
Kartik Aaryan, Ananya Panday shoot for Tu Meri Main…, video from sets goes viral
Kartik Aaryan and Ananya Panday have reunited for the romantic comedy 'Tu Meri Main Tera Main Tera Tu Meri'. Directed by Sameer Vidwans, the film has gone on floors in Europe, and a video of the duo shooting scenes has recently gone viral.The viral video featured Kartik Aaryan entering a roadside cafe, while Ananya Panday is seen sitting with a friend.advertisementThe film is expected to release in theatres on February 13, 2026.
Take a look at the viral video: Kartik Aaryan recently shared a series of photos announcing the start of his new film, 'Tu Meri Main Tera, Main Tera Tu Meri'. Introducing his character Ray, the actor even unveiled his new look.One photo captured him posing against a picturesque European backdrop with a clapperboard marked 'Mahurat' beside him.Another image featured snippets of his freshly cut hair, highlighting his transition from the long-haired avatar in Anurag Basu's film to a shorter hairstyle for this role. Captioning the post, he wrote, 'Ray is Raydyyyy #TuMeriMainTeraMainTeraTuMeri.'Produced by Karan Johar, Adar Poonawalla, Apoorva Mehta, Bhumika Tewari, Shareen Mantri Kedia, and Kishor Arora - the much-anticipated rom-com is set to hit theatres on February 13, 2026, just in time for couples to celebrate Valentine's with a dose of fun and romance. The upcoming film will reportedly cast Ananya Panday as the female lead.'Tu Meri Main Tera, Main Tera Tu Meri' is directed by Sameer Vidhwans, marking the much-awaited reunion with Kartik Aaryan's 'Satyaprem Ki Katha' actor.Must Watch
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Hindustan Times
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His father, Vinod Kumar, an artist himself, and who teaches visual art at the same school his son is studying, had ensured that his education is wholesome by enrolling in a school that pays attention to art as much as learning a math formula. Kumar said he also made sure they visit some interesting places, including museums, on their school breaks, like now, considering they get breaks together. "But nothing really prepared me for this experience here," said Mahaavin. Every visitor that PTI spoke to on June 20 echoed this sentiment. Seventy-plus years old Kiran Ganapathy, a native of Coorg, who is visiting her daughter in Bengaluru, said she was extremely glad that she let her daughter persuade her to come. "I studied here in Bengaluru and in my college days, frankly, Bengaluru had lot more to offer in terms of art. All those iconic places are now gone, really. I think the last time that I had an art outing here was probably in the 1980s," said Ganapathy. But being an Army wife, Ganapathy said she has travelled a lot. "We have been to Florence and been to those countless museums there. I am sure I have come across Caravaggio there," she said. But here in NGMA though, a huge empty hall is plunged into darkness with only a tiny light right above the painting illuminating it in such a way that the entire focus, no matter where you go in the hall, is only the painting –- that of Mary Magdalene, the woman believed to be a sex worker and Jesus Christ's disciple. The painting captures her rapture, highlighted by, as critics put it, "a ray of intense light, her head lolling back and eyes stained with tears". "I think this is perhaps the best way to learn about an artist, without feeling that fatigue one tends to in museums. I think one gets to understand Caravaggio's art much better like this than walking through a series of his paintings," added Ganapathy. 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The clash of light and darkness, which is an underlying theme of every Caravaggio. "As an artist though, I am amazed at how much drama he managed to create with so little. At a time when his fellow artists were filling the canvas with things, he stripped them bare. Just the effect of light which pours from the top left – has more drama than most animated figures of other artists," said Sitaram. Tagliaferri said this "theatricality" is called Caravaggesque style. "He was very ahead of his time. He created a sense of photography, cinematography even, with the way he handled light. His paintings take you directly to that moment of drama – in this painting, it is the ecstasy of Magdalene. This is what makes Caravaggio's works compelling," said Tagliaferri. Sneha, who is "taking a break" from teaching, said she had a moment of epiphany while standing in front of the painting: once a teacher, always a teacher. Her "teacher" eyes immediately spotted possibly the only thing that went wrong — lighting is too dim to make out the most famous symbolism in "Magdalene in Ecstasy", the 'cross and crown of thorns'. According to a signage nearby, the skull at the bottom right and the cross at top left denote the eternal pull between the good and the evil that mankind goes through. "I mean, wasn't that the point of the painting? How can we compromise on that? Somebody needs to tell the organisers to brighten the lights a bit more," said the 45-year-old teacher. This article was generated from an automated news agency feed without modifications to text.