Music Review: Blondshell alt-rock finds new nuance on 'If You Asked for a Picture'
Sabrina Teitelbaum, who records under the band name Blondshell, is a longtime student of alt-rock. She knows a thing or two about all the ways in which a cutting lyric and thunderous guitar can rejuvenate the soul and soundtrack rage. On her sophomore album, 'If You Asked for a Picture,' named after Mary Oliver's 1986 poem 'Dogfish,' she builds from the success of her earlier work – 2023's self-titled debut and its haunting single 'Salad.'
Over the course of 12 tracks, much like on her first album, Blondshell reckons with a woman's role in her various relationships, personally and societally. Those messages — gritty, real, existential and fluid as they are — arrive atop visceral instrumentation, hearty guitars and punchy percussion.
'Oh well you're not gonna save him,' she reminds listeners in 'Arms.'
Much of 'If You Asked for a Picture' sits at the intersection of modern indie,'90s grunge and '80s college radio rock, like that of 'Event of a Fire.' On the acoustic fake-out 'Thumbtack,' instrumentation builds slow and remains restrained. 'Man' is muscular, with its soaring distortion and layered production.
On 'If You Asked for a Picture,' relationships are nuanced, awkward and honest — her flawed and frustrated characters show how easy it is to succumb to the whims of someone who doesn't have your best interest in mind, to become someone else when you don't know who you are.
That's clear on 'Change,' where she sings, 'It's not my fault it's who I am / When I feel bad I bring it back and leave it all at your door.' And the anxious complications compound: 'A parting gift / Kiss me back / I'm sorry for changing.'
If there is a main weakness in 'If You asked for a Picture,' it is that a number of the tracks bleed together sonically near the record's end, making it hard to distinguish a three-song run: 'Toy' to 'Man.' Fans will likely label it stylistic consistency rather than tiresome repetition.
That said, there's a lot to love here. 'T&A,' 'Model Rockets' and the palm-muted power chords of 'What's Fair' warrant repeat listens.
'Why don't the good ones love me?' Blondshell asks on 'T&A,' with its dreamy guitar tone 'Watching him fall / Watching him go right in front of me.'
The swaying mellotron of 'Model Rockets' ends the album.
'I'm a bad bad girl / Bad bad girl,' she adds to the closer. 'Life may have been happening elsewhere / And I don't know what I want anymore.'
It might serve as a mission statement for the album — where identity and desire are malleable, influenced by relationships and the evolving nature of the world, made more complicated by simply being a woman in it.
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Forbes
6 hours ago
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Bubba Ray Responds To R-Truth, Makes Bold Prediction About WWE LFG
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Bubba was also in rare form throughout this informative, if not heated, interview. Bubba Ray On Season 2 Of WWE LFG Bubba Ray Dudley: Alfred, before we get started- Alfred Konuwa: Let's go, let's go. BRD: Have you ever buried me on social media? AK: I don't believe I have. BRD: You don't believe you have? AK: No, because— BRD: Ah, ah, ah, ah, ah When Uncle Bubba talks you listen. Have you ever spoken disparagingly of me on the old Twitter machine? AK: My answer to you is: I do not think so. But because you're bringing this up, can you let me know what I may or may not have said? BRD: No, I'm asking you a flat…you would know if you talked bad about me. It's a yes or no question. AK: My answer is no because I've always put you over. BRD: Then we can proceed. As a matter of fact, since you put me over in the past, why don't you put me over some more? AK: I will (laughing), because one of my most viral tweets is when I said that I thought the Bully Ray character in TNA is a top five heel all time, without any qualifiers. And I can't tell you how many people I fought. Now, I'm not one of these people who stays on Twitter all the time and cares about what people tweet about me. But that was one where I got a lot of blowback about it and I stood on business about that. So no, I've said way more good things than bad, if I've said any bad things about you. BRD: Uh, uh, uh you almost slipped up there, Alfred, you almost... At, at, we almost caught you. AK: (Laughing) Okay, but I'm positive I've never buried you on social media. BRD: So, doesn't Forbes always do like their Top 100 or Top 500 or something like that? AK: They do do stuff like that. They have the 40 Under 40, Top Real-Time Billionaires etc. BRD: So is this like for the Top 10 Most Handsome Men in Professional Wrestling? AK: We could make it that. Why not? BRD: Because we all know by listening to 'Busted Open' every day and there's super sexy swinging sounds of Uncle Bubba's sandpapery smooth voice, that I am one of the most handsome men in professional wrestling. You would agree, right? Alfred? AK: I would agree that you are a Top 5 handsome man, without any question, without any qualifiers. BRD: (Laughing) You may ask your questions now, Alfred. AK: Absolutely. Well, I want to start by, of course thanking you. Again, big fan of yours. I don't care what anybody says. You are obviously an all-time great and you're coming back for season two of LFG. I would like to know, just based on Season 1, seeing everybody's coaching styles: Booker T, Undertaker's coming back, Michelle McCool