
Purpose And Platform: Accessibility Influencers
Many individuals with disabilities say they just want outsiders to see an authentic portrayal of their daily lives, from their hurdles to their humor. Platforms like YouTube and Instagram are providing distribution and control of their stories in ways once unimaginable—and allowing people with disabilities the chance to reach audiences once unheard of.
The below disability influencers and advocates power change in ways no gadget could. Whether through hilarious videos, insightful posts or high-profile writing, creators can provide the ultimate insight and edutainment—not just for their community, but for the vast population of non-disabled people who want to learn.
Jordyn Zimmerman is autistic and was nonspeaking until she used an iPad, her first effective communication tool, at age 18. She has been a prominent advocate for the use of Augmentative and Alternative Communication (AAC) in the decade since. "When we cannot expressively say what we think, ask questions, refuse something, or share a story, it creates an internal silence," she says. Once she found her voice, Zimmerman rapidly found her way onto a national stage: she has presented (often as the keynote) at 69 conferences, schools and businesses, reaching 30,000 people. She was featured in the 2021 film This is Not About Me and has written op-eds for The New York Times. She chairs the board of the nonprofit CommunicationFIRST and has served on the President's Committee for People with Intellectual Disabilities. Her firm, Accessible EDU Consulting, works with schools, educators and families to provide inclusive and challenging educational experiences for students with disabilities.
Where once people with nonverbal dyskinetic cerebral palsy (meaning they can't speak or normally control their limbs) stayed in the shadows, social media has given the public once-unimaginable views into their everyday experiences. No one leverages this opportunity more than Brad Heaven, a spectacularly joyful Montreal native whose 323,000 followers on TikTok, Instagram, YouTube and other platforms watch him control his iPad with his eyes to shop online, conquer Las Vegas, and play Rocket League with his head, knees and elbows. 'Gaming is a great social aspect and can allow people to see what your personality is without seeing your disability,' Heaven says through an artificial speech device. Heaven's videos have been watched more than 64 million times.
A former Goldman Sachs employee, Tiffany Yu brings business savvy to disability advocacy. She was left partially paralyzed and with PTSD after a car crash that killed her father when she was a teen. "About 15 years ago, I took a look around. I had been disabled for over 10 years and I didn't have a community,' she says. 'I didn't know how to self-advocate. I knew how to hide." Instead, she took action. Yu created Diversability, an online community for people with disabilities. She recently published the book The Anti-Ableist Manifesto, and produced the 300-part Anti Ableism social media series, which has covered new research, provided insight to her Instagram audience on what has been estimated as a $18 trillion disability market, and advised viewers on disability-related language to avoid common micro-aggressions. Salesforce worked with Diversability to train administrators with disabilities. Yu also runs an organization that has awarded one hundred $1,000 micro-grants to projects in 15 countries. She serves on the 2028 Los Angeles Olympic and Paralympic Games advisory group on workforce development, and the NIH National Advisory Board for Medical Rehabilitation research.
Based in London, Dhanda is a go-to accessibility consultant for dozens of major companies such as LinkedIn, HSBC and Unilever, where she addresses accessibility across products, customers and employees. She was crucial in the development of adaptive clothing for Primark and Fred Perry; worked with Virgin on a marketing campaign featuring a wheelchair user; and advises the United Kingdom government's disability unit on the accessibility implications of proposed laws and national policy. 'One thing doesn't meet anybody's needs,' says Dhanda, who has brittle bone disease and frequently must use a wheelchair. 'It's a massive ecosystem—you can't do one without the other. Everyone needs to be on the same track for real accessibility to be achieved.'
