LP

The Beatles were back in the news in November 2023 when a raw demo recorded by John Lennon in the late 1970s finally saw the light of day, thanks to artificial intelligence and a little help from his friends.
Using audio technology director Peter Jackson pioneered during production of the acclaimed 2021 Beatles documentary Get Back, surviving members Paul McCartney and Ringo Starr were able to isolate Lennon's vocals for the song Now and Then by eliminating all background noise, including a spotty piano accompaniment. The pair next headed into the studio to add newly recorded instrumentation to their late mate's singing voice, the culmination of which was a fresh-sounding track that turned out to be the first Beatles composition in 53 years to top the Billboard charts.
Lloyd Peterson is the owner of Paintbox Recording, a full-service studio at 600 Shaftesbury Blvd. that has hosted the likes of Fred Penner, Begonia and the Dirty Catfish Brass Band. In addition to being intrigued with the Now and Then project from a professional standpoint, Peterson also began to wonder whether he and his longtime collaborator Chris Maxfield could utilize the same creative high jinks, to assist them with a set of amateur recordings they'd been holding onto for 40-plus years.
Daniel Crump / Free Press
Maxfield (left) and Peterson spool up Go Jetter's original 1979 reel-to-reel recordings.
On May 13, following months of trial and error, Peterson and Maxfield unveiled From the Word Go, the debut album from Go Jetter, the band they formed in 1979 in London, Ont., with their pal Rob 'Iggy' Morningstar, who died by suicide in 1983.
'It's really hard to describe how fulfilling it was to bring this record back to life,' Maxfield says, seated next to Peterson in Paintbox Recording's reception area, where the digital release's lead single, the uptempo rocker Tuesday Night in the Morning, is playing in the background.
Peterson chimes in, saying there were definitely moments during the last year that were 'just magical,' as they played along — Peterson on guitar, Maxfield on drums — to Iggy's vocals and keyboard/bass lines, which they'd successfully wrested from a grainy reel-to-reel tape, using essentially the same AI app as the ex-Beatles.
'There Chris and I would be, counting a song in, and then Iggy would start singing through our headphones. We'd look at each other and be like wow, this is exactly how it was, 46 years ago.'
Peterson and Maxfield became friends while attending Westlane Secondary School in Chippawa, a community in Niagara Falls, Ont. They met Morningstar during their second year of high school, after he moved to Chippawa from Prescott, Ont.
'He could play guitar, he looked like David Bowie… right away we were asking ourselves, 'who the heck is this guy?'' Maxfield says, crediting a Sam the Record Man employee for granting Morningstar the nickname Iggy, for a coif resembling that of Stooges lead singer Iggy Pop.
Supplied
Rob 'Iggy' Morningstar died by suicide in 1983.
Peterson and Maxfield had already belonged to their share of upstart bands when they approached Morningstar to see if he'd be interested in jamming with the two of them. Sure, came his response, and in Grade 12, the trio entered a talent contest at their school, billing themselves as Dallas Cooper, a colourful unit that covered the catalogue of — you guessed it — Alice Cooper.
After graduating in 1977, Peterson briefly attended the University of Guelph, before moving to Winnipeg, where his parents had relocated. In early 1979 he received a call from Maxfield, who let him know that he and Morningstar intended to form a new group, with the goal of writing and recording original material.
Peterson announced he was in. They settled into a rented house in London, having chosen that burg simply because none of them had ever set foot there before, and they were seeking an entirely new adventure — one fuelled largely by popcorn and roll-your-own cigarettes.
'We had this 'cutting edge' two-track technology, so what we did was record guitar, drums and vocals on one track, then play that back and add flute, bass and synthesizer,' Peterson says, mentioning they adopted the moniker Go Jetter after a dog, Jetter, Morningstar brought home one afternoon as a surprise.
'We were just kind of making it up as we went along; it was basically us putting down ideas — beginnings, middle eights, endings — that would evolve into full-fledged songs,' adds Maxfield, noting because their musical influences were all over the map, from the Clash to Steely Dan to Gordon Lightfoot, the outcome was everything from 'punk blasts' to more folk-tinged arrangements.
Daniel Crump / Free Press
Lloyd Peterson jams with fellow Go Jetter bandmate Chris Maxfield, in Peterson's Winnipeg Studio, Paintbox Recording.