is going to be there. Who do you feel is your biggest competition in terms of the coach? BRD: Actually, I have no competition because I don't look at it as a competition. And that's a genuine answer. We all have very unique in coaching styles. Obviously myself and Booker having wrestling schools over the past 15 to 20 years, Booker with Reality of Wrestling in Houston, Texas, myself and my brother D-Von with the Team 3D Academy down in Orlando, Florida, Booker has pumped out a lot of talent that has made it to the top. We have pumped out so much talent that has made it to the top of all wrestling companies. So, we have our very unique styles. As a matter of fact, as much as me and Booker break each other's chops about so many things, we agree on nine out of 10 things that will come up about the way we train. And we often find ourselves using the same terminology or the same methods to help pass down the knowledge. This is very new for the Undertaker. This is new because we're seeing more of the Undertaker than we probably ever have seen before. As a matter of fact, the word on the streets is that Undertaker is too nice on season one. Will we see a meaner, more stern Undertaker on Season 2? And Michelle brings a different set of eyes and ears for the women. I think Mickie James did a phenomenal job in season one. Mickie became like the mother to these future greats. I don't think Michelle McCool has that same vibe with them, but she is now a Hall of Famer, four Hall of Famers, four legendary talents up there, all judging these 16 future greats. It's not a competition to me. I want to see all 16 of these future greats take steps forward. But mostly, I want to see Zena Sterling do in Season 2 what should have happened in Season 1. And that is her being given that NXT contract and moving on to become the star that Zena will become. AK: I'm glad that you brought up Zena because there's a lot of familiar faces we're going to see an LFG from Season 1. Are there any names that come to mind that after seeing and working with this talent in Season 2, where your opinion has either gone up or down about them? BRD: Not my opinion because I'm pretty dead on balls accurate, once I meet you for the first time. I've been doing this for a while so I can kind of figure it out within the first five minutes. It's like a song. I know within the first five seconds whether I know a song or not. And I can tell you within the first five minutes whether or not I think a talent will pan out, and whether or not I think they have the right personality for our industry. There are however talents that have come out of their shell, that at first you say to yourself, "I'm not quite sure if we're ever going to see this person's real personality." And then somehow, some way it shines through. On the women's side, it's Sirena Linton, the girl who, Season 1, told us the story about how she watched her dad get deported and her brother get killed at an early age. And we saw the emotion out of her. She really didn't do too much in the first half of Season 1. She started to shine at the end of Season 1. And in Season 2, we're seeing more of that inner spicy side of her come to life, a lot more confidence in Sirena. And she's going to be interesting to watch. On the men's side, I got two words for you: Elijah, mother-trucking, Holyfield. I'll say those two words again. Elijah, mother-trucking, Holyfield. Elijah, another guy…when I first saw Elijah, I was like, "Oh my God." You want to talk about the it factor when it comes to just the visual? Wow. Dear God. But then he would open his mouth and there'd be nothing there, no confidence, no nothing. But as I spoke to Elijah a little bit more and I watched him and I observed him, very shy, very reserved. One day he said something and I was like, "Aha, there's something there. There's an inner anger, there's an inner volcano waiting to explode." And we saw it happen in the middle of Season 1. And in Season 2, I think you're going to see even more of Elijah Holyfield. You're going to see that bad mother trucker that we all know that he can be. And I think he's going to open a lot of eyes, and I think he's going to get out of the shadow of being the son of Evander Holyfield. AK: That's amazing. And I've already read some of these synopses for the first couple of episodes. And I saw that it says that you revisited some old issues with one Drake, mother trucking, Morreaux. So what are your thoughts about— BRD: Alfred, Alfred, don't ever use my terms. If you want to use my terms, you have to ask Uncle Bubba permission first. And it should sound like, "Uncle Bubba, can I please use your terms? Thank you. XOXO, Alfred." That's for the future. AK: My apologies, Uncle Bubba. BRD: Drake is… really like Drake Morreaux, I really, really do. But I think that's the problem. I think he's too likable. I think I put this Bayou Boogie kind of New Orleans dancing happy, beer-drinking, alligator-juice-drinking, throwing personality on him because I didn't think that the inner badass would come through because he's so nice. So, I gave him something that the people could get behind, that they could relate to. Everybody loves going to New Orleans, everybody loves having beads thrown at them. To me, Drake Moreau came across as a modern-day, Jimmy Boogie Woogie Man, Valiant. And everybody loved the Boogie Woogie Man. But when the bell rang, Boogie Woogie would kick your ass. And that's what I wanted from Drake. Season 2 starts out with a little