Speaker and activist Margaux Joffe founded the website Kaleidoscope Society—and later, Minds of all Kinds—after her ADHD diagnosis. While a head of product at Yahoo, she proposed creating an employee group for neurodivergent employees, the tech industry's first. It grew rapidly, and Joffe moved into accessibility full time. She asked about getting photos of people with disabilities on Yahoo! sites, but creators told her they relied on Getty Images, one of the world's largest image banks. So she pitched a partnership between Getty and 17 disability organizations to create a new collection to showcase people with disabilities, write guidelines on how to represent disabilities for 200,000 photographers, and research how people with disabilities want to be represented—in routine situations, as it turned out. "A lot of [disabled] representation is two sides of a spectrum, either pitiful or heroic," she says. "Images of people in a fake wheelchair in a dark corner looking sad, or people with disabilities as superheroes." The new images have been downloaded by 5,000 businesses for use in advertisements, web pages, social media and other content.
Hannah Aylward (L) and Shane Burcaw (R)
Studio Twelve:52
For so long—and still—the conventional media has portrayed disabled people through lenses of challenge and inspiration. How about fun and adventure? Marriage and fertility problems? Those everyday subjects are the focus of Squirmy and Grubs (a.k.a. Hannah Aylward and Shane Burcaw), who invite millions of subscribers on YouTube and other platforms into their everyday life, and how Burcaw's spinal muscular dystrophy—he is in a wheelchair and cannot control his arms—usually, but not necessarily, impacts it. From scary amusement-park rides to how Burcaw 'got 30% bigger!' (through better nutrition), their videos entertain and alter perceptions, but also have led to real-life change. (After Burcaw profiled how he couldn't sign up for TSA Precheck because the camera was too high and his arms couldn't reach the fingerprint scanner, TSA updated hundreds of enrollment centers with accessible equipment.) But their videos—which have been viewed more than 760 million times—are ebullient and downright hilarious, like the one where they read and cringe at each other's journals. 'The general goal is to improve how society views disabilities,' Burcaw says. 'Our life is not a tragedy.'
Lucy Edwards' videos have been viewed more than one billion times—but never once by her. Blind since she was 17, Edwards' massive audience of 2 million followers goes beyond fellow low-vision people, who get tips on how to navigate hotel stairs and apply makeup, but also sighted people, whom she invites into her world and answers questions they would otherwise be afraid to ask. (Like, 'What does a blind person see?') Based in the United Kingdom, Edwards is far more than a social-media influencer—she does segments for BBC, models for Procter & Gamble's Pantene hair products, and was the face for Mattel's first blind Barbie doll, complete with fashionable cane and clothes with different tactile textures and velcro to make them easier to dress. 'That play and that moment of imagination,' Edwards says, 'is being given to young vision-impaired kids who were basically pushed out from being able to imagine different worlds.'
During times of disaster, people with disabilities experience more challenges and are frequently left out of emergency communications and plans. For example, after the attacks of September 11, 2001, the federal government froze the zone around the Twin Towers and then realized its communications and alternate transportation weren't accessible—so they called on Marcie Roth, then at the National Council on Independent Living. "I found myself providing guidance and technical assistance to the White House on what happens for people with disabilities and disasters," she says. It's been her focus ever since, as a leader at the Federal Emergency Management Agency under Barack Obama, on the United Nations Secretary General's Early Warnings for All global initiative (which plans on assuring every person on earth access to early warnings by 2027), and as executive director of the World Institute on Disability, which among other strategies uses 1,500 disabled testers to determine whether systems are accessible.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


New York Times
22 minutes ago
- New York Times
Andrew Schulz, ‘Podcast Bro,' Might Be America's Foremost Political Journalist