When they weren't writing and recording, Go Jetter performed live here and there around the southern Ontario city. But after neglecting to pay the rent for a prolonged period, they received what Maxfield calls an official-looking letter from their landlord, instructing them to pack their belongings and vamoose — a set of circumstances that sealed the fate of Go Jetter.
'It's really hard to describe how fulfilling it was to bring this record back to life'– Chris Maxfield
In the wake of the band's demise, Peterson and Maxfield moved first to Toronto, then later to Winnipeg where they helped form the Cheer, an upbeat foursome that enjoyed a modicum of success during the 1980s. Meanwhile, Morningstar headed to Ohio, where he joined the post-punk outfit the F Models.
Peterson remembers getting set to board a van in December 1983 to leave for a Cheer show in Thompson when he received a call from Morningstar's brother Randy, to let him and Maxfield know their chum had been found dead, two days before his 25th birthday.
'If somebody gets taken from you at such a young age, they're always going to be the person you knew when you were 20; you're never going to see them grow old,' Peterson states, running a hand through his hair. 'Like lots of people, Iggy was complicated and had a lot of stuff to overcome in his life, but in his heart he was an entertainer, and he was very talented when it came to music.'
Daniel Crump / Free Press
Recording pro Lloyd Peterson was inspired to revisit Go Jetter's '70s recordings after AI tech helped resurrect John Lennon's vocals from a rough demo.
Peterson and Maxfield remained in touch after the end of the Cheer in 1989. Peterson eventually moved over to the production side of things — he established Paintbox Recording in the mid-2000s — while Maxfield forged a successful career as a travel executive and currently, as the owner of his own communications firm.
In January 2024, Peterson and Maxfield were out for breakfast when the topic of the aforementioned Beatles documentary came up. Specifically, they discussed back and forth how the producers had been able to clean up the Fab Four's old recordings by extracting individual vocal, guitar and drum tracks from existing tapes — an action Peterson equated with removing the flour or baking powder from an already-prepared biscuit.
'There Chris and I would be, counting a song in, and then Iggy would start singing through our headphones. We'd look at each other and be like wow, this is exactly how it was, 46 years ago'– Lloyd Peterson
'I did a bit of homework and found the applicable AI app,' Maxfield says. 'I happened to have a Go Jetter song on my phone and after running it through the app, I had this eureka moment… I couldn't believe we'd be able to pull Iggy's vocals out and rebuild the song, if that's what we chose to do.'
One song turned into two, two became four, until the pair had successfully recreated 11 Go Jetter tunes from a quarter-inch tape marked 'Go Jetter, Summer of '79.' (Thinking ahead, Peterson also commissioned a local production crew to film the goings-on for what turned out to be a nearly nine-minute-long documentary augmented with grainy snapshots of the three of them, taken with a 'crappy, $15' Instamatic camera.)
Prior to the album being released on streaming services, Peterson and Maxfield were in touch with Morningstar's siblings, who joyfully gave the undertaking their blessing. They also heard from Morningstar's adult nephew, who contacted them from his home in Alberta.
Supplied
The band in 1977, before they were Go Jetter
'He was too young to have known his uncle — he'd only heard stories about him through his mom — and he was really excited to learn more about Iggy, from Lloyd's and my perspective,' Maxfield says.
Every Second Friday
The latest on food and drink in Winnipeg and beyond from arts writers Ben Sigurdson and Eva Wasney.
For obvious reasons, Peterson and Maxfield don't have any plans to play live shows as Go Jetter, though attendees at a June 14 show at Blue Note Park, featuring a resurrected Cheer alongside Monuments Galore and Chocolate Bunnies From Hell, may be fortunate enough to hear one song off the LP From the Word Go.
'There were so many times we wished Iggy could have been a part of this and we're thinking of playing Minor Sins from the new album, a fresh one written years after he died, all about him and our time together,' Peterson says.
'It will be our tribute to him from the surviving Go Jetter members, carried on by the Cheer,' Maxfield adds.
Supplied
From left, Chris Maxfield, Lloyd Peterson and Rob 'Iggy' Morningstar perform together 40-plus years ago.
For more information, go to gojetter.ca
david.sanderson@freepress.mb.ca
David Sanderson
Dave Sanderson was born in Regina but please, don't hold that against him.
Read full biography
Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber.
Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Ex-treme adventures
Ex-treme adventures

