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MrBeast says he spent $500K to rent out Disneyland for date with fiancée

MrBeast says he spent $500K to rent out Disneyland for date with fiancée

YouTube's most-subscribed-to content creator has once again made a larger-than-life purchase by paying $500,000 to rent out an entire Disneyland theme park for a "romantic date" with his fiancée.
In a new YouTube video, MrBeast, the social media persona of Jimmy Donaldson, takes his fiancée Thea Booysen on six dates that range from $1 to $500,000, concluding with what he says was an evening at Disneyland all to themselves (in addition to a handful of friends and crew, of course).
The group rode Star Wars: Rise of the Resistance and Pixar Pal-A-Round (the 150-foot-tall Ferris wheel); played several carnival-style games; and built custom lightsabers at Savi's Workshop in Star Wars: Galaxy's Edge.
"There are no words to describe how special it is to have Disney all to ourselves," Donaldson said in the little over 17-minute video. "I think we all made memories that are going to last a lifetime."
Birthdays at Disneyland: Duchess Meghan, Prince Harry take Archie and Lilibet to Disneyland for birthday
On Feb. 27, 1992, actress Elizabeth Taylor rented out all of Disneyland to celebrate her 60th birthday. The entire park shut down for the birthday bash, which required extra security. Hundreds of celebrities attended the party, which proved to be a successful marketing promotion for Disney.
Theme parks: New report finds Disneyland, Disney World contribute $67B to US economy
Disney did not immediately respond to USA TODAY's request for comment on MrBeast's video or consumers' ability to rent out an entire theme park. However, several Disney-centric blogs like Magic Guides say it is not possible.
"Closing down the resort for a day would be a public relations nightmare and would severely disrupt how guests could plan and book their trips," Magic Guides' author Joshua Powell wrote.
Disneyland does offer some private and after-hours experiences, though, like Disney After Hours, in which customers can purchase tickets for three extended hours after the park's traditional closing time. The theme park also offers Disney's Fair Tale Weddings & Honeymoons, which allows couples and their family to rent various venues, including The Sleeping Beauty Castle Forecourt and Small World Mall.

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Bubba Ray Responds To R-Truth, Makes Bold Prediction About WWE LFG
Bubba Ray Responds To R-Truth, Makes Bold Prediction About WWE LFG

