
'Sesame Street' coming soon to Netflix
Cookie Monster and Elmo celebrate the return of Sesame Street Live! at The Empire State Building on February 18, 2022 in New York City. -- AFP
If you were wondering how to get to "Sesame Street", the beloved children's television show will soon be available on streaming giant Netflix as well as its long-time home at US public broadcaster PBS. Popular characters "Elmo, Cookie Monster, Abby Cadabby, and all their friends are coming to Netflix later this year, with Sesame Street's all-new, reimagined 56th season -- plus 90 hours of previous episodes -- available to audiences worldwide," Sesame Workshop, the non-profit group behind the children's program, said in a statement.
New episodes of the educational staple, which premiered in 1969 to high viewership and glowing reviews, will be "available same day-and-date in the US on PBS stations and PBS KIDS digital platforms" as they will be on Netflix, Sesame Workshop said on Monday. Netflix has exclusive worldwide premiere rights and will also be able to develop video games for the "Sesame Street" brand, it said.
The streamer also confirmed the deal in a statement. Sesame Workshop has been facing financial struggles, with grants disappearing and a lucrative distribution deal with HBO expiring. Under that past agreement, PBS could release new "Sesame Street" episodes only months after they debuted on HBO.
The Netflix deal also follows repeated assaults on public media by US President Donald Trump, including an executive order this month to cut government funding for both NPR and PBS, which he accuses of being biased. National Public Radio and the Public Broadcasting Service are only partly funded by US taxpayers and rely heavily on private donations.
Trump has long had an antagonistic relationship with most mainstream media, including PBS, and once falsely claimed an Arabic version of "Sesame Street" airing in the Middle East cost $20 million. He appears to have conflated the show with a broader educational program that received funding from the US Agency for International Development (USAID), an AFP Fact Check investigation found. "Sesame Street" parodied the New York real estate developer years before he was elected president, with characters including Mr. Grump, performed by actor Joe Pesci, and a puppet with orange hair, called Donald Grump. — AFP
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Kuwait Times
13-06-2025
- Kuwait Times
British Netflix hit 'Adolescence' to be shown in French schools: minister
David Ridley (center) and Aaron May (second from right) perform onstage during Netflix's FYSEE Music Night at Hollywood Athletic Club on June 01, 2025 in Hollywood, California. --AFP British Netflix drama "Adolescence" -- which has sparked widespread debate about the toxic and misogynistic influences to which young boys are exposed online, can now be shown in French secondary schools -- a minister has said. The initiative follows a precedent set in the UK. The producer of the series broadcast on Netflix has "opened up the rights to us" and the French education ministry will "offer five educational sequences to young people based on this series", Education Minister Elisabeth Borne told LCI TV late on Sunday. These excerpts from the mini-series are "very representative of the violence that can exist among young people", Borne said. She added that they would be shown in secondary schools to children from the age of around 14 onwards. Such materials are intended to help raise awareness of the problem of "overexposure to screens and the trivialisation of violence on social networks", as well as the spread of so-called masculinist theories -- misogynistic spheres which advocate violence against women, said Borne. British Prime Minister Keir Starmer called the move to screen the show -- in which a 13-year-old boy stabs a girl to death after being radicalised on the internet -- "an important initiative" which would help start conversations about the content teenagers consume online. "Adolescence", which was released on March 13, follows the aftermath of the schoolgirl's fatal stabbing, revealing the dangerous influences to which boys are subjected online and the secret meaning youngsters are giving to seemingly innocent emojis. The series has resonated with an audience increasingly disturbed by a litany of shocking knife crimes committed by young people and the misogynistic rhetoric of influencers like Andrew Tate. As of June 1, "Adolescence" reached a total of 141.2 million views, making it Netflix's second most watched English-language series ever, according to industry magazine Variety.--AFP

Kuwait Times
04-06-2025
- Kuwait Times
In Cairo, the little indie cinema that could
In the heart of Cairo, a small cinema has for over a decade offered a unique space for independent film in a country whose industry is largely dominated by commercial considerations. Zawya, meaning "perspective" in Arabic, has weathered the storm of Egypt's economic upheavals, championing a more artistic approach from the historical heart of the country's golden age of cinema. Zawya was born in the post-revolutionary artistic fervour of the 2011 uprising that toppled longtime president Hosni Mubarak. "There was this energy where people wanted to produce and create, not just in cinema, but in all the arts, you could feel it," said Zawya founder Youssef Shazli. In the time since, it has escaped a wave of closures -- some forced -- of art centers across the capital. Egypt had long been known as the Hollywood of the Arab world, but in the decades since its mid-century heyday, the domestic industry has largely been restricted to crowd-pleasing blockbusters. "It's often said that we're lucky to have a large film industry, with infrastructure already in place," said filmmaker Maged Nader. "But the truth is this industry operates solely on a commercial logic," leaving little room for independent filmmakers, he added. Yet Zawya has survived in its niche, in part due to the relative financial stability afforded to it by its parent company Misr International Films. Founded in 1972 by Egyptian cinematic giant Youssef Chahine -- Shazli's great uncle -- the company continues to produce and distribute films. People arrive at the Zawya cinema in downtown Cairo. A man walks outside the Zawya cinema in downtown Cairo.