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The Firm: Tin hats on, here comes a second series

The Firm: Tin hats on, here comes a second series

As The Herald's TV critic, I was unimpressed. My chief beef: its attempt to blend a serious look at real cases with a light-hearted take on office life, including slo-mo shots of women's shoes.
Produced by STV Studios Factual for BBC Scotland, a second series starts this week. I'd heard Anwar wasn't happy with my review of the first season, so I ask for an interview. After some to and fro - 'I had to think about it,' he says - here we are in his Blythswood Square offices.
His desk is full of photos, thank you cards, other bits and bobs, including a joke button that says 'BULL****'. At the back of the room are unopened boxes marked 'Hollywood Mirrors'.
He said yes to a second series because several of the cases he had been pursuing for years were coming to fruition, and he wanted to show the effect lengthy legal battles have on relatives.
'You get a 30-second soundbite on the news,' he says. 'Nobody gets to see the misery, the pain, the toll it takes on families.'
There was the chance, too, to counter some of the assumptions made about him. Just that morning, he says, someone had called him an 'ambulance chaser'.
He rejects the accusation, referencing the clients and cases he has worked on as he goes.
'You don't make money out of fighting for Margaret Caldwell for 10 years for free. The Sheku Bayoh family, seven years without funding. Surjit Singh Chhokhar, 18 years without funding.'
He says 70% of his work outside the courtroom is pro bono, and it's the firm's other work that pays the bills.
Anwar's own story is well known. Born in Liverpool, dad a bus driver, mother had various jobs, one sister. Went to Glasgow University where he discovered law, politics and campaigning. Took a battering from police, sued the cops and won. More cases followed, each more high-profile than the next.
We turn to the review. At first he brushes it off. 'Journalists write what they want about me, that's fair enough. It doesn't impact. Most people liked the series.'
But then he warms to his theme. And how.
'I did think it was … unfair. I was sitting in London when it came out, with my senior counsel, probably one of the finest advocates this country has ever produced, Dr Claire Mitchell, King's Counsel, the one who wrote the book about the witches just recently. She's questioned Boris Johnson, Rishi Sunak. My counsel looked at her, then she flipped her shoes and went, 'I'm wearing bloody Louboutins. What, are we women not allowed to wear what we want to wear?' And for a woman to criticise young women in this office who like the way they dress …'
I try to jump in several times to challenge what he is saying, but without success. I'm getting everything bar the kitchen sink thrown at me and there is no way to stop the barrage. It is quite impressive in its way. I could probably leave the office, saunter round the block, and he would still be talking when I returned. What strikes me is how quickly he went from 0-90 on the outrage scale and back again as if nothing had happened.
He is 57 now, the hair more salt than pepper. He looks well. The suits help, and sessions at the gym. His three children, his partner, pals, exercise - these are what helped him through a breakdown a few years ago.
Work was the obvious culprit, but the root cause lay in his childhood. At home, dad 'ruled with a rod of iron'. School was no refuge because this was the 1970s and racism was rife. He felt powerless, angry, but what to do with all that rage? Like many of his generation he told himself to suck it up, just keep going, but then he could take no more.
Dad has now passed, his last years lost to dementia. 'The best thing I ever did was learn to forgive him because that gave me a sense of peace. The sad part is I never asked what happened to him. What made him the person he was.'
Mum is still adjusting to life without her husband of 58 years. She is a huge figure in her son's life, not least because she does his books. I ask if she gives him a discount.
'She gives me a row,' he laughs. If his mum hadn't taken over his personal finances it would be 'haywire'. Though it does mean he has to ask her for money. 'Everybody's like, how old are you?'
Our scrapping done, we're talking about the second series and footage of him as a young firebrand. If he could go back and have a word with that Aamer, what would he say?
'I would probably say shouting and screaming puts people off. You need to have evidence, you need to plan it more. If I'd carried on in that vein I probably would have ended up dead or in a jail cell. I had to channel that anger. That anger is still there and it comes back.'
Two women have appeared in the outer office.
'I probably should introduce you to Rebecca and Shelby, who are the girls in the Louboutins,' says Anwar.
Shelby says she had the review as her Twitter header. Rebecca adds: 'It's just shoes isn't it? There are more important things.' We could have done with this two-woman UN peacekeeping force a while ago.
'I'm sorry if you were offended,' I say.
'It's okay,' says Rebecca. 'It's your job, it's my shoes. You can borrow them if you like.'
How we laugh. 'They don't take any s***,' says a beaming Anwar.
An example to us all, whatever our footwear.
The Firm, 9pm, June 17, BBC Scotland. All episodes on iPlayer the same day.