Forbes

time2 hours ago

  • Forbes

Bubba Ray Responds To R-Truth, Makes Bold Prediction About WWE LFG

WWE LFG Season 2 premieres June 22, 2025 on A&E. If Bubba Ray Dudley (AKA Bully Ray) was a catchphrase, it would be 'That's my story, and I'm sticking to it.' As a no-nonsense curmudgeon with a heart of gold, Bubba Ray took to coaching the Season 1 cast of WWE LFG like a duck to water. Bubba showed a soft spot for potential prodigies in Zena Sterling and Drake Morreaux, but never hesitated to default to mean Uncle Bubba when he was shown disrespect. This manifested itself several times through the season-long beef alongside Season 1's habitual line-stepper BJ Ray. Jasper Troy (Team Booker T) and Olympic gold medalist Tyra May Steele (Team Undertaker) prevailed in Season 1, however neither was under the tutelage of Bubba Ray. Now back for Season 2, Bubba Ray is picking up where he left off. Bubba back as a coach in Season 2, where most of the Season 1 cast will be returning alongside new coach Michelle McCool and new talent Trill London, Hayley Montoya and Karyn Best. Bubba was also in rare form throughout this informative, if not heated, interview. Bubba Ray On Season 2 Of WWE LFG Bubba Ray Dudley: Alfred, before we get started- Alfred Konuwa: Let's go, let's go. BRD: Have you ever buried me on social media? AK: I don't believe I have. BRD: You don't believe you have? AK: No, because— BRD: Ah, ah, ah, ah, ah When Uncle Bubba talks you listen. Have you ever spoken disparagingly of me on the old Twitter machine? AK: My answer to you is: I do not think so. But because you're bringing this up, can you let me know what I may or may not have said? BRD: No, I'm asking you a flat…you would know if you talked bad about me. It's a yes or no question. AK: My answer is no because I've always put you over. BRD: Then we can proceed. As a matter of fact, since you put me over in the past, why don't you put me over some more? AK: I will (laughing), because one of my most viral tweets is when I said that I thought the Bully Ray character in TNA is a top five heel all time, without any qualifiers. And I can't tell you how many people I fought. Now, I'm not one of these people who stays on Twitter all the time and cares about what people tweet about me. But that was one where I got a lot of blowback about it and I stood on business about that. So no, I've said way more good things than bad, if I've said any bad things about you. BRD: Uh, uh, uh you almost slipped up there, Alfred, you almost... At, at, we almost caught you. AK: (Laughing) Okay, but I'm positive I've never buried you on social media. BRD: So, doesn't Forbes always do like their Top 100 or Top 500 or something like that? AK: They do do stuff like that. They have the 40 Under 40, Top Real-Time Billionaires etc. BRD: So is this like for the Top 10 Most Handsome Men in Professional Wrestling? AK: We could make it that. Why not? BRD: Because we all know by listening to 'Busted Open' every day and there's super sexy swinging sounds of Uncle Bubba's sandpapery smooth voice, that I am one of the most handsome men in professional wrestling. You would agree, right? Alfred? AK: I would agree that you are a Top 5 handsome man, without any question, without any qualifiers. BRD: (Laughing) You may ask your questions now, Alfred. AK: Absolutely. Well, I want to start by, of course thanking you. Again, big fan of yours. I don't care what anybody says. You are obviously an all-time great and you're coming back for season two of LFG. I would like to know, just based on Season 1, seeing everybody's coaching styles: Booker T, Undertaker's coming back, Michelle McCool is going to be there. Who do you feel is your biggest competition in terms of the coach? BRD: Actually, I have no competition because I don't look at it as a competition. And that's a genuine answer. We all have very unique in coaching styles. Obviously myself and Booker having wrestling schools over the past 15 to 20 years, Booker with Reality of Wrestling in Houston, Texas, myself and my brother D-Von with the Team 3D Academy down in Orlando, Florida, Booker has pumped out a lot of talent that has made it to the top. We have pumped out so much talent that has made it to the top of all wrestling companies. So, we have our very unique styles. As a matter of fact, as much as me and Booker break each other's chops about so many things, we agree on nine out of 10 things that will come up about the way we train. And we often find ourselves using the same terminology or the same methods to help pass down the knowledge. This is very new for the Undertaker. This is new because we're seeing more of the Undertaker than we probably ever have seen before. As a matter of fact, the word on the streets is that Undertaker is too nice on season one. Will we see a meaner, more stern Undertaker on Season 2? And Michelle brings a different