Nintendo Switch 2 smashes record as company's fastest-selling console
Japan's Nintendo said on Wednesday it had sold more than 3.5-million Switch 2 units in the first four days after its launch, making the console the company's fastest-selling gaming device to date.
Last month, the Kyoto-based company forecast Switch 2 sales would reach 15-million during the financial year ending next March.
"Fans around the world are showing their enthusiasm for Nintendo Switch 2 as an upgraded way to play at home and on the go," Nintendo of America president and COO Doug Bowser said.
Nintendo has sold 152-million Switch devices since it was launched in 2017, creating a games juggernaut with titles including The Legend of Zelda and Covid-19 pandemic breakout hit Animal Crossing: New Horizons.
The more powerful second-generation version, which went on sale on June 5, bears many similarities with its predecessor but offers a larger screen and improved graphics. It is sold with titles including Mario Kart World.
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Daily Maverick
14 hours ago
- Daily Maverick
Sound sculptor BJ Engelbrecht on making art that is perceived by all senses
BJ Engelbrecht talks about the childhood influences that led to his mode of being, and the arts community in which he thrives. The InArt interviews explore culture by asking creatives about their life in the arts, and which artists in other media stimulate them. We spoke to Johannesburg-based researcher and sound sculptor BJ Engelbrecht. When did you first identify as a creative artist? I don't recall a sudden moment of realisation, rather it was a gradual process of discovery. That being said, I was always drawn to the arts. I have vivid memories from childhood of constantly drawing and am fortunate to have grown up in a home surrounded by a wide variety of music. There are two formative influences from my youth that I think had a major influence on me and my artistic life. The first, being a teenager in the 1990s, was hip-hop, specifically graffiti and deejaying. Everything from tearing out the back pages from The Source magazine, to second- and third-generation tape copies, from that memorable bench in what was then Van der Bijl Square, to late-night trains and the colours black and chrome. I can still smell the Black Label and beedis. The hip-hop community of the Nineties had a major impression on my worldview. The second major influence was being a black portfolio art kid in school. Of course, the Johannesburg Art Gallery, the Michaelis Art Library and the Johannesburg Biennale were invaluable to me, but I was also extremely lucky to have had accomplished mentors and goal-directed friends. Which branch of art most stimulates you? I don't find much in the art world stimulating. If you've been at it for as long as I have, at some point you'll discover that it is simply work. Yes, part of the work necessitates frequent moments of discovery, which are satisfying, and I have the opportunity to be part of a community that consists of some of the most talented, intelligent and interesting people in the country, and that's rewarding, but I don't necessarily feel like this is unusually stimulating. Which artists have inspired you, and why? Again, it's not about inspiration. It's about a mode of being in the world and attending to it in a way that is critical of one's experience. Some of these experiences might include the artwork of others, and it's vital to have a strong understanding and vast knowledge of the work of others, but I think that you'd be somewhat failing if this is where you primarily seek inspiration. What to you is art's most important function? There is a plurality of purposes, one of which is not to have a purpose at all. What is most necessary, given our context, is to be politically engaged. Local creatives who excite you? I'm not excited by a particular artist, but rather the youngsters in general – explorative, technologically-inclined and likely tuned into states of affairs in the world in ways that I will never be. Which artistic work do you return to again and again, and why? GZA's Liquid Swords. It was the first album I bought. It captures something sonically that speaks to my experience of the city, but also it's the genius. What do you think of the AI revolution? I don't think it's a revolution but more of an evolution. It's certainly receiving a lot of attention, partially because of its now unprecedented ubiquity and sometimes undeserved controversy. Although I am not an expert by any means, in the arts it's a tool among many. There are artists for whom AI is a medium and they specifically build models as a form of art, some of which are critical of the means of their creation. These artists often get criticised for being in support of the technocracy when they are, in fact, aimed at calling the complex array of serious issues surrounding AI to light. So there is this oscillation between AI being a force for enslavement or liberation. It is also a question of creativity and what makes up consciousness. I feel like the consensus is that not enough is yet known about human thinking and feeling, or perhaps our approach to understanding consciousness needs to be approached differently. Debates aside, in my practice I still prefer brushstrokes over keystrokes. Any project you're unveiling or wrapping up? I'm wrapping up my postdoctoral fellowship at Wits University and continuing to work with Jurgen Meekel and Jill Richards as a member of the experimental music and sound art collective Playgroup. I have a continued collaboration with the architectural minds from Tshwane University of Technology and an exhibition is in the works for later this year. DM Mick Raubenheimer is a freelance arts writer. This story first appeared in our weekly Daily Maverick 168 newspaper, which is available countrywide for R35.

