Zaeden and the New Sound of Indian Pop

All eyes are on India right now. Music, fashion, food — this is the most exciting phase I've seen in ten years of making music. Zaeden on India's creative rise SBS Spice is your go-to for South Asian Australian culture, exploring what makes us tick—or ick. Catch us on your favourite podcast platforms: Spotify , Apple Podcasts , YouTube and the SBS Audio app. Or tap the audio player to listen to the full episode.
Looking for more music conversations? Explore these SBS Spice episodes:
SAHXL: The Hip-Hop and R&B Prince of Western Sydney SBS Audio
21/05/2025 18:31 Prateek Kuhad: In-between the lines and rhymes SBS Audio
09/09/2024 23:45 PANIA on R&B, Expectations and Refusing the Script SBS Audio
22/05/2025 09:27 New episodes drop every week. Follow SBS Spice on Instagram @SBSSpice and never miss an update.

Try Our AI Features

Explore what Daily8 AI can do for you:

Learn with AIFact CheckingText to SpeechAI Summary

Related Articles

ABC News

10 hours ago

• ABC News

Machine Girl

Loading If you missed their live shows over the last couple of weeks, you're in luck because we nabbed them for an exclusive mix on triple 2012 producer/singer Matt Stephenson and percussionist Sean Kelly have been creating whacked-out, glitchy electronic sounds as Machine Girl. It's the sort of music that is hard the define by genre, as equal parts rave weapon and noise ritual, bringing together ravers, metalheads, gamers, goths, and industrialists year saw the release of their latest LP MG Ultra on Australian label Future Classic, their most mind-bending chapter yet. Check it out here:Matt from Machine Girl is stepping up to the decks to unleash an hour of genre-bending, full-throttle electronic sounds on the airwaves tonight. Expect everything from techno and breakcore to jungle, footwork and even a few cheeky edits along the soon!

SBS Australia

13 hours ago

• SBS Australia

Essendon Airport（MF 566）

Independent news and stories connecting you to life in Australia and Japanese-speaking Australians. Ease into the English language and Australian culture. We make learning English convenient, fun and practical.

