Wind Breaker Chapter 183: Sakura Visits Furinen Orphanage—Recap, Release Date, Where To Read And More

The last Wind Breaker chapter, titled 'Welcome Party,' began with Sakura pondering Togame's question about his true dream. Though he had once said he wanted to stay with Bofurin forever, he now feels uncertain. While wanting to protect his various attachments, he wished to find a path that was not similar to Umemiya's.
Distracted by hunger, he visits Kotoha's café and ends up helping her prepare food for an orphanage party. Umemiya appears, inviting him along. At the orphanage, Sakura meets Yuki Shitara and witnesses the new girl angrily rejecting the celebration held for her arrival.
Expected plot in Wind Breaker Chapter 183
Wind Breaker Chapter 183 will likely focus on the new girl introduced at the orphanage. Her angry reaction may prompt others, especially Sakura, to try understanding her situation. The chapter has already pointed out some emotional parallels between her and Sakura.
This likely means the story may explore how their interaction influences his (and her) growth. Yuki, Umemiya, and Kotoha could also reveal more about their shared pasts. The event may provide Sakura with more insight into defining his own path rather than carrying out others' ideals.
Wind Breaker Chapter 183: Release date and where to read
Wind Breaker Chapter 183 is set to release on Wednesday, June 18, 2025, at 12 am JST. Fans can read the latest chapter on Kodansha's K Manga platform, which offers the official English version of the series.
Wind Breaker Chapter 183 can be accessed through both the service's mobile app and website. However, it is only available in select countries, including the United States, Australia, Mexico, India, and Brazil. While some chapters are available for free, they are not the most recent; free chapters are updated every Monday.
For more updates from the Wind Breaker manga, stay tuned to Pinkvilla.

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Mint

34 minutes ago

• Mint

Best of the Week: Languages evolve, but politics may not

It's been more than six months since I've written an edition of Best of the Week, so forgive me for taking you back to a barbershop—my go-to place for ideas. Though I am sure folks cutting hair and trimming beards would prefer that I use the term salon. On my last visit a month ago, I asked for a new haircut: one with volume at the top and back, but a little fade on the sides. This hairstyle has recently become popular in India, so I thought I'd give it a try. The man didn't really understand my description. So, I showed him a picture. 'Arey sir, bullet bolo na seedha. Bohot chalta hai aaj kal,' he quipped. (You should have just asked for the bullet haircut. It's quite popular these days.) I was thoroughly intrigued by this name. In the middle of the haircut, I kind of figured out how this name must have caught on. Perhaps some of you are familiar with the 'mullet' haircut, which first became popular in the 1970s and 80s. But since the modern age can't admit that what's old is back in (see bell-bottoms), we now call it a 'modern mullet'. Of course, that term would have been fine at a barbershop. At a salon, such terms are useless. But at some point, someone called it a mullet; a barber heard it as 'bullet', and that's how we got here. Languages are always evolving and endlessly fascinating. As a kid, my mother used to worry that my English would be ruined due to the lack of vowels in text messages. She would implore me to read newspapers. This anecdote is perhaps funnier in the current political climate, when some have chosen to ridicule those who converse in English. Today, we use emojis and hashtags in headlines. Perhaps tomorrow, what's old will yet again be new, and we shall all go back to typin lyk dis. On to Mint's best works from the week gone by: 📉 As we still recover from the tragic crash in Ahmedabad, a lot of questions remain unanswered. While the authorities will take their time, the stock market waits for nobody. Our partners at take a look at the duopoly between Airbus and Boeing, and why the latter's stock price has been battered and bruised of late—even before the crash itself. 🍎 As far as stock performances go, it'll be tough to beat out Apple at the Nasdaq. However, in 2025, the company has fared quite poorly: it's down nearly 20% so far this year. also examined Tim Cook and Co. and what's gone wrong for the world's most valuable company. 👩‍🔧 One of the factors covered in the previous story included a workers' strike at Boeing. Closer home, automaker Hyundai's factory in Chennai is undergoing something similar. A section of the workers (who are backed by the CPI (M)) are threatening to strike and halt operations if the current wage hike discussions don't go according to their demands. Another politically unaffiliated union has denied that it would cause disruptions. Varun Sood and Ayaan Kartik bring you the details of the looming strike. ☀️ Varun, along with Satish John, covered another tussle this week: one between two brothers. Dayanidhi Maran, a former telecom minister and a current MP representing the DMK, has sued his brother Kalanithi for the control of Sun TV. Sun TV, a Tamil-language network, is India's largest listed media entity. Dayanidhi wants to revert to a shareholding structure from more than 20 years ago, from which Kalanithi is absent. 🛢️ Israel's strikes on Iran have huge implications for the Middle East. Since the region is a corridor for both producing and transporting oil, N. Madhavan takes a look at the potential ramifications of further instability in the region —particularly on oil prices. ⛽ Manjul Paul examined statistics to understand the crisis unfolding in the Middle East and reached a pleasing conclusion: it is not likely to inflate petrol and diesel costs for you and I. We had two stories this week that covered foreign education—they would be complementary. 🎓 Samiksha Goel wrote about the increasingly harsh reality of pursuing higher education outside India. US President Donald Trump's recent policies have made life generally more difficult for citizens and outsiders alike, and Indian edtech startups are suffering hard. 🇩🇪 The US was always a top choice for those who wanted to go abroad for their education. However, Anil Poste suggests Germany as an alternative—it's cheaper, more welcoming, and has a viable job market for you to join after your education is complete. ⚖️ Losing weight is a tough task. For some, it is perhaps the toughest. But the introduction of the wonder drug Ozempic showed that one could rapidly lose a bunch of weight, with just a few jabs. T. Surendar and Jessica Jani write about Indian pharma companies' quest to make these weight-loss drugs in India and make them cheaper. 👋 As the previous fiscal year's appraisals have concluded, you might be disappointed with your final hike. Thinking of quitting your job? Devina Sengupta suggests you don't. She writes that due to a myriad of geopolitical and economic concerns, job switches aren't recommended. Stay put and slog a bit more—better things might come later. That's all from me in this week's edition of Best of the Week. Please feel free to write back if you have any thoughts on Mint's newsletters. I'll be sure to get back to you. Hope you're having a nice weekend! Editor, Newsletters and Audiences