IOL News
a day ago
- IOL News
KwaZulu-Natal DOT assembles legal team for Tokio Marine lawsuit over flood damages
The MEC for Transport and Human Settlements, Siboniso Duma, met with Andrew Kirby, the president and CEO of Toyota South Africa Motors. Image: Supplied The KwaZulu-Natal Department of Transport (DOT) is assembling a strong team of legal minds to guide them on a lawsuit instituted by insurance company Tokio Marine & Nichido Fire Insurance Co. The Japan-based insurance company has sued the eThekwini Municipality, Transnet SOC Limited, and the DOT in respect of the April 2022 floods, which affected Toyota South Africa Motors (Pty) Ltd (TSAM), based in Prospecton. In court papers, it is stated that the three organisations had failed in their duty to maintain infrastructure and should have known that neglecting such responsibilities could lead to flooding. During the April floods, the structural integrity of the Umlaas Canal and the diversion berm was compromised, leading to stormwater flowing into the Prospecton Industrial Area, where the Toyota plant is situated, causing extensive flooding and damage, as read in the court papers. It stated that Transnet owned the Umlaas Canal and was responsible for its management and maintenance, as well as the flood risk associated with it. The concrete-lined canal is intended to channel and divert the uMlazi River around the Prospecton Industrial Area. Together with the diversion berm, it forms an integral part of the flood control and prevention mechanism for the Prospecton Industrial Area, it further stated. It said the DOT was responsible for the management and maintenance of the diversion berm, while the municipality owned, managed, and was responsible for the maintenance and control of the stormwater management system for the Prospecton Industrial Area. Video Player is loading. Play Video Play Unmute Current Time 0:00 / Duration -:- Loaded : 0% Stream Type LIVE Seek to live, currently behind live LIVE Remaining Time - 0:00 This is a modal window. Beginning of dialog window. Escape will cancel and close the window. Text Color White Black Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Background Color Black White Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Transparent Window Color Black White Red Green Blue Yellow Magenta Cyan Transparency Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Dropshadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. Advertisement Next Stay Close ✕ Ad loading Tasneem Lorgat, the general manager, Marketing Communications for Toyota, stated that TSAM submitted its insurance claim to Tokio Marine in respect of the floods. Lorgat stated that the flood affected TSAM's manufacturing operations. She said the litigation proceedings are not being facilitated and/or funded by TSAM. Accordingly, TSAM will not benefit in any way from the subrogated recovery action against these entities. She said upon learning of the impending recovery litigation, TSAM undertook, with the consent of Tokio Marine, to engage with each of the defendants to advise them of the impending subrogated recovery action. The MEC for Transport and Human Settlements, Siboniso Duma, said that he had spoken with Andrew Kirby, the president and CEO of TSAM, on Friday. Duma stated that the department is consulting with lawyers and could not get into the legal technicalities and details of the processes that will unfold. 'Kirby has emphasised his commitment to work with us to build this province. We have agreed to sustain our relationship that has evolved over the years. We have agreed that nothing should come between us and this enduring relationship,' Duma said. eThekwini Municipality spokesperson, Gugu Sisilana, said the municipality was aware of the court action and had filed a notice to defend. An eThekwini Municipality finance committee report, in April 2025, stated that the municipality is actively working on improving critical infrastructure and water supply systems, particularly in the Toyota and South African Breweries (SAB) precincts, south of Durban, to mitigate future disruptions and demonstrate accountability In a municipal report, a suggestion was made to explore the possibility of relocating TSAM from its current location, which is situated in a flood-prone area in Prospecton, and that the current weather conditions pose significant risks to the company's operations. According to the report, relocating to another area within the eThekwini municipal region should be considered to mitigate potential long-term impacts, including huge job losses. Refilwe Ramatlhodi Ndhlovu, manager of corporate communications at TSAM, indicated that TSAM has no plans to relocate its manufacturing operations and remains invested in the community and investments made at the plant. Andre Beetge, DA Ward 97 councillor and Executive Committee member (Exco), stated that TSAM plays an important role within the southern economy. He said TSAM also creates job opportunities, and one must take into account the ancillaries that find themselves directly reliant on the existence and location of this 'anchor' manufacturer.