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Going live was 'baptism of fire' for STV news legend Shereen Nanjiani
Going live was 'baptism of fire' for STV news legend Shereen Nanjiani

The Herald Scotland

time16 hours ago

  • The Herald Scotland

Going live was 'baptism of fire' for STV news legend Shereen Nanjiani

Ach well, she certainly deserves it. Worked hard but it paid off, as she came to be 'much loved', as every newspaper profile acknowledges, on account of everyone finding her warm, nice and trustworthy. One imagines that's what everyone thought on 4 October 1961 when she was born in Elderslie, in the sunshine state of Renfrewshire. She cut her broadcasting teeth on Hospital Radio Paisley in the late 1970s, reading local news cuttings gathered during the week. After graduating from Glesga Yoonie, where she studied philosophy – makes you think, doesn't it? – she became a trainee journalist with STV in 1983, at the age of 22. However, hardly had she got her Biro out of her pocket than she was asked to present the evening bulletin after the regular presenter, Sheena McDonald, called in sick. 'I was aghast and immediately said I couldn't possibly do it,' she told The Herald in 2017. 'This was the main news programme, the big one, with a million viewers.' 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'I actually believe I did get the job on my own merits, but I thought it was a bit cynical of them to present me in that way. I spent much of my career railing against it, not wanting that tag to follow me around. And, of course, I was only half-Asian.' However, her feelings on the issue changed when she realised she'd become a role model for a whole generation of Asian Scots. 'So many young Asian people were coming up to me and saying, 'You've no idea what a difference it made seeing your face on TV.'' Of course, she suffered from imposter syndrome. Every genuine professional does. Anyone who doesn't suffer from imposter syndrome is an imposter. Shereen went on to present many programmes for STV, including religious affairs series Eikon, documentary series Secret Scotland, and a number of live debates and election programmes. She also hosted many of The Herald's Scottish Politician of the Year awards. At STV, she covered Lockerbie, Dunblane and the new Scottish Parliament. She also reported from Romanian orphanages after the fall of Communist dictator Nicolae Ceausescu, from South Africa after the election of Nelson Mandela, and from Pakistan after the 9/11 terror attacks. However, after 20 years of presenting in the studio, she told The Herald, 'it was beginning to feel like Groundhog Day and I just wasn't enjoying it so much'. READ MORE: Robert McNeil: I detest yon Romans but I dig excavating their wee fortlets RAB MCNEIL'S SCOTTISH ICONS: John Knox – the fiery preacher whose pal got burnt at the stake Rab McNeil: All this talk about celebs and their neuroses is getting on my nerves GAGA FOR RADIO IN 2006, along with colleagues Jane Lewis and Sarah Heaney, she accepted voluntary redundancy from STV She was looking forward to other exciting projects away from live television, she said. This turned out to be live radio, and it was on the BBC, hitherto her rivals. Nanjiani helmed, as they say, Radio Scotland's Friday lunchtime programme, Scotland Live. She then went on to present Shereen, a live news and current affairs programme broadcast every Sunday morning with a 'lively panel' of commentators, a guest in the headlines, and reviews of the latest TV and streaming releases. Last weekend, having by now earned the double-edged adjective 'legendary' (it hints of both achievement and, er, maturity), she announced she was stepping away from the mic. For noo. She said she'd loved being part of BBC Radio Scotland, where she'd made so many good friends. 'They made me laugh and they made me think' – see, that old philosophy degree was not a total waste of time, after all – 'and it's always been a joy to come to work in the morning.' However, she felt now was the time to 'get my weekends back again, have a lie in, and explore new adventures'. BBC Radio Scotland commissioning editor Heather Kane Darling said it had been a pleasure to work with Shereen over the last 19 years, adding: 'I know our teams will miss working with her, and we thank her for her professionalism and dedication during her time with us.' Outwith her professional career, Shereen has undertaken several voluntary sector roles, including Ambassador for St Vincent's Hospice, Children's Hearing panel member, Tron Theatre board member and chair, and National Theatre of Scotland board member. COPPING LAUGHS SHE once appeared as herself in a memorable episode of BBC police spoof comedy Scot Squad, in which she tried – and failed – to present a harassed Officer Karen with a certificate declaring her one of Scotland's community heroes. The first comment under the relevant YouTube clip reads: 'SHEREEN!!!! LEGEND!!!' My understanding is that the number of exclamation marks indicates the strength of emphasis. 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Reviews: Noel Edmonds's Kiwi Adventure, The Firm, Outrageous
Reviews: Noel Edmonds's Kiwi Adventure, The Firm, Outrageous