Hindustan Times

an hour ago

• Hindustan Times

Review: Rama Bhima Soma by Srikar Raghavan

Srikar Raghavan's Rama Bhima Soma; Cultural Investigations into Modern Karnataka requires the reader to have vast reserves of reading stamina, an empathetic world view and a willingness to travel deep into different geographies, perspectives, communities, stories and movements, even those whose politics the author may not agree with. A Yakshagana performer; just one of the many facets of Karnataka (Shutterstock) A self-professed 'inveterate bookworm,' 'more of a reader than a writer' and 'a Kannada-nut', Raghavan speaks to the English reader who may or may not be Kannada literate as well as to the Kannada reader who has felicity with the English language. How this book unites two universes that have their own complicated history of separation is its strength and success. 598pp, ₹899; HarperCollins Neither its extensive research nor its collation is as impressive as the fact that the author did not learn to read and write Kannada in school. He learnt it as a post-graduate student, using a Kannada-Kannada-English dictionary. In the prologue he writes that the first Kannada novel he read was Shivaram Karanth's Chomana Dudi. And from there began his journey towards Kannada literature, Karnataka's history, culture, politics, socio-economic realities and drama. Raghavan dives headlong into all of these, following every lead and thread, sometimes interviewing sources on their death bed (though neither he nor the source knew that). As the cover suggests, the title references a game played by school boys. 'It requires only a ball, no fixed number of players, no teams, no designated boundary and no premeditation,' he writes. It is a game with no end, though the beginning is very clearly indicated by the pitching of the ball into the air three times (that's counted as Rama Bhima Soma!) After the ball is thrown in the air, the nearest person grabs it and aims it at some other player – it could be anyone nearby or farther afield. Whoever grabs the ball after the hit, then repeats the cycle. This goes on till 'collective exhaustion sets in, or the bell rings...' This game is the book's underlying metaphor. Will every player get a chance to hold the ball, aim and strike? Will the ones getting hit often (for whatever reason) manage to dodge the ball and also get to wield it? And more importantly, will everyone get to play on the same field [of Karnataka] together? The author follows his curiosity to delve into relationships between various socio-political movements, events, books, people, communities, performers, writers, artists and others who shaped or were shaped by the state's morphing landscapes, in any order that draws him. This volume, therefore, is not the history but 'a history, a personal micro-history' of Karnataka, writes Raghavan. He makes no bones about where he stands with respect to the politics of the state and the country, yet, goes to great lengths to probe the thought processes of those who hold the exact opposite positions. This adds to the book's texture. If you are a feminist reader, however, you might despair at the scale of masculine energy in the politics and sociology represented here. You will, however, encounter bright places like the interview with Du Saraswathi or the story of doctor-turned-activist Kusuma Sorab, known as Kusumakka to the girls she worked with. The chapter entitled On Conversions, Controversies and Communalism stands out in how it juxtaposes the syncretic history of the Baba Budana Giri shrine in North Karnataka with an account of the rise of right-wing ideology in the region (and state). It describes the fluid times when 'the Veerashaiva and Sufi orders in North Karnataka interacted and fused with a rare syncretic spirit,' even as Ibrahim Adil Shah II ruled Bijapur and Akbar ruled the north. Scholar Rahamath Tarikere is quoted: 'The gurupanthas (local guru-shishya