--AFP photos Young talent For Shazli, Zawya is "a cinema for films that don't fit into traditional theatres". But for young cinephiles like 24-year-old actress Lujain, "it feels like home," she told AFP as she joined a winding queue into the larger of Zawya's two theatres. Since 2014, Zawya's year-round programming -- including both local and international short films, documentaries and feature films -- has secured the loyalty of a small but passionate scene. Its annual short film festival, held every spring, has become a vital space for up-and-coming directors trying to break through a system that leaves little room for experimentation. "I didn't even consider myself a filmmaker until Zawya screened my short," said Michael Samuel, 24, who works in advertising but says the cinema rekindled his artistic ambition. For many, that validation keeps them going. "Zawya has encouraged more people to produce these films because they finally have somewhere to be seen," said the cinema's manager, Mohamed Said. When Mostafa Gerbeii, a self-taught filmmaker, was looking for a set for his first film shoot, he also turned to the cinema. Without a studio or a budget, Zawya "just lent us their hall for free for a whole day", he said, saving the young director 100,000 Egyptian pounds (around $2,000) to rent a location. The heir The light of its marquee spilling onto downtown Cairo's Emad al-Din Street, Zawya is the 21st-century heir to a long artistic tradition that still lingers, though often hidden away in corners of the district's broad avenues. "It's a unique neighborhood with an equally unique flavor of artistic and intellectual life," said Chihab El Khachab, a professor at the University of Oxford and author of the book "Making Film in Egypt". Starting in the late 19th century, the area was home to the city's biggest theatres and cabarets, launching the careers of the Arab world's most celebrated singers and actors. Today, its arteries flowing out of Tahrir square -- the heart of the 2011 uprising -- the neighborhood is home to new-age coworking spaces and galleries, side by side with century-old theatres and bars. Yet even as it withstands the hegemony of mall multiplexes, Zawya cannot escape Egypt's pervasive censorship laws. Like every cinema in Egypt, each film must pass through a state censors before screening. "Over time, you learn to predict what will slide and what won't," Shazli said. But even the censors' scissors have failed to cut off the stream of ambition among burgeoning filmmakers. "Around Zawya, there's a lot of talent -- in every corner," Shazli said. "But what I wonder is: are there as many opportunities as there is talent? That's the real issue we need to address." - AFP

Kuwait Times
25-05-2025
- Kuwait Times
Norway film starring Elle Fanning gets 19-minute Cannes ovation
Director Joachim Trier found himself crying behind the camera as he shot 'Sentimental Value', his moving new tale about a quietly fractured family that got an extraordinary 19-minute standing ovation Thursday at the end of its premiere at the Cannes film festival. 'It sounds cheesy,' he said, 'but I wept a lot making this film because I was so moved by the actors' playing members of an arty family in Oslo who cannot talk to each other despite all their supposed sophistication. 'The actors are my friends. I know that they were being halfway a character and halfway themselves. And that they were also dealing with stuff,' said the maker of 'The Worst Person in the World', which landed the Norwegian two Oscar nominations and won newcomer Renate Reinsve the best actress award at Cannes in 2021. Many critics that year said it also should have won the Palme d'Or top prize. 'We were a family too,' said Trier, rehearsing his script around the kitchen table of the beautiful old wooden home in Oslo where the film was shot, itself a character in the film. The heads that keep butting in Trier's on-screen family are the absent father, an arthouse filmmaker who has long been put out to grass, played by Swedish legend Stellan Skarsgard, and his stage actress daughter (Reinsve). 'I think a lot of families carry woundedness and grief,' Trier said. 'And talk often doesn't help. It gets argumentative. We get stuck in our positions, the roles we give each other unconsciously.' US actress Elle Fanning arrives for the screening of the film "Affeksjonsverdi" (Sentimental Value). Norwegian director and screenwriter Joachim Trier poses during a photocall for the film "Affeksjonsverdi" (Sentimental Value). Elle Fanning a 'mensch' The bad old dynamics are changed by the arrival of a Hollywood star—Elle Fanning playing someone only millimeters from her real self—a fan of the father, who comes bearing lots of Netflix dollars to revive one of his long-stalled scripts. 'We don't get too many Hollywood stars wanting to be in small Norwegian-language films,' Trier joked. But just like her character in the film, Fanning got the part through complete fandom, flying to Oslo between shooting the Bob Dylan biopic, 'A Complete Unknown', and the new 'Predator' in New Zealand. 'I am a massive fan' of Trier, she told AFP in Cannes, where the film is in the running for the Palme d'Or. 'I think 'The Worst Person in the World' is easily one of the best films in the last decade or even longer. It is just perfect.' 'When Joachim sent me the script I read it and I was just crying and crying by the final page. It is so emotional,' Fanning added. 'It's a very personal piece for Joachim and you can just feel that rawness in it.' Trier—who comes from a family steeped in the Scandinavian film industry—admitted it is all very 'meta. You're making a film about a family with your filmmaking family. And you've got a meta Hollywood star.' But they are not that many parallels with his biological family. 'It's not like I'm throwing anyone under the bus. My whole family has actually seen the film and are very supportive,' he said. The filmmaker father, he insisted, is a mash-up of great auteurs such as Ingmar Bergman, Krzysztof Kieslowski and John Cassavetes. Trier, 51, is famous for the bond he builds with his actors and he praised Fanning as the latest member of the family. 'She is a real mensch—a really kind and collaborative, cool person,' he said. Trier 'magic' The 'magic' that Fanning said Trier creates on set comes from taking your time, he told AFP, taking on the big themes with a light, humorous touch. 'Anyone who's had experience of therapy—and I have—will know that it's about the silences and letting things arrive. Very often is also the case with actors,' said Trier. 'We had quite a few moments like that in the film actually. Renate would look at me and I look at her and I say, 'What was that? That was interesting.' And we don't talk about it anymore. 'But when people see it in editing, they go, 'Wow!' That was also the reaction of most critics at Cannes, with The Hollywood Reporter calling it 'exquisite' and Vanity Fair saying it was 'gorgeous and gripping'.' Deadline's Pete Hammond said 'Sentimental Value' 'sneaks up on you... and has one of more satisfying endings I have seen in some time, perfectly pitched and worth the wait for its human truth.' — AFP