logo
Meta AI: Irish wolfhounds join writer's protest

Meta AI: Irish wolfhounds join writer's protest

BBC News17-04-2025

Irish wolfhounds have joined a protest by writers, who are protesting about what they describe as "any piracy" of their works being used by Meta's AI model.The protest at the Dáil and Government buildings in Dublin was led by the Irish Writers Union (IWU).The union, which is coordinating a campaign with Irish publishers, screenwriters, and poets, is demanding that Meta "complies with Irish and EU copyright laws in the training of its AI model".Members say the protest follows "the revelations arising from a court case in the US, that Meta used millions of copyright-protected works in order to train its AI model, Llama 3".
Writer's work used for AI training
Audrey Magee, an award-winning author whose publications include The Colony and The Undertaking told BBC News NI she was shocked when she discovered that her works had been used for AI training.The author said she's concerned that her works have been accessed and "used in a way you have no control over". She also said the presence of Irish wolfhounds at the protest today was a powerful symbolic gesture because of their ancient links to Irish literature, poetry, mythology, and bards.Other members of the Irish Writers Union who claim their works have been harvested for AI training purposes include Ruth O'Leary, author and The Weekend Break and Sam Blake, author of The Killing Sense.
The Chairman of the IWU, Conor McAnally said: "It is difficult enough to make a living as a writer without billionaires deciding it's too inconvenient to pay for our work."The Irish Writers Union will robustly defend our members, and their right to fair compensation for any use of their work. We call on the Irish Government to support those writers whose work has been pirated and hold Meta to account."A petition, with 1500 signatures, has been presented to the Irish Department for Trade Promotion, Artificial Intelligence and Digital Transformation.In a statement, Minister Niamh Smyth TD, said: "Given the rapid advancement of AI technologies, EU and Irish policies and legislation are adapting to address emerging challenges."The IWU is encouraging its members to make a formal, legal complaint to Meta demanding the immediate cessation of any use of their copyrighted material in the company's AI training processes until appropriate permissions are obtained.Members also want Meta to negotiate "fair and reasonable licensing terms" if it wants to use their work, as well as the offer of compensation for any past unauthorised use of their work in AI model training programmes.An investigation by The Atlantic magazine, external revealed Meta may have accessed millions of pirated books and research papers through LibGen - Library Genesis - to train its generative AI (Gen-AI) system, Llama.A spokesperson for Meta said: "We respect third-party intellectual property rights and believe our use of information to train AI models is consistent with existing law."

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘We were all pretty privileged': Allison Williams on Girls, nepo babies and toxic momfluencers
‘We were all pretty privileged': Allison Williams on Girls, nepo babies and toxic momfluencers

The Guardian

time34 minutes ago

  • The Guardian

‘We were all pretty privileged': Allison Williams on Girls, nepo babies and toxic momfluencers

