logo
Halfway Release New Single 'The Palace'

Halfway Release New Single 'The Palace'

Scoop09-05-2025

The Styx - Songs of Love & Betrayal: Xmas 1986: Two brothers, George and Lennie live with their young families in the remote fishing village of Stanage Bay, Central Queensland. One warm evening on low-tide, the men set their nets in the Styx River and leave them to soak overnight. Just before daylight, Lennie breaks camp to check on the catch, but he doesn't return.
For Fans Of: Bruce Springsteen, Mercury Rev, The Triffids, Phosphorescent
Brisbane band Halfway are excited to release 'The Palace', the first single from their new album The Styx, set for release mid 2025.
Halfway have been a band for quarter of a century, and across that time they've made eight studio albums, each of which has received a wealth of critical acclaim. From their origins in 2000, Halfway have developed their style and songs into cinematic soundscapes, lush with pedal steel, densely layered guitars, and driving rhythms.
Across their creative career the band's albums have been produced and/or recorded by the likes of Robert Forster (The Go-Betweens), Wayne Connolly (The Vines, Josh Pyke, You Am I), Rob Younger (Radio Birdman), Malcolm Burn (Bob Dylan, Iggy Pop, Emmylou Harris, Patti Smith), and Mark Nevers (Bonnie 'Prince' Billy, Lambchop, Calexico, George Jones) - who mixed the new album at his South Carolina studio.
Halfway have shared stages with The Black Keys, Gomez, You Am I, J Mascis (Dinosaur Jr), Josh Pyke, Band of Horses, Gary Louris and Mark Olsen (The Jayhawks), and Richard Hawley. Halfway have also been recipients of AIR and Queensland Music Awards, with John Busby and Chris Dale winning Queensland's most prestigious songwriting award – The Grant McLennan Fellowship in 2008.
' The Palace ', which premiered on Stuart Coupe's Dirt Music on 2SER and online with Rhythms magazine, is the first taste of Halfway's new album The Styx. The record features the return to the fold of band co-founder Chris Dale after a six-year absence, and contributions from guests including Chris Abrahams (The Necks, Midnight Oil) and Adele Pickvance (The Go-Betweens)
A concept album of sorts, The Styx is situated in a remote Australian coastal town and explores themes of family, isolation, love, and betrayal. As songwriter John Busby explains, quite a few of the songs threaded through it are informed by his own personal experiences, and 'The Palace' is one of those.
" Growing up, my family would spend time at Stanage Bay in Central Queensland which is a small fishing village situated to the South East of the Styx River. It was a remote and beautiful place," reflects Busby.
" One year on the drive up, I bought a cassette copy of the album The Queen Is Dead, by The Smiths, for $6 at Kmart Rockhampton. There were hundreds of copies of that cassette on the shelves. I figured that it hadn't gone so well here in Australia, so there was probably something good about it. I played it as the sun went down over the mangroves at Clairview Beach. It felt like it was a letter addressed directly to the teenage me," he reveals. "Something from another world, reaching out to even the most remote of places. It was a valuable lesson in the power of music and art, and the location made it even more memorable. Sometimes, living in small towns the future can seem restricted and narrow. But the messages I received from this record told me otherwise." explains Busby.
" So 'The Palace' pays homage to The Smiths and to dreaming even in the most remote places. It's a song for the outliers and people living in the margins."
Out of a heart-wrenching pedal steel, courtesy of Noel Fitzpatrick, emerges Elwin Hawtin 's solid backbeat and those chiming, hypnotic guitars (John Willsteed, Chris Dale, John Busby) that Halfway do so well. Vocal melodies duck and weave, hanging in the air with a melancholic grace as Busby delivers his lyrics amid the exquisite and atmospheric alt-country sprawl.
'The Palace' is out now via Bandcamp, and streaming services, plus Amrap for Australian community radio.
The new album is now available for pre-order from Plus One Records. Bundles include, gatefold transparent green vinyl, CD, and limited edition The Styx t-shirts.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Halfway Release Matches, The 2nd Single From Their New Album The Styx
Halfway Release Matches, The 2nd Single From Their New Album The Styx

