
Cara Delevingne's Ultimate Festival Survival Guide
Every item on this page was chosen by an ELLE editor. We may earn commission on some of the items you choose to buy.
Missing a year of the Glastonbury Festival would feel like missing a birthday for Cara Delevingne. In fact, the British model and actress prioritizes a weekend on Worthy Farm so much that she gets it written into job contracts that she's not available for the June dates. It's non-negotiable. 'It's the festival I've been to the most and it's the one I will go to forever,' she says from her home in Los Angeles.
'Missing a year makes me feel like I'm missing my own birthday—that's what it feels like. If I'm doing a movie or something, I'll always put it into a contract.'
It makes sense, then, that the music fan is fronting Burberry's latest campaign, which champions England's long-standing love affair of days spent outdoors listening to music, from Glastonbury to Green Man.
'I grew up going to festivals and I grew up wearing Burberry,' she says. 'I feel really grateful and very honored to be in the campaign. Burberry are just the loveliest people to work for and work with. It's always been that way. So, to come back to it, it's like coming home.'
Delevingne isn't alone in her fan-girling, as Burberry's line-up also includes Liam Gallagher, Loyle Carner, Alexa Chung, and Lennon Gallagher, Molly Moorish-Gallagher, and Gene Gallagher. 'It was honestly very surreal,' she says of the campaign. 'It was like we're at a festival, but where you can play your own music. It was kind of ideal. Sometimes when you're on shoots and they're like 'smile,' and you have to force it, but this was actually me just having a fucking blast.'
In the accompanying photos, Delevingne wears three looks, made up of a consortium of festival-ready pieces that would easily fit into her own wardrobe. And there was one piece that did travel home with her that day. 'Don't worry, I was honest and said that I'm taking it—I do not wear skirts a lot, but it's a Burberry kilt,' she shares. 'I remember showing up to my sister's birthday in this kilt a couple of days later, and everyone looked at me because they hadn't seen me in a skirt since I was forced to wear one. I would never choose to wear a skirt, but a kilt is different. I am definitely taking it with me to festivals.'
Festival memories run deep for Delevingne, but there's something about her first time attending as a 15-year-old that stands out the most. 'I think the first time going to a festival is just always the most insane thing,' she confesses.
'The first time I went to Glastonbury, someone's ticket was fake and we had to break someone in. Six of us were sleeping in a three-man pop-up tent, and it was absolute chaos. It felt like a real pilgrimage to find where we were going and to find our friends. And then finally you get there. I miss that part of festivals, obviously, maybe not the camping, but yes, squeezing everything in a pop-up tent. But I miss how hard it is to get it sorted and get it done. When things are so hard, it does make the payoff so much better.'
Now in her early thirties, things have changed. 'My back can't handle it,' she laughs. 'Also, being sober is so different at a festival. They tell you when you get sober that you won't feel like shit the next day, but you do because you stay up late. Anyways, I'm just old now, and if you go to sleep too late, you just feel like ass.'
While the idea of a festival usually conjures images of massive sound systems set amongst otherwise peaceful green fields, there is a bit more variety in the U.K., whether it's the Notting Hill Carnival or Pride.
'I try to live proudly all year round,' Delevingne says. 'Queer people are not only the most eccentric, but also the most creative. There's not trying to be normal, which I feel like when you live suppressing something for so long, when you finally live freely [to be] who you are, you want to just be the most yourself you've ever been, and I think that comes out in a way that queer people celebrate each other and celebrate being queer, because it really is all or nothing.'
As Pride Month takes hold, Delevingne admits that this could be one of the most crucial in our lifetime so far. 'It seems throughout history that you take two steps forward and take three steps back,' she says. 'And I think that in these moments when we're being pushed back, we really just have to keep pushing forward and keep being represented and representing ourselves. That to me is the most important thing.'
'I have a few essentials that I always bring now [that] I'm a bit older—one is a camel pouch. It's small, it's sleek, you can put it under your jacket, just so you can have water wherever you go. Shove electrolytes in there, whatever works.'
'I also always bring a head torch. I think there's something about getting lost in the dark when I was at Glastonbury in the first year that slightly traumatized me for life, because I bring a head torch wherever I go. Even if I go on holiday, I always bring one.'
'I never think it's a problem wearing the same thing twice at Glastonbury, just as long as you cover all bases, of, like, an umbrella that can be used in the rain or the sun. It doesn't usually rain, but you need to be prepared. I don't like wellies unless it's raining. I do a lot of walking, and I like to move very far around the festival in a day. So, I prefer hiking shoes.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Epoch Times
2 hours ago
- Epoch Times
A Joint Museum Acquisition of a Rare British Self-Portrait
The British Baroque artist William Dobson (1611–1646) is not a household name, but that may be changing with the international news that London's Tate and the National Portrait Gallery (NPG) have jointly acquired one of his rare self-portraits. The purchase Among modern scholars, Dobson's paintings have been critically acclaimed, especially after two 20th-century exhibitions. Art historians have found similarities between his work and that of such illustrious figures as Caravaggio and Rembrandt, two artists who also have important self-portraiture legacies. However, Dobson has long been forgotten by the general public due to personal and historical circumstances.