The comedian Andrew Schulz has risen to arena-headliner status on the strength of his irreverent, defiantly anti-woke standup. His material is a high-energy blend of gleeful raunch and precise observation, all peppered with ethnic jokes, slurs and smack talk. (Which, as much as such a thing is possible, generally comes across as good-hearted or, at least, not meanspirited.) But provocation is not the only trick in his bag. In Schulz's most recent special, 'Life,' which came out on Netflix this year, the 41-year-old moved into more vulnerable and narratively driven territory. It's about his and his wife's experience with I.V.F. (told in highly un-family-friendly language). Despite all his success with standup, Schulz has perhaps become even better known for his podcasting. His shows 'Flagrant,' co-hosted by Akaash Singh, and 'Brilliant Idiots,' co-hosted by Charlamagne tha God, are appointment listening for millions, not just for humor but for political discussion too. That relatively newfound breadth and Schulz's ready embrace of disparate subject matter — from politics to sports to theology to culture writ large — has led to him becoming a star of the so-called online manosphere. Although that term, or 'podcast bro,' or any other potentially reductive label one might apply, would most likely frustrate the entertainingly pugnacious Schulz. But whatever you want to call him or his corner of the online world, it's influential. Donald Trump went on 'Flagrant' last fall ahead of the presidential election, and progressive politicians like Bernie Sanders and Pete Buttigieg have been guests on the show this year. For me, that raised questions about what Schulz's bigger goals are, and what responsibilities might come with his growing influence. Subscribe: Apple Podcasts | Spotify | YouTube | Amazon | iHeart | NYT Audio App In the last four or five years, you've really blown up. What has shifted in the culture to enable you to come to prominence? When I started posting stuff on the internet, specifically standup, things changed for me. I was trying to get an HBO special or, back in the day, Netflix is just coming to prominence, or Comedy Central. I was trying to get anything, and I couldn't get any motion with standup. So out of desperation, I filmed my own special, pitched it to everybody, nobody wanted it, and I was like, I'm going to put this online. At the time there was a sensitivity, especially in corporate America, about edginess and jokes. So my gamble was maybe if I put this out on YouTube, there will be an audience that likes this type of comedy. I put it out, and a weird thing happened: Everybody only watched 20 minutes. So I put out a 20-minute version of it, and the next weekend, I sold out a comedy club. The next weekend I sold out another one. I was like, Whoa, there's really something over here on the internet, and I can be my authentic self with comedy despite what the cultural sensitivity of the time is. You obviously have clear ideas about what works with audiences. Does that create a temptation to pander? If you actually are trying to create something authentic, you're going to make less money, but you maintain your integrity. Oftentimes what happens is you'll have an opinion that's maybe a little different, and you'll be rebuked for that opinion for years, and then people will start to come around. Then the same people that rebuked you will start echoing those sentiments with no accountability. We had Bernie on the pod, who I love. Want all of The Times? Subscribe.


Washington Post
37 minutes ago
- Washington Post
In its third season, ‘The Gilded Age' is as staid and sudsy as ever
'The Gilded Age,' by virtue of its focus on moneyed late-19th-century decorum, is the current HBO drama that hews most closely to network broadcast standards. Indeed, the show was originally tipped for NBC before it got a Bertha Russell-approved status glow-up to the premium cable streamer. But while it eschews the brutality of HBO's reputation-burnishing series such as 'The Sopranos' or 'Game of Thrones,' it induces similar ethical cartwheels in the viewer. We're invited to cheer the victories of an amoral robber baron and his Machiavellian wife, whose campaign to conquer the old-money battlements of 1880s New York forms the overarching narrative of the series.


New York Times
37 minutes ago
- New York Times
Jay Ellis Considers Colson Whitehead His Literary GOAT
So far this year, Jay Ellis has played a basketball coach in the Netflix comedy 'Running Point' and a record-setting M.V.P. in the action movie 'Freaky Tales.' This summer, he's swapping free throws for freestyles as he steps into the role of a hip-hop star in the Off Broadway play 'Duke & Roya,' at the Lucille Lortel Theater. The drama finds him stumbling into a cross-cultural romance with life-threatening consequences. 'At first glance,' he said, 'there's no reason why you think these two people would ever hit it off.' He added: 'We're in a world where everyone yells, no one listens. Everybody really just wants connection, to be seen, to be understood, and I just loved the idea that these two characters do.' Ellis, 43, temporarily relocated his family of four to New York from their home in Los Angeles. One particular aspect of the local culture suits him well. 'I absolutely love pizza,' he said, name-dropping his latest find, Fini. 'My daughter took a bite and was like, 'Why don't we have pizza like this in L.A., Daddy?'' Want all of The Times? Subscribe.