set of eyes and ears for the women. I think Mickie James did a phenomenal job in season one. Mickie became like the mother to these future greats. I don't think Michelle McCool has that same vibe with them, but she is now a Hall of Famer, four Hall of Famers, four legendary talents up there, all judging these 16 future greats. It's not a competition to me. I want to see all 16 of these future greats take steps forward. But mostly, I want to see Zena Sterling do in Season 2 what should have happened in Season 1. And that is her being given that NXT contract and moving on to become the star that Zena will become. AK: I'm glad that you brought up Zena because there's a lot of familiar faces we're going to see an LFG from Season 1. Are there any names that come to mind that after seeing and working with this talent in Season 2, where your opinion has either gone up or down about them? BRD: Not my opinion because I'm pretty dead on balls accurate, once I meet you for the first time. I've been doing this for a while so I can kind of figure it out within the first five minutes. It's like a song. I know within the first five seconds whether I know a song or not. And I can tell you within the first five minutes whether or not I think a talent will pan out, and whether or not I think they have the right personality for our industry. There are however talents that have come out of their shell, that at first you say to yourself, "I'm not quite sure if we're ever going to see this person's real personality." And then somehow, some way it shines through. On the women's side, it's Sirena Linton, the girl who, Season 1, told us the story about how she watched her dad get deported and her brother get killed at an early age. And we saw the emotion out of her. She really didn't do too much in the first half of Season 1. She started to shine at the end of Season 1. And in Season 2, we're seeing more of that inner spicy side of her come to life, a lot more confidence in Sirena. And she's going to be interesting to watch. On the men's side, I got two words for you: Elijah, mother-trucking, Holyfield. I'll say those two words again. Elijah, mother-trucking, Holyfield. Elijah, another guy…when I first saw Elijah, I was like, "Oh my God." You want to talk about the it factor when it comes to just the visual? Wow. Dear God. But then he would open his mouth and there'd be nothing there, no confidence, no nothing. But as I spoke to Elijah a little bit more and I watched him and I observed him, very shy, very reserved. One day he said something and I was like, "Aha, there's something there. There's an inner anger, there's an inner volcano waiting to explode." And we saw it happen in the middle of Season 1. And in Season 2, I think you're going to see even more of Elijah Holyfield. You're going to see that bad mother trucker that we all know that he can be. And I think he's going to open a lot of eyes, and I think he's going to get out of the shadow of being the son of Evander Holyfield. AK: That's amazing. And I've already read some of these synopses for the first couple of episodes. And I saw that it says that you revisited some old issues with one Drake, mother trucking, Morreaux. So what are your thoughts about— BRD: Alfred, Alfred, don't ever use my terms. If you want to use my terms, you have to ask Uncle Bubba permission first. And it should sound like, "Uncle Bubba, can I please use your terms? Thank you. XOXO, Alfred." That's for the future. AK: My apologies, Uncle Bubba. BRD: Drake is… really like Drake Morreaux, I really, really do. But I think that's the problem. I think he's too likable. I think I put this Bayou Boogie kind of New Orleans dancing happy, beer-drinking, alligator-juice-drinking, throwing personality on him because I didn't think that the inner badass would come through because he's so nice. So, I gave him something that the people could get behind, that they could relate to. Everybody loves going to New Orleans, everybody loves having beads thrown at them. To me, Drake Moreau came across as a modern-day, Jimmy Boogie Woogie Man, Valiant. And everybody loved the Boogie Woogie Man. But when the bell rang, Boogie Woogie would kick your ass. And that's what I wanted from Drake. Season 2 starts out with a little bit of animosity with me and Drake because I don't think Drake believes in me like I did not believe in him at the end of Season 1. Although, I really wanted to believe in him. So, you'll see the dynamic between Bubba and Drake play out in Season 2. Bubba Ray Reacts To R-Truth's Response To Him AK: Speaking of the dynamic of the happy-go-lucky wrestler who—when the bell rings—they could get serious. You've had some pretty controversial thoughts about one, Ron Killings in saying that you did not necessarily agree with him going so serious so soon. BRD: You're wrong, Alfred. You're wrong. I never said that. AK: