
The Louvre, plagued by overtourism, shuts its doors to visitors as workers strike
The Louvre, the world's most-visited museum and a global symbol of art, beauty and endurance, remained shuttered Monday — not by war but by its own exhausted staff, who say the institution in Paris is crumbling from within.
The spontaneous strike erupted during a routine internal meeting, as gallery attendants, ticket agents and security personnel refused to take up their posts in protest over unmanageable crowds, chronic understaffing and what one union called "untenable" working conditions.
The Louvre has become a bellwether of global overtourism as its become overwhelmed by its own popularity. As tourism magnets from Venice to the Acropolis scramble to cap crowds, the world's most iconic museum is reaching a reckoning of its own.
"It's the Mona Lisa moan out here," said Kevin Ward, 62, from Milwaukee, one of thousands of confused visitors corralled into unmoving lines beneath I.M. Pei's glass pyramid. "Thousands of people waiting, no communication, no explanation. I guess even she needs a day off."
It's a rare thing for the Louvre to close its doors to the public. It has happened during war, during the pandemic and in a handful of strikes — including spontaneous walkouts over overcrowding in 2019 and safety fears in 2013. But seldom has it felt quite like this: tourists lining the plaza, tickets in hand, with no clear explanation for why the museum had, without warning, simply stopped.
The disruption comes just months after French President Emmanuel Macron unveiled a sweeping decade-long plan to rescue the Louvre from precisely the problems now boiling over — water leaks, dangerous temperature swings, outdated infrastructure and foot traffic far beyond what the museum can handle.
But for workers on the ground, that promised future feels distant.
"We can't wait six years for help," said Sarah Sefian of the CGT-Culture union. "Our teams are under pressure now. It's not just about the art — it's about the people protecting it."
WATCH | Venice is struggling with overtourism, too:
Venice is struggling with overtourism: Will a €5 fee help?
1 year ago
Duration 0:44
The Mona Lisa's daily mob
Roughly 20,000 people a day squeeze into the Salle des États, the museum's largest room, just to snap a selfie with Leonardo da Vinci's Mona Lisa.
The scene is often noisy, jostling and so dense that many barely glance at the masterpieces flanking her — works by Titian and Veronese that go largely ignored.
"You don't see a painting," said Ji-Hyun Park, 28, who flew from Seoul to Paris. "You see phones. You see elbows. You feel heat. And then you're pushed out."
Macron's renovation blueprint, dubbed the "Louvre New Renaissance," promises a remedy. The Mona Lisa will finally get her own dedicated room, accessible through a timed-entry ticket. A new entrance near the Seine River is also planned by 2031 to relieve pressure from the overwhelmed pyramid hub.
"Conditions of display, explanation and presentation will be up to what the Mona Lisa deserves," Macron said in January.
A museum in limbo
The Louvre welcomed 8.7 million visitors last year, which is more than double what its infrastructure was designed to accommodate. Even with a daily cap of 30,000, staff say the experience has become a daily test of endurance, with too few rest areas, limited bathrooms and summer heat magnified by the pyramid's greenhouse effect.
In a leaked memo, Louvre president Laurence des Cars warned that parts of the building are "no longer watertight," that temperature fluctuations endanger priceless art and that even basic visitor needs — food, restrooms, signage — fall far below international standards. She described the experience simply as "a physical ordeal."
"What began as a scheduled monthly information session turned into a mass expression of exasperation," Sefian said. Talks between workers and management began at 10:30 a.m. and continued into the afternoon. As of the early afternoon, the museum remained closed.
The full renovation plan — with a projected cost of 700 million to 800 million euros ($1 milion to $1.25 million Cdn) — is expected to be financed through ticket revenue, private donations, state funds and licensing fees from the Louvre's Abu Dhabi branch. Ticket prices for non-EU tourists are expected to rise later this year.
WATCH | Why is the Mona Lisa so famous?
The Mona Lisa isn't famous just because it's a good painting | The Science of Success
3 years ago
Duration 1:47
The Mona Lisa, the world's most famous painting, hung on the walls of palaces for 400 years before it became known. In the early 20th century, it was stolen from the Louvre in Paris, and it's fame exploded.
But workers say their needs are more urgent than any 10-year plan. Unlike other major sites in Paris, such as Notre-Dame Cathedral or the Centre Pompidou museum, both of which are undergoing government-backed restorations, the Louvre remains stuck in limbo — neither fully funded nor fully functional.
Macron, who delivered his 2017 election victory speech at the Louvre and showcased it during the 2024 Paris Olympics, has promised a safer, more modern museum by the end of the decade.
Until then, France's greatest cultural treasure — and the crowds who flock to it — remain caught between the cracks.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


CBC
6 hours ago
- CBC
This program gives neurodiverse adults a chance to showcase their art
The Art-Seen program highlights the work of neurodivergent adults. Students had the opportunity to display their art at the Visual Arts Centre in Westmount, Que.


CTV News
15 hours ago
- CTV News
Vancouver artist behind Google Doodle for National Indigenous Peoples Day
The Google Doodle for June 21 commemorating National Indigenous Peoples Day was created by Vancouver-based Tahltan artist Alano Edzerza. If you open Google on Saturday, art by a Vancouverite will show up on the homepage. The Google Doodle for June 21 commemorating National Indigenous Peoples Day was created by Vancouver-based Tahltan artist Alano Edzerza. Titled 'Celebrating Totem Poles,' the graphic depicts wooden animals shaped like the letters in Google—a frog, wolf, raven, eagle, bear, whale and thunderbird. Edzerza's art has been displayed in galleries around the world, and he even designed gear for Dutch athletes during the 2010 Winter Olympics in Vancouver. Now, his work will be seen by anyone in Canada who makes a Google search. 'More than artwork, totem poles are deeply symbolic narratives carved into wood. They tell stories, commemorate events, or represent a family's lineage and crests. Many of these crests feature animals that represent kinship, identity and family history,' reads the webpage about the doodle. 'Colonization threatened totem poles with bans on various cultural practices, like the Potlatch, a ceremony where poles are raised. Today, beautiful totem poles are symbols of survival and resistance to cultural encroachment.' Doodles are special Google logos that mark holidays or commemorate important people. Famous British Columbians who have been featured in Google Doodles include Terry Fox and Harry Jerome.


CTV News
20 hours ago
- CTV News
‘The Letter' recreated and returned to Elora post office
Here's why a mural, which was previously torn down, has been recreated on the streets of Elora. A piece of artwork has been lovingly recreated and has resumed its place at the post office in Elora. 'The Letter' was originally proposed and designed by local artist Marilyn Koop after it was commissioned by the post office in the late 1990s. According to the Elora Centre for the Arts, it was restored previously in 2013 as a memorial to the artist following her death in 2012. However, time once again took its toll and local community arts organizations worked together to preserve the piece of history. The Elora-Fergus Arts Council and Wellington County Historical Society secured funding through the County of Wellington's Community Grants Programme and the Centre Wellington Community Foundation to recreate the mural. Artists Jefferson Campbell-Cooper and Julie Rene de Cotret took on the task, working from Koop's original designs and with support from her family. The Wellington County Historical Society said the latest iteration of 'The Letter' uses weather-resistant materials, 'preserving the essence of the original work for future generations.' 'This mural honours not just Marilyn Koop's artistic legacy, but also the enduring beauty of everyday moments,' Susan Thorning, Co-Chair of the Elora Fergus Arts Council, said in a news release. 'We are grateful to Jefferson and Julie for their thoughtful and skilled recreation, and to the community that made this project possible.'