eNCA
a day ago
- eNCA
World Bank and IMF climate snub 'worrying', says COP29 presidency
BONN - The hosts of the most recent UN climate talks are worried international lenders are retreating from their commitments to help boost funding for developing countries' response to global warming. Major development banks have agreed to boost climate spending and are seen as crucial in the effort to dramatically increase finance to help poorer countries build resilience to impacts and invest in renewable energy. But anxiety has grown as the Trump administration has slashed foreign aid and discouraged US-based development lenders such as the World Bank and the International Monetary Fund from focussing on climate finance. Developing nations, excluding China, will need an estimated $1.3 trillion a year by 2035 in financial assistance to transition to renewable energy and climate-proof their economies from increasing weather extremes. Nowhere near this amount has been committed. At last year's UN COP29 summit in Azerbaijan, rich nations agreed to increase climate finance to $300 billion a year by 2035, an amount decried as woefully inadequate. Azerbaijan and Brazil, which is hosting this year's COP30 conference, have launched an initiative to reduce the shortfall, with the expectation of "significant" contributions from international lenders. But so far only two -- the African Development Bank and the Inter-American Development Bank -- have responded to a call to engage the initiative with ideas, said COP29 president Mukhtar Babayev. "We call on their shareholders to urgently help us to address these concerns," he told climate negotiators at a high-level summit in the German city of Bonn this week. "We fear that a complex and volatile global environment is distracting" many of those expected to play a big role in bridging the climate finance gap, he added. - A 'worrisome trend' - His team travelled to Washington in April for the IMF and World Bank's spring meetings hoping to find the same enthusiasm for climate lending they had encountered a year earlier. But instead they found institutions "very much reluctant now to talk about climate at all", said Azerbaijan's top climate negotiator Yalchin Rafiyev. This was a "worrisome trend", he said, given expectations these lenders would extend the finance needed in the absence of other sources. "They're very much needed," he said. The World Bank is directing 45 percent of its total lending to climate, as part of an action plan in place until June 2026, with the public portion of that spilt 50/50 between emissions reductions and building resilience. The United States, the World Bank's biggest shareholder, has pushed in a different direction. On the sidelines of the April spring meetings, US Treasury Secretary Scott Bessent urged the bank to focus on "dependable technologies" rather than "distortionary climate finance targets." This could mean investing in gas and other fossil fuel-based energy production, he said. Under the Paris Agreement, wealthy developed countries -- those most responsible for global warming to date -- are obliged to pay climate finance to poorer nations. Other countries, most notably China, make voluntary contributions. - Money matters - Finance is a source of long-running tensions at UN climate negotiations. Donors have consistently failed to deliver on past finance pledges, and have committed well below what experts agree developing nations need to cope with the climate crisis. The issue flared up again this week in Bonn, with nations at odds over whether to debate financial commitments from rich countries during the formal meetings. European nations have also pared back their foreign aid spending in recent months, raising fears that budgets for climate finance could also face a haircut. At COP29, multilateral development banks (MDBs) led by the World Bank Group estimated they could provide $120 billion annually in climate financing to low and middle income countries, and mobilise another $65 billion from the private sector by 2030. Their estimate for high income countries was $50 billion, with another $65 billion mobilised from the private sector. Rob Moore, of policy think tank E3G, said these lenders are the largest providers of international public finance to developing countries. "Whilst they are facing difficult political headwinds in some quarters, they would be doing both themselves and their clients a disservice by disengaging on climate change," he said. The World Bank in particular has done "a huge amount of work" to align its lending with global climate goals. "If they choose to step back this would be at their own detriment, and other banks like the regionally based MDBs would likely play a bigger role in shaping the economy of the future," he said. The World Bank declined to comment on the record.