bit of animosity with me and Drake because I don't think Drake believes in me like I did not believe in him at the end of Season 1. Although, I really wanted to believe in him. So, you'll see the dynamic between Bubba and Drake play out in Season 2. Bubba Ray Reacts To R-Truth's Response To Him AK: Speaking of the dynamic of the happy-go-lucky wrestler who—when the bell rings—they could get serious. You've had some pretty controversial thoughts about one, Ron Killings in saying that you did not necessarily agree with him going so serious so soon. BRD: You're wrong, Alfred. You're wrong. I never said that. AK: Okay. But can I just premise this by saying that him coming back and being more serious, you did have some objections to that. Am I right about that? BRD: No, you're wrong. AK: Can you let me know exactly what you said, and more importantly what you meant? BRD: So, did you listen to everything that I said on 'Busted Open,' or did you listen to clips on the cesspool that is Twitter? AK: Not only did I listen to everything you said on 'Busted Open,' I saw R-Truth's response, who seemed to also take exception to you saying that maybe he should be more of who he was before he got released. And I'd like to know your response to his response. BRD: When Ron Killings came on 'Busted Open,' did he seem as fired up or more fired up on 'Busted Open' as he was on Monday Night Raw? AK: He did seem very fired up. BRD: You're welcome. Because only I can bring that type of level of fire out of people, because I'm off frickin Sith Lord, when it comes to lighting fires underneath asses. It's what I do. And it's a dying art form in our industry. And very few get it. What I said was, I didn't want to hear…and this was just a personal opinion, did not want to hear him refer to himself as R-Truth anymore. I didn't want to hear the Truth theme. It seemed by cutting off the hair, to me was symbolic of him leaving the Truth persona behind. He wants to be serious Ron Killings, then I only want to hear about Ron Killings. Truth is somebody that we were entertained by for 20 years. I was entertained, I laughed with, I laughed at R-Truth, but did I ever really care about R-Truth? I want to care, I want to be emotionally invested. And I want that serious side of Ron Killings that I want to care about the serious side of Ron Killings. That's why I said, "I don't need to hear the Truth name anymore." This was an opinion. This was not like he has to do this, he must do this. And if Truth heard something that inspired him to pick up the phone and call 'Busted Open,' well, as I said in the beginning, you're welcome. I bring out the best and the worst in everybody. Bubba Ray Praises John Cena Heel Character AK: And Ron Killings, we're seeing what I think is the best of Ron Killings because I love this feud that he has with John Cena, who has been very polarizing as a heel. What do you think WWE has gotten right with the John Cena heel character? What do you think they've gotten wrong with it? BRD: I'm not falling into your trap. AK: What's the trap? I'm asking both sides. BRD: What have they done wrong with John Cena? AK: I'm asking the question, I'm not going to say. BRD: And I'm asking you back. You tell me first. What have they done wrong with him? AK: If I could say anything that they've done wrong, which I've enjoyed more than I haven't, I would say that John Cena not changing anything was a misstep. I think it's a great idea that 'I'm not going to give you fans a new John Cena,' I love the psychology behind that. But for John Cena to continue to come out dressed like that, you still see him as John Cena. He still gets cheered. And I think if he was a completely different character, maybe he would get booed more. BRD: Alfred, are you familiar with a band named Kiss? AK: I am. Detroit Rock City, even though I was born in [Milwaukee.] BRD: Okay. Detroit Rock City, probably the greatest opening song of any rock act in history. Kiss wears the same makeup, plays the same songs. Gene Simmons blows the same fire, he spits the same blood, they play Rock and Roll All Night the same way. At the end of every show, they blow the confetti and they say, "Thank you. Good night. We're Kiss." They haven't changed a damn thing. And up until Kiss's very last show on December 31st in Madison Square Garden in 2000 and I don't know, 23, 24, whatever it was, they sold out every single night doing the exact same thing for 20 years. Why should John Cena change a thing? I'm not a big fan of cliches. And here's one, if it ain't broke, don't fix it. You're getting different side of John, a different personality from John. Why does John have to wear different clothing? It's about the personality. I want to react to everything that John Cena says. I want to react to his words, his tone, his inflections, his mannerisms. I don't give a damn what he's wearing, because if I'm booing the clothing, then I'm not booing the man. By the way, all this advice I'm giving you and smartening you up is free. The next round, you pay for. AK: I really appreciate it because I was going to take out a credit line, but now I don't have to. Thank you so much. I wish we could go on and on. You're going to have to invite me on 'Busted Open' one of these days. I love this conversation. I'm going to put you over on Twitter again. BRD: Thank you, Alfred. Appreciate you. WWE LFG Season 2 premieres January 22, 2025 on A&E at 10 pm EST/9 pm Central. All quotes were received firsthand unless otherwise noted.