Winnipeg Free Press

time2 days ago

  • Winnipeg Free Press

Ex-treme adventures

Angenia Papineau said she hasn't smiled this much in weeks. The 20-year-old from Cross Lake spent a thrilling evening with her sister and friend at the Red River Exhibition in Winnipeg after a nomadic few weeks caused by wildfires near her hometown. 'It's been very stressful because we've wanted to go home for a while. We came out here for a break, and it's been a lot of fun,' Papineau told the Free Press on Tuesday. 'It feels a lot better getting out of the Airbnb after being stuck there and not really doing much.' JOHN WOODS / FREE PRESS Hailey Papineau, Angenia Papineau and Kayleigh Ross enjoy the Crazy Mouse ride at the Red River Ex Tuesday. More than three weeks ago, Papineau was preparing to return home to surprise her family after wrapping up her university studies this spring. She said her plans got derailed once her community was ordered to evacuate. 'It totally sucked. People left and had to find places to sleep. They were either going to community centres or arenas,' said Papineau. She and her parents, three brothers, sister, and dog are staying at an Airbnb since nobody in their family lives in Winnipeg. She said they are expected to return to Cross Lake, 500 kilometres north of Winnipeg, on Friday after the province lifted the evacuation order June 16. Thanks to the Canadian Red Cross, Papineau said she got free tickets to the Red River Ex this week. She rode the Ex's popular 'crazy mouse' and 'mega drop' roller-coasters and rode in the classic bumper cars. 'It's gotten our minds off what has been happening with the evacuation and being away from home and things like that. It's been nice,' she said. Shane Farberman, better known as 'Doo Doo the International Clown,' helped to bring ear-to-ear smiles to fair-goers, including evacuees. 'Everywhere I go, when I'm driving from a hotel and I see a busload of people walking in the park or having lunch, I've been jumping out, doing videos, taking pictures, and doing magic, and just getting families out,' said Farberman. 'I just feel it's good for my heart, and it's good for their heart.' The clown from Ontario, who appeared in Adam Sandler's Billy Madison and has performed at the Ex for more than 30 years, also entertains people across North America and Europe. Whether it's walk-around parties, pop-up shows, or being on stage, Farberman said Winnipeggers are an unmatched audience. JOHN WOODS / FREE PRESS Doo Doo The Clown, who has been clowning for 30 years, entertains at the Red River Ex Tuesday. 'The love that I get in Winnipeg is just amazing. Everybody is so warm and loving, and the people I've met have actually become lifetime friends of mine,' he said. 'I always have hundreds of families that come up to me, and the parents tell their kids, 'This is the clown when I was little at the fair.'' It's no surprise, during Doo Doo's 31st year at the Ex, he was seen drawing in a crowd of younger folks with his comedic magic tricks and balloon animals. He said being a clown will never get old for him. 'What other job in the world do you get paid to make people smile and laugh? To have this longevity, you need to love it,' he said. Although Doo Doo has been a longtime staple at the largest travelling carnival in North America, Garth Rogerson, CEO of the Red River Exhibition Association, said there are new features this year. Some of the latest concepts include a pro wrestling show, a chainsaw-carving demo area, the 'haunted carnival'— a 6,000-square-foot walk-through haunted house attraction — and a lumberjack show, which includes an axe-throwing and log-rolling competition. There's a theme each day, including Indigenous Peoples Day on Saturday and Filipino Day and Kids Day on Sunday. Winnipeg Jets Game Days On Winnipeg Jets game days, hockey writers Mike McIntyre and Ken Wiebe send news, notes and quotes from the morning skate, as well as injury updates and lineup decisions. Arrives a few hours prior to puck drop. Rogerson said more than 4,000 people entered the park within the first hour on Sunday. The Ex's revenues are trending up at around 12 per cent to start this year's tour in Winnipeg. JOHN WOODS / FREE PRESS Imrose Dhaliwal, front left, Sirat Sran, front right, Sahipbep Dhaliwal, back left, and Simrandeep Dhaliwal, back right, enjoy the Outlaw ride at the Red River Ex Tuesday. Safety measures have been beefed up this year, including a mile of new fencing, more lit-up areas to prohibit outsiders from throwing objects over the fence, additional cameras, and enough security officers to ensure there is at least one guard for every 250 guests. 'We want to make sure that everybody feels safe at all times and doesn't have to worry,' Rogerson said. 'Let us worry about those bad guys, and we'll take care of that.' The Ex concludes on Sunday.