The Herald Scotland

timea day ago

  • The Herald Scotland

Reviews: Noel Edmonds's Kiwi Adventure, The Firm, Outrageous

I must admit his absence wasn't keeping me awake at nights, but Noel Edmonds's Kiwi Adventure (STV, Friday) revealed what happened next. Or as much as he wanted to tell us, anyway. In 2018, said Rob Brydon, the narrator of this three-part docuseries, Edmonds 'turned his back on it all' and travelled 11,500 miles to build a new life in New Zealand with his wife, Liz. It's hard to see how he could have put more distance between himself and Blighty, so why was he back? Was TV missing him, or was he missing TV? As for the format he chose for his return, let's see: chap of a certain age, younger partner, starting new venture, in possession of sidekick with comedy potential - remind you of anyone? It is tempting to conclude that Edmonds took one look at Clarkson's Farm and thought, 'Anything he can do …' There's one major difference between the two, though. Before his recent scare, Clarkson prided himself on being a bloke's bloke about health. Edmonds. In contrast, has long been a fully paid-up member of the woo-woo club. We saw him hard at work on his fitness regime, which included crystals, cold showers, and 'structured water', wherever that is. It might sound bonkers but look at him - he's 76. By far the best thing for his health was Liz, whom he called 'my earth angel'. They met when she did his make-up on Deal or No Deal. All the clocks in the house were set to the exact time, 11.06, to commemorate the occasion. More eyebrow-raising material followed, like the giant figure of a knight kneeling in prayer that sits on his property and is meant to symbolise Edmonds's fight back from bankruptcy. All of this was narrated by Brydon with commendable restraint. No one has to try too hard when Edmonds is around because he is always the star of the show. Edmonds was listed at the top of the credits as 'series consultant'. Still in charge, then. Whatever 'it' is on television, he still has it, and come the end of the first episode I'll admit I wanted to know more. Will his vineyard survive the frost and rains? And is there an end to Liz's patience with his schoolboy humour? Move over Clarkson, you've got competition. At the start of The Firm (BBC Scotland, Tuesday), the lawyer Aamer Anwar said: 'It's almost like a Line of Duty episode.' I have no idea why he said that because nothing was like a Line of Duty episode, unless you counted Anwar's affection for Steve Arnott-style waistcoats. This second series was a world away from the first. Where that was a tonally bizarre mix of the serious and the silly, the new run played it straight down the line. Cheerio Sex and the City and Suits, hello The Handmaid's Tale and Panorama. But was it better for it? It was certainly shorter, reduced from eight episodes to just three. 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The new book capturing Glasgow's 21st century transformation
The new book capturing Glasgow's 21st century transformation