If you had wandered the set of the film M3gan 2.0 last year, chances are you would have stumbled into M3gan, the terrifying humanoid doll, staring lifelessly while she waited to be called for her next scene. Sometimes she would stand in the corner of the soundstage, says Allison Williams with a nervy laugh. 'The dilemma is: do you turn her around so she's facing the wall, or do you let her face the room? Both answers are wrong.' In the sequel to the sci-fi horror M3gan, Williams resumes her role as Gemma, a roboticist who has become a crusader against rampant and reckless AI development after her creation – developed for her orphaned niece – became murderous. (She is also a producer on the second film.) Acting opposite M3gan was unsettling, says Williams, speaking over a video call from a hotel room in New York. Sometimes she was played by the 15-year-old dancer Amie Donald, but often she was a robotic doll, animated by a small team. 'When she's been working for a while, her eyelids can get sticky,' says Williams. M3gan's handlers would paint lubricant on to her eyeballs with a brush and Williams would have to catch herself: 'She's not flinching and for a second you're like: 'Ugh.' Then you remember: this is not a live thing.' Still best known for her first role as Marnie in Lena Dunham's landmark TV series Girls, Williams has gravitated towards comedy-tinged horror in recent years. Her first post-Girls film role was in the Oscar-winning dark comedy horror Get Out. It and M3gan were relatively low-budget projects that became cultural phenomena – Get Out for its commentary on racial politics, M3gan for what it says about the dangers of AI (as well as the uncanniness of M3gan herself). Williams has long been interested in AI – she knows Sam Altman, the co-founder and CEO of OpenAI, which created ChatGPT, who put her in touch with robotics experts when she was researching the role of Gemma. The film raises questions not only about the danger of rogue AI, but about the ethical concerns –including how we should feel about the 'rights' of devices. 'It's easy to imbue anything that has AI in it with humanity. Like our little robot vacuum we have at our house; I often feel it's doing all this labour and being overlooked.' Does she worry that her job will be taken by AI in the not-too-distant future? She laughs. 'If you ask me any question that starts with: 'Are you worried?' the answer is always yes, because I have an endless capacity to be worried about things.' But it's possible, she says, that humans in acting, or any other job, are not special or unique and that 'we will all be seamlessly replaced. But so far, especially in the arts, I haven't yet had an experience that's supposed to mimic a human output that has felt seamlessly human to me – and who knows if that's going to be true for ever. For now, it's towards the bottom of the list of things I worry about.' She smiles. 'But it's not not on the list of things I worry about.' M3gan raises questions about the tech to which we expose our children. 'You wouldn't give your child cocaine,' says Gemma in M3gan 2.0. 'Why would you give them a smartphone?' Williams' son is three and she is wary of it. 'He has so many questions and they're incredible; I often don't know the answers.' The other day, she says, she used ChatGPT to answer one about rocket launches. 'Watching what happened to his face was like when Gemma sees her niece interacting with M3gan. Like, I have connected my kid to a drug, this is so immediately addictive and intoxicating.' She quickly put her phone away and made a mental note to go to the library next time to get out a book. 'I can't justify it, logically,' she says. 'It just felt like an innate instinct.' Parenting is the central theme of the new podcast Williams launched this month with two friends, Hope Kremer, an early childhood educator, and Jaymie Oppenheim, a therapist. It came out of a group chat in which just about everything to do with motherhood, ageing and life in general was discussed. A future episode is about the guilt many mothers feel, which is also a theme in M3gan 2.0. Will our expectations of mothers ever change? 'Oh God, I hope so,' says Williams. 'The guilt, I think, is most potent in the absence of a community where you can voice the things that you feel guilt about. I think the guilt around what kind of parent we all are is something that only survives as long as we hold each other to insane standards and expectations.' She is, she says, 'filled with rage about the majority of Instagram and TikTok 'mom content' – the aspirational version of it, anyway. I think it's poisonous [and] it really only exists to make people feel bad about themselves, maybe under the guise of wanting to motivate people, but the impact is so painful.' She laughs as she describes the dishonesty of an influencer making a perfect packed lunch, filled with nutritious food – because it's actually 4pm, perhaps, or because they have nannies – that makes other parents, primarily mothers, feel as if they are failing. 'I would be in a puddle on the ground if we didn't have the nanny that we have, who is the reason my husband is shooting in London right now and I'm here,' says Williams. 'None of this is possible without her, and we're so grateful. I'm just like, show your work. Show me a clock. Like, what day was this filmed?' She is laughing, but she is on a roll. 'I cannot stand artifice about creating an expectation of what someone should be able to achieve that is totally unreasonable. Who is that helping?' On another episode, she says, they discuss ageing and unrealistic beauty standards: 'I talk about my love for Botox when I'm not filming, because, you know, you need to make facial expressions when you're shooting.' She laughs. 