Okay. But can I just premise this by saying that him coming back and being more serious, you did have some objections to that. Am I right about that? BRD: No, you're wrong. AK: Can you let me know exactly what you said, and more importantly what you meant? BRD: So, did you listen to everything that I said on 'Busted Open,' or did you listen to clips on the cesspool that is Twitter? AK: Not only did I listen to everything you said on 'Busted Open,' I saw R-Truth's response, who seemed to also take exception to you saying that maybe he should be more of who he was before he got released. And I'd like to know your response to his response. BRD: When Ron Killings came on 'Busted Open,' did he seem as fired up or more fired up on 'Busted Open' as he was on Monday Night Raw? AK: He did seem very fired up. BRD: You're welcome. Because only I can bring that type of level of fire out of people, because I'm off frickin Sith Lord, when it comes to lighting fires underneath asses. It's what I do. And it's a dying art form in our industry. And very few get it. What I said was, I didn't want to hear…and this was just a personal opinion, did not want to hear him refer to himself as R-Truth anymore. I didn't want to hear the Truth theme. It seemed by cutting off the hair, to me was symbolic of him leaving the Truth persona behind. He wants to be serious Ron Killings, then I only want to hear about Ron Killings. Truth is somebody that we were entertained by for 20 years. I was entertained, I laughed with, I laughed at R-Truth, but did I ever really care about R-Truth? I want to care, I want to be emotionally invested. And I want that serious side of Ron Killings that I want to care about the serious side of Ron Killings. That's why I said, "I don't need to hear the Truth name anymore." This was an opinion. This was not like he has to do this, he must do this. And if Truth heard something that inspired him to pick up the phone and call 'Busted Open,' well, as I said in the beginning, you're welcome. I bring out the best and the worst in everybody. Bubba Ray Praises John Cena Heel Character AK: And Ron Killings, we're seeing what I think is the best of Ron Killings because I love this feud that he has with John Cena, who has been very polarizing as a heel. What do you think WWE has gotten right with the John Cena heel character? What do you think they've gotten wrong with it? BRD: I'm not falling into your trap. AK: What's the trap? I'm asking both sides. BRD: What have they done wrong with John Cena? AK: I'm asking the question, I'm not going to say. BRD: And I'm asking you back. You tell me first. What have they done wrong with him? AK: If I could say anything that they've done wrong, which I've enjoyed more than I haven't, I would say that John Cena not changing anything was a misstep. I think it's a great idea that 'I'm not going to give you fans a new John Cena,' I love the psychology behind that. But for John Cena to continue to come out dressed like that, you still see him as John Cena. He still gets cheered. And I think if he was a completely different character, maybe he would get booed more. BRD: Alfred, are you familiar with a band named Kiss? AK: I am. Detroit Rock City, even though I was born in [Milwaukee.] BRD: Okay. Detroit Rock City, probably the greatest opening song of any rock act in history. Kiss wears the same makeup, plays the same songs. Gene Simmons blows the same fire, he spits the same blood, they play Rock and Roll All Night the same way. At the end of every show, they blow the confetti and they say, "Thank you. Good night. We're Kiss." They haven't changed a damn thing. And up until Kiss's very last show on December 31st in Madison Square Garden in 2000 and I don't know, 23, 24, whatever it was, they sold out every single night doing the exact same thing for 20 years. Why should John Cena change a thing? I'm not a big fan of cliches. And here's one, if it ain't broke, don't fix it. You're getting different side of John, a different personality from John. Why does John have to wear different clothing? It's about the personality. I want to react to everything that John Cena says. I want to react to his words, his tone, his inflections, his mannerisms. I don't give a damn what he's wearing, because if I'm booing the clothing, then I'm not booing the man. By the way, all this advice I'm giving you and smartening you up is free. The next round, you pay for. AK: I really appreciate it because I was going to take out a credit line, but now I don't have to. Thank you so much. I wish we could go on and on. You're going to have to invite me on 'Busted Open' one of these days. I love this conversation. I'm going to put you over on Twitter again. BRD: Thank you, Alfred. Appreciate you. WWE LFG Season 2 premieres January 22, 2025 on A&E at 10 pm EST/9 pm Central. All quotes were received firsthand unless otherwise noted.