SBS Australia

21 hours ago

• SBS Australia

How Fiston beat the odds to crack an $8bn Aussie industry and go global

Fiston Baraka in a recording studio in Melbourne working on his new single. Source: SBS / Scott Cardwell At the mic in a small recording studio in Melbourne's north, Fiston Baraka is putting the finishing touches on his new single. "It's called Kumbuka, which means remember," said Baraka, 25. "It is about me looking back at times people told me to stop my music, that I was wasting my time. One line says, 'remember when they said I wouldn't make it'." "Making it" is something the artist is incredibly proud of. The rising hip-hop star from Geelong is among Victoria's hottest music acts. He even performed at the Australian Open tennis tournament earlier this year. "The Australian Open, yeah that was crazy, no way to describe it," he said. "It made me feel seen and at the same time accept that the work I am doing is not going to waste." The recording studio is a world away from the refugee camp where Baraka grew up, but the memories remain vivid and live on in his songs. Known to fans as Baraka the Kid, he sings in English and Swahili, and his rap music is finding an audience worldwide. "My biggest following is Nigeria, South Africa, and the United States," he said. "Australia sits at number four." Baraka is proud to contribute to the expanding Australian music industry, which grew in revenue by 6 per cent year-on-year in 2024, marking six consecutive annual gains, according to industry body ARIA. Overall, the Australian music industry generates revenues of $8.78 billion according to a recent report released by the federal government body Music Australia. It provides the first comprehensive measure of the economic contribution of Australia's music industry, and includes data from industry, government, and over 1,000 individuals and businesses working across the music industry. It found that streaming dominates the market, accounting for more than 70 per cent of all revenue. Industry growth provides opportunities for young artists, but music producer Ariel Blum said the playing field is far from level. "There are a lot of challenges for people that don't grow up with either the economic means or the social networks to access the decision makers," Blum said. "I have met many clients coming into the studio with a particular profile. They would typically come from privilege, economic privilege mainly, getting bills paid by mum and dad." It's one reason Blum co-founded a music mentoring project called GRID Series in 2013, to give artists from disadvantaged backgrounds a helping hand. "GRID is actually an acronym and stands for Grassroots in Development," he said. "Our main mission is to bring resources, access, and opportunities to artists from low socioeconomic backgrounds. "And in Australia, typically that means living in the outer suburbs or regional areas." Fiston Baraka is among the project's rising stars. Since being accepted into the project, he has received mentoring from Joel Ma, known as Joelistics, an Australian producer, multi-instrumentalist, and former member of the Melbourne-based Australian hip hop group TZU. "When Fiston and I first met, he was really open to exploring his refugee story," said Ma. "A lot of our conversation was about his family's story, coming from overseas and arriving in suburban Geelong, and how much of a cultural shock that was for Fiston and his family." Baraka arrived in Australia in 2010 and was born in 2000 in Lubumbashi, the second-largest city in the Democratic Republic of Congo (DRC). He later grew up in a refugee camp in Zambia. Zambia is home to more than 100,000 refugees, asylum seekers, and other displaced people. Many are exiles from the DRC. While Baraka has happy childhood memories of making friends there, he faced many hardships too. Food was short and illness rife. His life changed dramatically when his parents bought a small parcel of land and started growing crops. "Myself and my older brother were taken out of school and we started working on the farm alongside our cousins," he said. "My parents decided the farm was more of a focus because that's what was actually bringing income," he said. It set back his education, and when the family was finally accepted into Australia on humanitarian visas, Baraka had received limited schooling and spoke little English. "The reading part was hard because I couldn't write and I couldn't read the words either," he said. "So, the way I learned English was by watching cartoons on television." Drawing on the resilience many refugees are respected for, Baraka went on to finish high school and tertiary qualifications, spent six years working in construction then started his own music business. He now explores his refugee journey through song. "It was not hard to kind of convince him to sing in Swahili," Ma said. "We talked about whether that would alienate an Australian listening public. Our conversation got to a point of: 'well, the world is bigger than Geelong, bigger than Melbourne, bigger than Australia'. "You can have an audience that extends to parts of Africa, America, Canada, and the UK because this story, although unique to you, is universal in so many ways." It was a strategy that's paid off for both artist and mentor. "I get a huge rush of pride when I see someone like Fiston making their way in the world and having an impact and finding his audience. It is amazing," Ma said. "I am very happy to be where I am and very proud to have [come] so far," said Baraka. "I didn't think of music as being anything more than a hobby when I first started, but now it is a passion and something I can actually make a career out of, as well." Baraka is among 70 participants to develop their style and their business acumen through the GRID Series. The free six-month GRID series is supported by Creative Victoria, includes studio time with a producer, live performances, and sessions on business basics. "Things like setting up an ABN, registering your business name, claiming all of your profiles on different platforms, and registering for APRA AMCOS. Often they will come and do an information session, too," said Blum. However, Blum said Baraka's motivation is also key to his success. "Fiston is like a meteorite, a fireball of incredible energy. He is incredibly personable, incredibly talented, and insanely charismatic. "And when you are around Fiston, you feel excited," he said. GRID Series currently runs in three states and aims to bring more diversity into Australia's music scene. "I come from a part of the Australian music industry that is about telling stories and representing an Australia, which is diverse," Ma said. "And GRID is a hotbed of stories about an Australia that I recognise. "In the past, the Australian music industry felt very white, very male-dominated, very rock-oriented. "Because GRID is open-minded, it supports diverse artists and genres. Their music tells stories of people coming from other countries, particularly from war-torn countries and places where life is a struggle," Ma said. For Baraka, who quit a full-time job in construction to chase his music dream, recent success is sweet, but his goal is to touch people through his songs. "Joel Ma told me that being Congolese and speaking Swahili makes my music unique," he said. "So, each song has a story. It is either something that I experienced or that someone close to me has experienced. "I put that into the music and people relate, they say 'oh wait, I've been through that too'. And so they connect. "They also send me messages which might be little in text, but they are big in heart. "And it makes me feel good that so many people are able to open up by hearing my words," he said. Watch now Follow Small Business Secrets Share this with family and friends