'But, right now, there's not a ton I can do with my forehead. But the idea that someone would look at me and be, like: 'I should be capable of that forehead.' No, you shouldn't! I'm not better than you because I have no wrinkles there, I just paid to put chemicals in my face. Let's be real about this.' I always think it's quite an achievement for famous people to hang on to pre-fame friends, once acclaim and money start getting in the way. Is it important to have 'normal' friends? 'I don't walk the world and feel like a celebrity,' says Williams. 'I think I did in my 20s, shooting and living in New York. But that isn't how I feel dropping our son off at preschool; I feel like a person among people. My job is public, and that's unique and weird, and our culture thinks it's more important than other jobs, for sure. But, in our friend group, we celebrate what everyone's up to and that has been such a stable, steady source of nourishment in my life.' Williams noticed recently that her son is about the same age she was when she realised acting could be a job and that she might one day do it (his father, Alexander Dreymon, is also an actor; Williams and Dreymon met on the 2020 thriller Horizon Line). She watched bits of The Sound of Music and Mary Poppins and it dawned on her that the woman in both films was the same. 'Julie Andrews was like a goddess to me,' she says. Her parents, the former NBC news anchor Brian Williams and the producer Jane Stoddard Williams, insisted she get an education, which she did (English at Yale), rather than become a child actor. 'I'm grateful that my parents didn't cave and that I didn't make my way into this business any sooner than I did, because already, at 23, when Girls came out, that was a lot to process.' In a way, Williams had the reverse experience – her parent was famous. At a time before media was so fragmented, being an NBC news anchor meant Brian Williams reached millions of people. His reputation took a battering in 2015, when it was revealed he had embellished – mistakenly, he said – a story about being shot down in a helicopter while covering the Iraq war. He was suspended for six months and left NBC shortly after. What was that like to go through as a family? 'Anything that feels loud, like people are talking about you and all of that, is horrible,' says Williams. 'I think it's the underbelly of the media – it happens all the time, they eat their own. Everything just goes back to its fundamental priorities – family, friends, people who matter.' In the recent criticism of nepo babies, Williams has always been admirably upfront and unguarded about her advantages. 'Aside from all the many layers of privilege, high on the list is the fact that I could pursue a career in acting without being worried that I wasn't going to be able to feed myself. I had been surrounded by people who did what I wanted to do.' It didn't seem like an unreachable dream when Tom Hanks and his wife, Rita Wilson, were family friends. When she was still at high school, she got a summer job as a production assistant on Robert Altman's A Prairie Home Companion and got to be around its starry ensemble cast, which included Meryl Streep. 'Having had that experience gives you a leg-up when finally it's your turn and you have to know how to be on a set and how it all works.' Gratitude seems to be a defining theme in Williams' life. She is happy she is not starting out now. There was huge hype around Girls during its six-year run, which ended in 2017, but she can't imagine what that would be like with social media now. (Williams came off Instagram in 2020 – a time, she felt, when the platform was becoming more cynical and toxic.) It was, she says, as if there were 'a gazillion think pieces about every episode that we did – and most thought we all took ourselves too seriously. We were all pretty privileged people who were the leads of this HBO show that was definitely skewering our own, but we weren't given credit for that, or for being in on it.' Some of the criticism was valid – it was set in New York, yet was overwhelmingly white – but much of it was misogynistic and more. 'The shame is that, when it is coupled with misogyny and fatphobia and everything, the valid criticism gets lost.' Some of the coverage was so mean, she says with a laugh, especially on Gawker, which didn't describe the lead characters by their names, but as the daughters of the famous parent each actor had. 'We were easy targets, I get it.' For a while, Williams struggled with people assuming she was inseparable from her character, Marnie, a narcissist verging on sociopathy. 'I really desired to put distance between us, because I thought that was the kind of acting everybody respected – like, I'm wearing a prosthetic nose and I gained 40lbs, or whatever. And here [our characters] were, who looked basically like we looked and sounded like we sounded, but crucially said and did things that we would never do. It always felt weird that, since we didn't transform ourselves in some way, people weren't buying us playing characters.' Mostly though, she says, it was an amazing experience. Will there be a reunion? 'I would love it,' says Williams. 'I know that Zosia [Mamet, who played Shoshanna] has been pushing for a spin-off, which I would voraciously consume and try to elbow my way into. I kind of want us all back together. It was so fun and it was the beginning of my career, so I didn't have the perspective I have now on just how lucky we were, or to know how unusual a creative experience it was.' For those of us who loved Girls, I can think of nothing better – four hilarious, horrendous humans, no scary AI doll in sight. Allison Williams' podcast, Landlines, is available now. M3gan 2.0 is in cinemas on 27 June