The Herald Scotland

time2 days ago

  • The Herald Scotland

The new book capturing Glasgow's 21st century transformation

New book Glasgow From Above explores the key events, campaigns, major investments and regeneration projects that have propelled the changes that have unfolded across the city over the last 25 years. Read more: New cultural venues, office blocks, university buildings, schools, hospitals and bridges which have been created since the millennium are featured in the book, which will be officially published on July 28. Photographer Alistair Leith and Rosalie Menon, an architect and academic, have collaborated on the book, which has been published to coincide with the 850th anniversary of Glasgow's being granted 'burgh status.' The transformation of Glasgow since the turn of the century is celebrated in a new photography book. (Image: Alistair Leith) Mr Leith, who has worked in the construction industry for nearly 30 years, took to numerous vantage points around the city - including new buildings taking shape - and deployed drone photography to capture the images in the 250-page book. Ms Menon, who teaches at the Mackintosh School of Architecture at Glasgow School of Art, had previously published Fragments of Glasgow, a book exploring the city's architectural heritage, which focused mainly on Victorian-era buildings. She told The Herald: 'I wanted to follow that up with another book capturing a more holistic view of Glasgow as a 21st century city as it has changed dramatically over the last 25 years. "There has been a lot of investment in the re-use of historic buildings and a lot of new-build developments, particularly over the last decade. The new photography book Glasgow From Above explores the modern-day transformation of Glasgow. (Image: Alistair Leith) 'I thought the best way to capture that would be with aerial photography. I follow quite a few drone photographers on Instagram, which is where I came across Alistair. 'I could see from the images that he was posting that he was involved in the construction industry. "I initially thought that I would buy some of his photographs, but then realised it would work quite well as a creative collaboration because he could provide quite a lot of insight into the new-build market in Glasgow.' The new Sighthill Bridge over the M8 motorway is featured in the book Glasgow From Above. (Image: Alistair Leith) Mr Leith, a licensed drone operator in Glasgow, said: "The city has changed massively over the last 25 years. "I've been very lucky to have been involved with quite a few big projects, like Buchanan Wharf, Candleriggs and Central Quay. I feel a very personal connection to the buildings I've been involved with myself.' 'I absolutely love working in the construction industry. I know about most of the new buildings that have gone up in Glasgow, who built them and the architects who worked on them." The book traces the origins of the city's 21st century transformation back to the early 1980s, when the city was still suffering from the decline of traditional industries like shipbuilding and engineering, but decided to mount a 'Glasgow's Miles Better' marketing campaign which gained worldwide recognition. Key moments in the run-up to the millennium highlighted include the staging of the Glasgow Garden Festival on the south bank of the River Clyde in 1988, Glasgow's year-long spell in the limelight in 1990 as the UK's first European Capital of Culture, and its designation as the UK's City of Architecture and Design in 1999. Alistair Leith and Rosalie Menon worked together on the book. (Image: Supplied) The book credits the city's Scotland With Style campaign, which was unveiled in 2004, and its successor, People Make Glasgow, launched nine years later, with helping to change Glasgow's image since the turn of the century. The impact of Glasgow's designation as a UNESCO City of Music in 2008, the opening of the Hydro arena in 2013, the 2014 Commonwealth Games, the 2008 financial crisis and the Covid pandemic, which forced the city into lockdown into 2020, are all highlighted. Writing in the book, Ms Menon says: 'The completion of the first quarter of the 21st century seems a good point to take stock of Glasgow and reflect upon the significant sociopolitical events in the last 25 years which have impacted the city and its investments. 'Having decisively moved away from its industrial and manufacturing roots, Glasgow rebranded itself as a city open to investment and innovation. The 21st century transformation of Glasgow is explored. (Image: Alistair Leith) 'Key sectors such as media, the creative industries and higher education were central to this strategic repositioning. 'One of the city's primary objectives became the repopulation of its urban core. With that came a notable rise in social and cultural diversity, reinforcing Glasgow's identity as a modern, inclusive city. 