Box Office: ‘28 Years Later' Scares Up $30 Million Start, ‘Elio' Lands Worst Debut in Pixar History With $21 Million
Box Office: ‘28 Years Later' Scares Up $30 Million Start, ‘Elio' Lands Worst Debut in Pixar History With $21 Million

Yahoo

time4 hours ago

  • Yahoo

Box Office: ‘28 Years Later' Scares Up $30 Million Start, ‘Elio' Lands Worst Debut in Pixar History With $21 Million

A spunky, alien-obsessed preteen and undead army were no match at the box office against a loyal, fiery dragon. Universal's 'How to Train Your Dragon' remake has remained No. 1 in North America despite the presence of two newcomers, Disney and Pixar's intergalactic adventure 'Elio' and Sony's zombie thriller '28 Years Later.' More from Variety How 'Elio' Pays Homage to Classic Sci-Fi Films Like 'The Thing,' 'Close Encounters' and 'Alien' Box Office: '28 Years Later' Chomps on $14 Million Opening Day; 'Elio' Facing Pixar's Lowest Debut Ever as 'How to Train Your Dragon' Rules Again That Terrifying Chant in '28 Years Later': Danny Boyle Explains How a 110-Year-Old Recording Came to Define the Film 'Elio' has cratered in third place with $21 million from 3,750 theaters, ranking as the worst start in modern history for Pixar. Heading into the weekend, the otherworldly tale about a young boy who connects with aliens after getting mistaken for Earth's intergalactic ambassador was aiming for $25 million to $30 million. The film, which cost $150 million to produce, added just $14 million overseas for a catastrophic global total of $35 million. 'This is a weak opening for Pixar,' says David A. Gross, who runs the FranchiseRe movie consulting firm. 'These would be solid numbers for another original animation film, but this is Pixar, and by Pixar's remarkable standard, the opening is well below average.' Pixar's prior low-water mark was 2023's opposites-attract fable 'Elemental,' which opened to $29.6 million domestically and $44.5 million globally. However, that film was embraced by audiences and managed to endure at the box office, ultimately ending its big screen run with $155 million domestically and $496 million globally. It was a respectable tally given the terrible opening weekend result, but nowhere near the prior heights of Pixar, the empire behind 'Toy Story,' 'The Incredibles' and 'Finding Nemo.' The studio is hoping that 'Elio' follows a similar trajectory since the animated tale was awarded an 'A' grade on CinemaScore exit polls and 85% Rotten Tomatoes average. But the bleak start for 'Elio' underscores the challenges that face Pixar, which fielded last year's record-breaking smash 'Inside Out 2' ($1.69 billion) but hasn't successfully launched a new theatrical property in ages. Original animation has struggled at the box office in post-pandemic times, and Pixar in particular has failed to live up to its own stratospheric heights — especially after several of its titles (like 'Turning Red' and 'Luca') were sent directly to Disney+ while cinemas were recovering from COVID, which inadvertently trained family audiences to expect those movies at home. Though kid-friendly fare has rebounded in a big way, brand recognition has been a huge part in the triumph of recent PG winners like 'Lilo & Stitch,' 'A Minecraft Movie' and 'How to Train Your Dragon.' This weekend's other new release, '28 Years Later,' opened in second place with $30 million from 3,444 venues, squarely in line with expectations. The film added an additional $30 million overseas, propelling its initial worldwide tally to $60 million. Those ticket sales mark the biggest debut in the undead series, which began with 2002's '28 Days Later' ($10 million debut) and continued with 2007's '28 Weeks Later' ($9.8 million). Opening weekend crowds bestowed the film a tepid 'B' grade on CinemaScore exit polls. '28 Years Later' cost $60 million and won't require much coinage to become the highest-grossing installment in the franchise, which is presently '28 Days Later' with $75 million worldwide. But Sony has bigger commercial ambitions for the property, which revolves around a contagious rage virus that continues wreak havoc on the world. '28 Years Later' is intended to kick off a new zombie-infested trilogy, spearheaded by '28 Days Later' creators Danny Boyle and writer Alex Garland. The new film was shot back-to-back with its sequel, '28 Years Later: The Bone Temple,' which will debut in 2026. A third film is in development but its future could be dictated by the theatrical results of '28 Years Later.' Without 'Elio' or '28 Years Later' posing much of a threat, 'How to Train Your Dragon' was able to retain the box office crown with $37 million in its sophomore frame, a 56% decline from its $83 million debut. So far, the live-action remake has generated $160.4 million in North America and $358 million worldwide. Another notable holdover, A24's comedic romantic drama 'Materialists,' stayed strong in its second weekend with $5.8 million, marking a 48% decline from its impressive $12 million start. Celine Song's film, which has launched a million think pieces on modern dating and realistic salaries for New Yorkers, has earned a promising $24 million to date. Above 'Materialists' on box office charts and rounding out the top five, Disney's 'Lilo & Stitch' collected $9.5 million while Paramount's 'Mission: Impossible – The Final Reckoning' added $6.55 million in their respective fifth weekends of release. 'Lilo & Stitch' has earned 386 million domestically and blockbuster $910 million globally against a $100 million budget. 'The Final Reckoning,' the eighth installment in Tom Cruise's long-running action franchise, has grossed $178 million in North America and $540 million worldwide. However, 'MI8' cost a head-spinning $400 million to produce, and since movie theater owners get to keep half of ticket sales, the action adventure won't have the strength to climb out of the red in its theatrical run. Overall box office comparisons to the same weekend in 2024 are tough because 'Inside Out 2″ began its blockbuster run with $154 million. Prior to this weekend, revenues were 23% above last year but the surplus has shrunk to 18%, according to Comscore. It's up to upcoming films like Brad Pitt's racing drama 'F1,' Universal's 'Jurassic World: Rebirth,' the Warner Bros. and DC epic 'Superman,' and Disney's Marvel adventure 'The Fantastic Four: First Steps' to deliver a boost to the summer box office. 'The last three weeks have not exactly blown the doors off at the box office,' says senior Comscore analyst Paul Dergarabedian. 'Despite these June gloom headwinds, we have many notable summer films all the way through Labor Day weekend.'

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