A new biography goes long and deep on the rise and fall of rock band Talking Heads
A new biography goes long and deep on the rise and fall of rock band Talking Heads

Toronto Star

time5 days ago

  • Toronto Star

A new biography goes long and deep on the rise and fall of rock band Talking Heads

Talking Heads fans, rejoice! Hard on the heels of the re-release of 'Stop Making Sense,' the 1984 Jonathan Demme film widely considered the best concert movie ever made, Jonathan Gould has published a comprehensive biography of the seminal band that injected an art school vibe into popular music and forever changed rock 'n' roll. Gould, the author of well-received books on Otis Redding and the Beatles, chronicles in meticulous detail the rise and fall of the band that got its start in New York City's underground punk scene and ended up touring the world with a repertoire shaped by blues, funk and jazz. He begins 'Burning Down the House: Talking Heads and the New York Scene That Transformed Rock' with a vivid description of the drizzly June night in 1975 when the original trio – singer/songwriter David Byrne, bassist Tina Weymouth and drummer Chris Frantz – made its debut at the seedy club CBGB in downtown Manhattan, opening for the Ramones before a handful of patrons. With their 'unremarkable haircuts' and 'nondescript casual clothes,' they offered a sharp contrast to the 'baroque turn' that rock fashion had taken in the 1970s, Gould observes. ARTICLE CONTINUES BELOW 'The qualities that characterized this neophyte group in their first public performance centered on the awkward, disquieting intensity of their singer-guitarist, David Byrne, their sketchy, skeletal arrangements, and the quirky intelligence of their songs,' Gould writes. 'Tall and thin, with a long neck and an anxious, wide-eyed stare, Byrne stood stiffly at the microphone, his upper body jerking and jiggling like a shadow puppet as he scratched out chords on his guitar.… Instead of doing his best to command the stage and the room, Byrne looked trapped by his surroundings, as if he were prepared, at any moment, to make a break for the door.' Within a couple years of their zeitgeist-changing performances, they enlisted keyboardist/guitarist Jerry Harrison, adding a much-needed dose of professionalism to the band. Gould, a former professional musician, writes exceedingly well about music but suffers from a kind of completism, cramming in an almost mind-numbing level of detail including the name of the elementary school in Pittsburgh where a young Frantz first took up drums to every military posting of Weymouth's naval aviator father. Though much of the material is fascinating, including his observations about how Byrne's then-undiagnosed Asperger's syndrome may have influenced his music and relationships with the other band members, it is likely to be a bit too much for all but the most diehard fans. ___ AP book reviews:

Book Review: A new biography goes long and deep on the rise and fall of rock band Talking Heads
Book Review: A new biography goes long and deep on the rise and fall of rock band Talking Heads

Winnipeg Free Press

time6 days ago

  • Winnipeg Free Press

Book Review: A new biography goes long and deep on the rise and fall of rock band Talking Heads

Talking Heads fans, rejoice! Hard on the heels of the re-release of 'Stop Making Sense,' the 1984 Jonathan Demme film widely considered the best concert movie ever made, Jonathan Gould has published a comprehensive biography of the seminal band that injected an art school vibe into popular music and forever changed rock 'n' roll. Gould, the author of well-received books on Otis Redding and the Beatles, chronicles in meticulous detail the rise and fall of the band that got its start in New York City's underground punk scene and ended up touring the world with a repertoire shaped by blues, funk and jazz. He begins 'Burning Down the House: Talking Heads and the New York Scene That Transformed Rock' with a vivid description of the drizzly June night in 1975 when the original trio – singer/songwriter David Byrne, bassist Tina Weymouth and drummer Chris Frantz – made its debut at the seedy club CBGB in downtown Manhattan, opening for the Ramones before a handful of patrons. With their 'unremarkable haircuts' and 'nondescript casual clothes,' they offered a sharp contrast to the 'baroque turn' that rock fashion had taken in the 1970s, Gould observes. 'The qualities that characterized this neophyte group in their first public performance centered on the awkward, disquieting intensity of their singer-guitarist, David Byrne, their sketchy, skeletal arrangements, and the quirky intelligence of their songs,' Gould writes. 'Tall and thin, with a long neck and an anxious, wide-eyed stare, Byrne stood stiffly at the microphone, his upper body jerking and jiggling like a shadow puppet as he scratched out chords on his guitar.… Instead of doing his best to command the stage and the room, Byrne looked trapped by his surroundings, as if he were prepared, at any moment, to make a break for the door.' Within a couple years of their zeitgeist-changing performances, they enlisted keyboardist/guitarist Jerry Harrison, adding a much-needed dose of professionalism to the band. Gould, a former professional musician, writes exceedingly well about music but suffers from a kind of completism, cramming in an almost mind-numbing level of detail including the name of the elementary school in Pittsburgh where a young Frantz first took up drums to every military posting of Weymouth's naval aviator father. Though much of the material is fascinating, including his observations about how Byrne's then-undiagnosed Asperger's syndrome may have influenced his music and relationships with the other band members, it is likely to be a bit too much for all but the most diehard fans. ___ AP book reviews:

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store