Yahoo
2 hours ago
- Yahoo
Kneecap Glastonbury slot ‘not appropriate', says Starmer
Prime Minister Sir Keir Starmer has said he does not think Kneecap's planned Glastonbury Festival performance is 'appropriate'. He made the comments after Kneecap member Liam Og O hAnnaidh appeared in court on Wednesday, after being charged for allegedly displaying a flag in support of proscribed terrorist organisation Hezbollah while saying 'up Hamas, up Hezbollah' at a gig in November last year. In an interview with The Sun, Sir Keir was asked if he thought the trio should perform at Glastonbury, to which he replied: 'No, I don't, and I think we need to come down really clearly on this. 'This is about the threats that shouldn't be made, I won't say too much because there's a court case on, but I don't think that's appropriate.' It comes after Conservative Party leader Kemi Badenoch said she thought the BBC 'should not be showing' Kneecap's performance at the festival next week. Mrs Badenoch said in the X post, which was accompanied by an article from The Times that claimed the BBC had not banned the group: 'The BBC should not be showing Kneecap propaganda. 'One Kneecap band member is currently on bail, charged under the Terrorism Act. 'As a publicly funded platform, the BBC should not be rewarding extremism.' The Tory Leader of the Opposition has previously called for the group to be banned from Glastonbury, and last year Kneecap won a discrimination case against the UK Government in Belfast High Court after she tried to refuse them a £14,250 funding award when she was a minister. Kneecap took aim at Mrs Badenoch in their latest single, The Recap, released just before their headline set at London's Wide Awake festival in May, with the song mocking the politician's attempts to block their arts funding and the Conservative Party's election loss. The BBC should not be showing Kneecap propaganda. One Kneecap band member is currently on bail, charged under the Terrorism Act. As a publicly funded platform the BBC should not be rewarding extremism. — Kemi Badenoch (@KemiBadenoch) June 21, 2025 On Wednesday, O hAnnaidh, who performs under the stage name Mo Chara, was cheered by hundreds of supporters as he arrived with bandmates Naoise O Caireallain and JJ O Dochartaigh at Westminster Magistrates' Court in 'Free Mo Chara' T-shirts. During the proceedings, a prosecutor told the court the 27-year-old is 'well within his rights' to voice his opinions on Israel and Palestine, but the alleged incident at the O2 Forum in Kentish Town, north London, is a 'wholly different thing'. O hAnnaidh was released on unconditional bail until his next hearing at the same court on August 20. Following the hearing, the rapper said: 'For anybody going to Glastonbury, you can see us there at 4pm on the Saturday. 'If you can't be there we'll be on the BBC, if anybody watches the BBC. We'll be at Wembley in September. 'But most importantly: free, free Palestine.' The charge came following a counter-terrorism police investigation after the historical gig footage came to light, which also allegedly shows the group calling for the deaths of MPs. In April, Kneecap apologised to the families of murdered MPs but said footage of the incident had been 'exploited and weaponised'. In an initial post in response to the charge, Kneecap said: '14,000 babies are about to die of starvation in Gaza, with food sent by the world sitting on the other side of a wall, and once again the British establishment is focused on us. 'We deny this 'offence' and will vehemently defend ourselves, this is political policing, this is a carnival of distraction. 'We are not the story, genocide is, as they profit from genocide, they use an 'anti-terror law' against us for displaying a flag thrown on stage. A charge not serious enough to even warrant their crown court, instead a court that doesn't have a jury. What's the objective? 'To restrict our ability to travel. To prevent us speaking to young people across the world. To silence voices of compassion. To prosecute artists who dare speak out. 'Instead of defending innocent people, or the principles of international law they claim to uphold, the powerful in Britain have abetted slaughter and famine in Gaza, just as they did in Ireland for centuries. Then, like now, they claim justification. 'The IDF units they arm and fly spy plane missions for are the real terrorists, the whole world can see it.' Formed in 2017, the group are known for their provocative lyrics in both Irish and English and their merchandise. Their best-known tracks include Get Your Brits Out, Better Way To Live, featuring Grian Chatten from Fontaines DC, and 3Cag. A BBC spokesperson said: 'As the broadcast partner, the BBC will be bringing audiences extensive music coverage from Glastonbury, with artists booked by the festival organisers. 'Whilst the BBC doesn't ban artists, our plans will ensure that our programming will meet our editorial guidelines. Decisions about our output will be made in the lead-up to the festival.'

USA Today
2 hours ago
- USA Today
Is there a post credit scene in 28 Years Later?
The newest sequel in the 28 Days Later franchise hit theaters on Friday, with audiences heading to see what the rage virus had done to the United Kingdom in the nearly three decades since it began. The story picks up with Spike (Alfie Williams) and his dad (Aaron Taylor-Johnson) heading onto the mainland from the safety of their island refuge for a coming-of-age hunting trip. Warning: Spoilers for 28 Years Later follow! Eventually Spike and his mother Isla (the wonderful Jodie Comer) go on a search for a doctor (Ralph Fiennes) that can hopefully help her migraines and bouts of confusion. They, of course, run into a lot of trouble with hordes of infected and a particularly difficult Alpha (the more evolved and stronger infected). After finding Dr. Kelson, Spike has to come to grips with grief and death in a new way, and he decides to stay out on the mainland to learn more about himself. So, is there a post-credit scene in 28 Years Later? The short answer is no, you can leave when the credits start to roll. The longer answer is that there should have been one. Director Danny Boyle and writer Alex Garland ended the movie with a bizarre scene that involves track-suited, karate fighting killers in blond wigs, led by ringleader Jimmy Crystal (Jack O'Connell). It's a deep cut reference to disgraced British television host Jimmy Savile, but it's also a drastic tonal shift from the rest of the movie. The newest movie is actually the launching point for a hopeful new trilogy, starting with 28 Years Later and continuing with the January 2026 release of 28 Years Later: The Bone Temple. Since the final scene seems to be more of a lead-in to that follow up film, it would have been less of a vibe shift had it followed a wave of credits.