Love Island's Helena slammed by fans as ‘insecure' as they ‘work out' her real game plan
Love Island's Helena slammed by fans as ‘insecure' as they ‘work out' her real game plan

Scottish Sun

time8 hours ago

  • Scottish Sun

Love Island's Helena slammed by fans as ‘insecure' as they ‘work out' her real game plan

Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) LOVE Island's Helena has been slammed by fans for being 'insecure' as they 'work out' her real game plan. Viewers watching tonight's episode of Love Island were quick to call out 29-year-old Helena for being "nasty" and "insecure". Sign up for the Entertainment newsletter Sign up 4 Helena spoke about Toni while on the sun loungers Credit: ITV 4 She was chatting to Harrison Credit: ITV 4 Fans slammed Helena and her 'game plan' Credit: ITV Sitting down with new boy Harrison, 22, to chat and flirt, Helena was talking about his other love interest, Toni, 24. Helena explained how she thought Toni was "marking her territory" with Harrison. She also said that it sometimes felt like Toni didn't like her talking to Harrison. Harrison was stunned and intrigued as Helena spoke about the American bombshell. Fans were quick to react to the comments Helena made about other girls - specifically Toni - to Harrison. "Helena's chat is literally just talking down other girls," noted one person on X. "I'm seeing a very nasty pattern with Helena….." said a second. A third penned: "Helena's main personality trait is putting other girls down. And she has the audacity to call THEM boring." "Can we get a compilation of Helena talking shit about the girls behind their backs on movie night please," pleaded a fourth. "Helena seems very insecure…" noted a fifth. Saucy sex position dare sparks Love Island row as TWO couples are on the rocks after spin the bottle game "Helena always has to put down other women to make herself more desirable. Gross," said a sixth. This comes after an explosive episode saw chaos ensue the house following a game of Spin The Bottle. In tonight's episode, a raunchy game of Spin The Bottle played out as the Islanders were faced with telling truths and direct dares. Irish rugby player Conor got a dare to put the person who he thinks is best in bed, in his "most favourite sex position". He picked Irish beauty Megan before getting her to lay on her tummy on the floor and declaring his favourite position to be "speed bumps". Conor then hovered above her as they giggled and he said: "Pump." Tommy, who Megan is currently coupled up with, watched on in horror and shook his head. Welsh beauty Emily, who Conor said he was most invested in, then said: "If he carries on, he'll never find out how I am in bed."

Saucy sex position dare sparks Love Island row as TWO couples are on the rocks after spin the bottle game
Saucy sex position dare sparks Love Island row as TWO couples are on the rocks after spin the bottle game

Scottish Sun

time8 hours ago

  • Scottish Sun

Saucy sex position dare sparks Love Island row as TWO couples are on the rocks after spin the bottle game

Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) A SAUCY sex position dare sparks a massive Love Island row as TWO couples are on the rocks. In tonight's episode, a raunchy game of Spin The Bottle will play out as the Islanders are faced with telling truths and direct dares. Sign up for the Entertainment newsletter Sign up 4 A saucy sex position has left the villa in turmoil Credit: Instagram / loveisland 4 Conor chose Megan to demonstrate the sex position with Credit: Instagram / loveisland 4 Emily was seemingly fuming Credit: Instagram / loveisland In the first look for Sunday night's episode, Irish rugby player Conor got a dare to put the person who he thinks is best in bed, in his "most favourite sex position". He picked Irish beauty Megan before getting her to lay on her tummy on the floor. Conor then hovered above her as they giggled and he said: "Pump." Tommy, who Megan is currently coupled up with, watched on in horror and shook his head. Welsh beauty Emily, who Conor said he was most invested in, then said: "If he carries on, he'll never find out how I am in bed." Elsewhere in the racy game, Helena lands on a dare and Dejon dares her to kiss the person that she'd chose to recouple with, she kisses Harrison. When she pulls a truth card, Harry asks Megan how she genuinely feels about Conor. She tells the group: 'Me and Conor got on from the start and that got cut short so I feel like there's unfinished business there, as you would say [Harry]'. Toni is asked how she feels to know that Harrison isn't just interested in her, given Helena's kiss in her dare. Toni responds 'When we talk to each other, he says the best chats are with me so he knows where home is'. Terrified Love Island star reveals relief after 'surviving' hot air balloon ride Yasmin then puts Harrison on the spot: 'Do you think the best chats are with Toni?' Harry is dared to kiss the Islander he's best suited to whilst Shea is dared to tell each Islander the first word he thinks of them, to mixed reactions. In the teaser trailer for tonight's episode, which was shared with viewers on Friday night, In the brief clip, it was clear that Tommy snogged Welsh beauty Emily as Irish beauty Megan looked on in horror. Tommy is coupled with Megan, but now it looks like there might be tension between the two. He then sensationally smooched Shakira as well. Meanwhile, the real bombshell of the game looked to be Shakira's steamy smooch with Harry. In the teaser clip's edit, it seemed as though the Islanders were asked to snog who they'd most like to be coupled up with. It then cut to Shakira smooching Harry as Helena and Ben looked at their current love interests with disgust. "Is that Shakira and Harry kissing?" said one viewer in reaction to the teaser clip, at the time.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store