'Many of the city's disused industrial buildings found new life as galleries, studios and performance spaces, symbolising the broader cultural regeneration taking place.' The changes in the Candleriggs area are explored. (Image: Alistair Leith) Glasgow From Above examines the impact of new developments in the Gorbals, Sighthill, Maryhill, Laurieston and Govan, the transformation of the Merchant City, Charing Cross, Candleriggs, the Broomielaw and Finnieston, and debates over the future of Sauchiehall Street and the Buchanan Galleries shopping centre. Also featured are the conversion of religious buildings into cultural venues like Cottiers and Oran Mor, new bridges connecting Finnieston with Govan, Partick with Govan, and Sighthill with the centre, and new office developments for the likes of Barclays, JP Morgan and Morgan Stanley. The book explores the key role played by the city's universities and colleges in shaping 21st century Glasgow, including the evolution of a 'knowledge quarter' near Glasgow Cathedral and George Square. The Hydro and the Armadillo are among the venues featured. (Image: Alistair Leith) Ms Menon writes: 'New biomedical and technological research centres, alongside a growing ecosystem of university spin-outs – particularly from Strathclyde and Glasgow universities – have helped establish Glasgow as a leading player in the knowledge economy. 'The expansion of the higher education sector has brought profound changes to Glasgow's social dynamics, most notably through the influx of a large international student population. To accommodate this growth, institutions invested heavily in new research centres, teaching facilities and infrastructure – contributions that not only supported academic excellence but also injected substantial capital into the local economy. 'Accompanying this academic expansion was a rapid surge in demand for student accommodation. The city's skyline has been increasingly defined by high-density, purpose-built student housing developments, which have become a hallmark of 21st century Glasgow.' Glasgow's transformation is celebrated in the new book. (Image: Alistair Leith) The book, which features images of vast construction sites, describes Glasgow as 'a city in flux' and constantly evolving 'heal the scars of its post-industrial past.' Ms Menon said: 'We talk in the book about Glasgow being a 'work in progress and the phrase that got banded about for many years, that Glasgow would be 'great when it is finished.' That is still applicable to elements of the city. 'There is a lot of criticism of Glasgow at the moment, especially around Sauchiehall Street. 'It marketed itself for a long time as a retail destination, but the retail sector was really significantly hit by Covid and the industry going online. 'That has coincided with the Avenues programme in the city centre, which has gone at quite a slow pace and has meant that some people just see disruption. 'One of the aims of the book is to show Glasgow in a new light. 'It doesn't try to be a glossy marketing thing. But I think it really lifts Glasgow, not just in terms of the city centre, but in the way it acknowledges the investment that has gone into residential neighbourhoods like Dalmarnock, Sighthill, Laurieston and the Gorbals. 'One of the key elements of the book is how it looks at the new routes and connections that have recently been created in the city. The drone photography can really identify where these have been made, and how communities and regenerated area are now connected to the city centre.' Read more: Glasgow From Above is optimistic about the impact of a new 'tall building' policy which could see skyscrapers emerge from areas like Charing Cross, Anderston Quay, the Trongate and Cowcaddens. Ms Menon said: 'From an economic point of view, tall buildings have to happen to make a lot of sites work. I would rather see that happening than sites lying empty or derelict for long periods of time. 'It is probably better that they are clustered in particular areas of the city, rather than take an interspersed approach which might potentially block existing vistas or be to the detriment of the skyline. I would generally see them as a positive thing. Mr Leith said: 'Glasgow needs to change. The very worst thing would be to have big, empty gap sites in the city for the next 20 years. It would be an absolute tragedy. 'It wouldn't do Glasgow any good and it wouldn't do the people of Glasgow any good.' It is hoped that the book will persuade Glaswegians to venture into parts of the city they have never previously visited. Ms Menon added: 'I think we tend to live and work in our own little bubbles, and commute using the same routes. 'People may have preconceptions about places, but when they visit they will see that there are hidden gems there.'

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