Yahoo
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New York Post
a day ago
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‘Spider-Man' and ‘One Life to Live' star Jack Betts dead at 96
Jack Betts has passed away at 96 years old. The actor starred on the soap opera 'One Life to Live' from 1979 to 1985, appearing in 20 episodes as Llanview Hospital's Dr. Ivan Kipling. Betts' nephew, Dean Sullivan, told The Hollywood Reporter that the star died in his sleep at his house in Los Osos, California, on Thursday. 7 Jack Betts at The Cocktail Hour play opening, LA, California, April 19, 1990. MediaPunch via Getty Images 7 Doris Roberts and Jack Betts arrive at the party celebrating the 200th Episode of 'Everybody Loves Raymond' on October 14, 2004 at Spago in Beverly Hills, California. Getty Images Betts lived with 'Everybody Loves Raymond' actress Doris Roberts before her death at age 90 in 2016. The two would attend events together over the years and Roberts even directed a play written by Betts, about a soap opera, titled 'Screen Test: Take One.' The close pals first met in 1954 at The Actors Studio in New York City in 1954. Decades later, in 1988, Betts accepted Roberts' offer to move from the Big Apple into the downstairs apartment at her Hollywood Hills home. 7 Actor Jack Betts. Columbia Pictures 'We were best friends to the very end, we had wonderful times together,' he gushed following her death. Betts was also known for starring as Henry Balkan – the Oscorp board chair who fired Norman Osborn (Willem Defoe) – in Sam Raimi's 2002 'Spider-Man.' Norman then became the villainous Green Goblin and vaporized Henry and the board. While on 'The Dev Show' in 2020, Betts spoke about filming the Oscorp boardroom shot and how he asked Raimi, 65, if he could add some of his own spin onto the scene. 7 Jack Betts is seen on May 6, 2016. GC Images 'I really looked [Defoe] right in the eye, and I had kind of a smile in my eye — you know, like, 'You're fired, you motherf–ker,'' the actor explained. 'After, I finished it, [Raimi] said, 'That's it. Terrific. Print that one.'' 'My point being is that I wanted to add something just a little different to it instead of doing it the same way over and over and over and over. [Raimi] he was willing to do that. He really was. Wonderful man to work with.' The Hollywood vet was raised in Jersey City, New Jersey, before moving to Miami with his family at age 10. The actor received his degree in theater from the University of Miami, and shortly after graduation, relocated to New York to begin acting. 7 Jose Ferrer, Jack Betts in 'Another World.' Courtesy Everett Collection Betts landed his first role as a supporting actor in the 1953 Broadway adaptation of William Shakespeare's 'Richard III.' For two seasons, from 1960 to 1962, Betts played detective Chris Devlin in the CBS mystery series 'Checkmate' opposite Anthony George, Sebastian Cabot and Doug McClure. The show, created by Eric Ambler, followed private detectives solving cases in San Francisco with the help of a British criminologist. Betts appeared four times on CBS' Perry Mason from 1961-66 before he met Giraldi about starring in Sugar Colt. He told the director that he could ride a horse and had just won a shooting contest — of course, he had never been on a horse or handled a gun — but he spent the next three weeks learning those skills at John Wayne's ranch before reporting for duty at Cinecittà in Rome. Shortly after, he entered the soap opera world, landing a role on 'General Hospital' from 1963 to 1965. 7 Jack Betts, Barbara Lord, Peter Falk in 'The Bloody Brood.' Courtesy Everett Collection From there, Betts made his mark on the franchises, and along with 'One Life to Live,' he had parts on 'The Edge of Night,' 'The Doctors,' 'Another World,' 'All My Children,' 'Search for Tomorrow,' 'Guiding Light,' 'Loving,' 'The Young and the Restless,' and 'Generations.' Some of Betts most memorable television roles included 'Seinfeld,' 'Frasier,' 'Everybody Loves Raymond,' 'Monk,' and 'Friends.' His last credited series was on the Freeform drama 'Good Trouble' in 2019. 7 Barbara Bain, Jack Betts in 'Silver Skies.' Courtesy Everett Collection When Betts stepped onto the spaghetti Western scene in 1966 as the title character Hunt Powers in Franco Giraldi's 'Sugar Colt,' he was able to turn that film into 15 others until 1973. But Betts didn't get the same credit as a certain fellow western star did. 'In the hotel next to mine was Clint Eastwood,' he recounted in a 2021 interview. 'He'd go up to his mountain and do his Western and I'd go up to my mountain and do my Western. But while his films had distribution all over the world, my films were distributed [everywhere] except Canada and America.' Betts is survived by his sister, Joan – who is set to turn 100 this year – nephew Dean, and nieces, Lynee and Gail.