traditions that stand outside organised religious orders) recognised that caste, untouchability, gender inequality and social concerns were the key hindrances to spiritual achievement,' as were religious differences between Hindus and Muslims. It is ironic that fundamentalism looms against this backdrop. Srikar Raghavan (Courtesy A Suitable Agency) Intensive interviews feature throughout but the ones in the chapter entitled Forests, Conservation and the Ecology of Change' that track environmental movements and protests are especially good. The story of how Indian Forest Officer SG Neginhal 'planted and raised one and half million trees,' told by veteran environmental activist, SR Hiremath, co-founder of the Samaja Parivartan Samudaya (SPS) is one among many others. The formation (and fragmentation) of the Dalit movement, trade unions, workers' movements; the arguments and friendships between socialists, Marxists and communists; the travails and triumphs of artistes across forms and genders; the average do-gooders working on the fringes of society but holding its fabric in place with their idealism and hope – all this and more are presented in great detail. If you are interested in how people make history and enjoy examining layers of belief, thought and action; if you like stories about how politics and religion are being cast aside by some citizens who nevertheless are making a positive impact on their world; if you like random facts (Did you know there is a variety of rice named after the former Prime Minister, HD Deve Gowda, in Punjab?) and want to grasp the stories behind the storytellers; if you have an appetite for tales that take you on trails, and if you have strong wrists – it's a heavy book! – you will be happy to read Rama Bhima Soma. Charumathi Supraja is a writer, poet and journalist based in Bengaluru.

Pink Villa

4 hours ago

• Pink Villa

Meet actor who almost left industry, walked away from Nawazuddin Siddiqui film for saying 'No' to explicit scenes and is now set to star with Salman Khan

The Bollywood industry gives fame, but only a few manage to maintain their reputation and stay in the spotlight. So far, many actors have quit the limelight, and on the other hand, many have been forgotten by the people. But, there's one actor who almost left the industry but still managed to do films and make a place among the audience. Although she has been active since 2005, she is known to have featured in a handful of projects, but is still referred to as a renowned personality. We are talking about none other than Chitrangda Singh. Born on August 30 in Jodhpur, Chitrangda Singh did her schooling in Meerut and completed her graduation in Home Science from New Delhi. Her journey to showbiz began with modeling, and later she transitioned into acting. Hazaaron Khwaishein Aisi marked her acting debut in 2005, and Chitrangda's second venture was Kal: Yesterday and Tomorrow. In 2011, the 48-year-old was seen in Desi Boyz alongside Akshay Kumar and John Abraham. The film earned her significant recognition, and she went on to do movies such as I, Me Aur Main, Saheb, Biwi Aur Gangster 3, and Gaslight, among others. Her special appearance in the Aao Raja song from Gabbar Is Back turned out to be extremely popular. In one of her interviews, the actor mentioned that she bowed out of the industry because she felt betrayed and cheated. Talking about her decision to walk away from Kushan Nandy's Babumoshai Bandookbaaz, Chitrangda revealed that the director forced her to perform intimate scenes. She also remarked that Nawazuddin stayed quiet despite being present there. However, Nandy didn't agree to the same. Denying such allegations, he pointed out that she had issues with the script. Chitrangda Singh was recently seen in Housefull 5. On the work front, she is all set to share screens with Salman Khan in the upcoming movie based on the Galwan Valley clash. Stay tuned to Pinkvilla for more updates!