
Love, Death + Robots Season 4: Release date, cast and plot details – Everything we know so far
By Aman Shukla Published on April 25, 2025, 17:30 IST Last updated April 25, 2025, 10:49 IST
Love, Death + Robots is back with its highly anticipated fourth season, and fans are buzzing with excitement for more mind-bending, visually stunning animated shorts. This Emmy-winning anthology series, created by Tim Miller and executive produced by David Fincher, continues to push the boundaries of sci-fi, horror, and dark comedy. Here's everything you need to know about Love, Death + Robots Season 4, including the confirmed release date, cast, plot details, and what to expect from this chaotic, genre-defying volume. Love, Death + Robots Season 4 Release Date
Netflix has officially confirmed that Love, Death + Robots Season 4, also known as Volume 4, will premiere on May 15, 2025. This marks the series' return after a three-year gap since Volume 3 dropped in May 2022. The delay was partly due to the complex production process, as each episode is crafted by different animation studios worldwide, ensuring unique visuals and storytelling. Cast of Love, Death + Robots Season 4
As an anthology series, Love, Death + Robots features a rotating cast of voice actors, with each episode bringing new characters and stories. While Netflix hasn't released a full cast list for Season 4, some notable names have been confirmed, and speculation is rife about potential returning or new talent. Confirmed Voice Actors : Industry veteran Nolan North , known for his work in Uncharted and countless animated series, will feature in at least one episode. Other confirmed actors include Mary Elizabeth Winstead ( Scott Pilgrim vs. the World ), Topher Grace ( That '70s Show ), and Maurice LaMarche ( Futurama ).
Speculated Additions : Given David Fincher's involvement as an executive producer, there's buzz about A-list Hollywood stars potentially lending their voices, with names like Brad Pitt or Jesse Eisenberg floated as possibilities. While unconfirmed, Fincher's track record suggests surprises could be in store.
Returning Favorites: Fans are hopeful for the return of characters like the trio from 'Three Robots,' voiced by actors such as Josh Brener and Gary Anthony Williams in past seasons. The sequel episode 'Three Robots: Exit Strategies' in Volume 3 hints at their potential comeback. Plot Details for Love, Death + Robots Season 4
Love, Death + Robots Season 4 will feature 10 new episodes, each a standalone short film exploring themes of love, death, and robots through a mix of sci-fi, horror, fantasy, and dark humor. The series is known for its unpredictable narratives and boundary-pushing animation, and season 4 promises to deliver more of the same.
Aman Shukla is a post-graduate in mass communication . A media enthusiast who has a strong hold on communication ,content writing and copy writing. Aman is currently working as journalist at BusinessUpturn.com
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


New York Times
32 minutes ago
- New York Times
Jay Ellis Considers Colson Whitehead His Literary GOAT
So far this year, Jay Ellis has played a basketball coach in the Netflix comedy 'Running Point' and a record-setting M.V.P. in the action movie 'Freaky Tales.' This summer, he's swapping free throws for freestyles as he steps into the role of a hip-hop star in the Off Broadway play 'Duke & Roya,' at the Lucille Lortel Theater. The drama finds him stumbling into a cross-cultural romance with life-threatening consequences. 'At first glance,' he said, 'there's no reason why you think these two people would ever hit it off.' He added: 'We're in a world where everyone yells, no one listens. Everybody really just wants connection, to be seen, to be understood, and I just loved the idea that these two characters do.' Ellis, 43, temporarily relocated his family of four to New York from their home in Los Angeles. One particular aspect of the local culture suits him well. 'I absolutely love pizza,' he said, name-dropping his latest find, Fini. 'My daughter took a bite and was like, 'Why don't we have pizza like this in L.A., Daddy?'' Want all of The Times? Subscribe.


Tom's Guide
36 minutes ago
- Tom's Guide
I finally binged 'The Bear' to catch up before season 4 — and it's transformed how I watch TV
In the fast-paced world of streaming, the newest releases tend to steal the spotlight. The best streaming services like Max, Netflix, and Disney Plus constantly push their latest shows and movies to the forefront. But that makes it hard to catch up on all the must-watch TV shows if you're not much of a binge-watcher (guilty) or tend to be skeptical of anything that's universally hyped (also guilty). The latter may sound overly cynical (eh, I can be guilty of that too), but you have to understand that, out here near Chicago, people adore "The Bear." They will not shut up about it. The onslaught of "The Bear" recommendations began with literally the first episode, which includes a one-line shoutout about Rockford, where I'm based, that was the talk of the town for weeks. I wish I was exaggerating. Tired of hearing about how much I just have to watch "The Bear," I finally sat down at the start of the month to check out Hulu's Emmy-winning comedy-drama series. With "The Bear" season 4 premiering on June 25, I doubted I'd be able to catch up in time. And I was wrong. Turns out, binge-watching is for me after all — and my sleep schedule already hates me for it. I severely underestimated how bingeable "The Bear" would be. The hype was all well-deserved. Pretty much from the first episode, I was glued to my couch, devouring all three seasons in just a few short weeks. I can already feel you seasoned binge-watchers shaking your heads — that must be a snail's pace by comparison — but like I said, I don't tend to binge-watch shows. Every once in a while, one like "Yellowjackets" gets its hooks into me, but I thought it was the exception rather than the rule. After two or three episodes, my attention span tends to be on its dying legs; meanwhile, my actual legs are itching to get up and do something else after sitting for so long. I prefer savoring series, taking regular breaks to reflect on what happened, sit with the characters' choices for a bit, and appreciate the pacing or overarching themes. Even the juiciest of cliffhangers are rarely enough to convince me to hit "next episode" once I'm tired of watching TV for the day. But "The Bear" has made a binge-watcher out of me yet. While I considered pacing myself, "The Bear" felt almost tailor-made for a binge. Between the short episode lengths (a bite-sized 30 minutes) and the way each installment plays out like a self-contained stage play, I found myself only hungry for more by the time the credits rolled. Set in Chicago, "The Bear" tells the story of fine-dining chef Carmy (Jeremy Allen White) who returns home to rescue his late brother's floundering restaurant — and it's nothing short of remarkable. The dizzying highs and crushing lows as Carmy whips The Beef into the restaurant he and his brother always dreamed of having are captivating to watch unfold. Part of that secret sauce is how each episode adds new ingredients to play with. Flashbacks that illuminate each character's motivations and struggles. Explosive fights (and there are a lot of those) that reveal more than the characters mean to. Or small moments that add up to heart-wrenching realizations several episodes — or even seasons — later. With its raw, chaotic portrayal of family dynamics and mouth-watering food, I'm not surprised "The Bear's" achieved such cult status. The constant simmer of conflict threatened to burn me out at times, but then a quieter, more reflective episode would reset my palette. I particularly enjoyed season 3's debut episode, "Tomorrow," which completely upended my understanding of who Carmy is with a series of contemplative, devastating flashbacks of his career. I adore it anytime a show makes me fall in love with a character I initially despised, and Ebon Moss-Bachrach's Cousin Richie is one for the history books. He goes from a complete asshole to an asshole worth cheering for. Beneath the bravado and outbursts, he's grieving, insecure, and trying (however messily) to find his place in a world that's evolving without him. One of my favorite moments in the show so far was seeing him belt out Taylor Swift's "Love Story" in the car after coming into his own in season 2. While there's truly no universal rule for how to watch TV shows, "The Bear" has made me reconsider my stance on binge-watching. As much as I prefer giving stories space to breathe between episodes, I can't deny that "The Bear" was improved by devouring its twists and turns in an insatiable marathon. Binge-watching still isn't my default, but for the right show, it can be the ideal way to experience things.
Yahoo
an hour ago
- Yahoo
'Materialists' Totally Set Dakota Johnson's Character for Up Failure and You Can't Convince Us Otherwise
Materialists poses the question of whether or not we should be going for love or for money and the choice Dakota Johnson's character makes has people on internet divided The film also stars Pedro Pascal and Chris Evans Materialists is in theaters nowMovies have long wanted to convince us that we should be marrying for love. From The Notebook to Titanic, films have always suggested that women should follow their hearts and go for the sweet charmer with no money instead of the well-established gentleman who has financial stability. (Granted, Billy Zane's character in Titanic was awful, but stay with me here.) Well, Materialists has repurposed that trope once again, and the internet is seething. The film follows Lucy (played by Dakota Johnson), a successful matchmaker who has managed to find love for everyone except for herself. Her skills are immediately tested when she finds herself in a love triangle with Harry (played by Pedro Pascal), a successful billionaire who errs on the side of superficiality but is offering her the world, vs. John (played by Chris Evans), her ex-boyfriend, who offers her lots of love and affection, but works from gig to gig while trying to get an acting career off the ground. The film takes us through all the hijinks of a romcom as both men have their pros and cons and try to woo her. In the end, Lucy goes for John, the broke boy who loves her dearly, but can't provide her with the lifestyle she always dreamed of. And while the internet is upset over the fact that Pedro Pascal doesn't get the girl, the truth of the matter is, Lucy was set up for failure from the jump. As PEOPLE editor Bailey Richards pointed out. Regardless of whom she was going to end up with, Lucy was going to be settling. "I don't think she should have ended up with either of them," Richards says, considering Bailey's options. "Marry this hot, caring man who will pay for everything for you for the rest of your life — any materialistic whim you may have. He doesn't love you, but he will pay anything. Or a hot, caring man who does love you, but makes no money ... he will drop anything, at any given moment to do whatever for you." We can all agree that the only real winners are Lucy's children (if she wants any), who will 100% win the genetic lottery regardless of which guy she chooses. However, when it comes to meeting the standards Lucy deeply desires, she's bound to lose regardless. So, instead of settling for the loverboy with no money, Richards believes Lucy should have actually axed both men. Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories. "After everything that she, as a matchmaker, as a woman, goes through in that movie, she just needs to break from romance altogether and do some introspection, the kind that requires you to be single and be alone," says Richards. Personally, the right choice for me is always Pedro Pascal. But I have to agree with my colleague here. Relationships are hard, even when you find everything you want in a person, so why give yourself more heartache by settling for someone who doesn't meet your standards? Read the original article on People