Scoop

time06-06-2025

  • Scoop

Halfway Release Matches, The 2nd Single From Their New Album The Styx

Halfway have been a band for quarter of a century, and across that time they've made eight studio albums, each of which has received a wealth of critical acclaim. From their origins in 2000, Halfway have developed their style and songs into cinematic soundscapes, lush with pedal steel, densely layered guitars, and driving rhythms. Halfway's new album, The Styx, features the return to the fold of band co-founder Chris Dale after a six-year absence, and contributions from guests including Chris Abrahams (The Necks, Midnight Oil) and Adele Pickvance (The Go-Betweens). ' The Palace ' was the first taste of the new album and now they reveal the second single ' Matches ', written by John Busby and bassist Ben Johnson. The song creaks and shimmers to life courtesy of its gently sparkling guitars and atmospheric keys. Drums enter the fray as the music swells and expands into an evocative sound akin to the best of Mercury Rev, where musical dreams and memories coexist. " The coals of a fire are neither flame nor ash. 'Matches' sits in the space between ignition and extinction, rooted in uncertainty," says Johnson. " The stories of The Styx inhabit that uncertain ground where nothing is fully on or off, alive or gone. What begins as fire ends as cinders and lingers softly afterward." A concept album of sorts, The Styx is situated in a remote Australian coastal town during the Christmas of 1986 and explores themes of family, isolation, love, and betrayal. " Growing up, my family would spend time at Stanage Bay in Central Queensland, which is a small fishing village situated to the southeast of the Styx River. It was a remote and beautiful place," reflects Busby. He didn't know anything about Greek mythology but saw the beauty and the danger there just the same. On fishing trips with his father and a cast of characters who might have walked out of the pages of a John Steinbeck story, he must have heard a hundred times: 'People drown in here.' Seeds were planted. ' The whole Stanage Bay / Styx River area, and the people there, are a big part of this record. When some of the band and our friends started to inform the songs, I knew I had to set it at the bay,' says Busby. ' It's a place full of beauty and mystery. I had been wanting to base a story there for a long time.' There is nothing mythic about these stories of love, lust, longing, and leaving, which feel as real as an errant fishhook deep into flesh. Brothers George and Lennie are the kind of hard-bitten characters who might be found in stories by Steinbeck or Richard Flanagan, battling the elements and themselves and always with an eye out for the fishing inspectors. Just before daylight, Lennie goes to check the nets. He doesn't return. The recording of the album took on a different form for the band, who recorded themselves in Brisbane before Mark Nevers (Bonnie 'Prince' Billy, Lambchop, Calexico, George Jones) shaped the mix of the songs at his South Carolina studio, with Busby alongside him. ' We usually just record live in a room, but this one started quietly. Just my guitar and vocals, layering it track by track, and then recording the drums last. A weird back-to-front album, but it gave us the chance to put the story / songs first rather than concentrate on how the songs would work live.' The sound the band has concocted is one of sweeping beauty and sonic grace, both heartfelt and tragic. Guitar strings and keys wash across the speakers, like the ocean breeze and the river tide. Drawing on the influence of bands such as The Triffids and Phosphorescent, Halfway seamlessly blend alt-country and indie rock sensibilities, providing the songs with a hypnotic and compelling backdrop to these poetic tales from the Australian coastline. As in their songs, as in life. Love lost and found, the pain and the hope, the past and the landscape ever-present. Great songwriting often finds a way to make the deeply personal feel universal. Few bands navigate that path as surely as Halfway across their nine timeless albums.

The Unity Books bestseller chart for the week ending June 6
The Unity Books bestseller chart for the week ending June 6

The Spinoff

time06-06-2025

  • The Spinoff

The Unity Books bestseller chart for the week ending June 6

The only published and available best-selling indie book chart in New Zealand is the top 10 sales list recorded every week at Unity Books' stores in High St, Auckland, and Willis St, Wellington. AUCKLAND 1 A Different kind Of Power by Jacinda Ardern (Penguin Random House, $60) From Oprah to Colbert, Insta reels to #booktok, former prime minister Jacinda Ardern has joined the ranks of hard-working celebrity memoirist who must engage in a hefty and relentless media campaign to shift that stock. Ardern's book and its message of kindness as a governing value for politics is a timely amulet for global market in a fraught political environment: publishers have banked on the fact that readers will snatch up her story to wave in the face of rising fascism, inequality and xenophobia. But what does the memoir genre really offer a former politician? The best memoirs are exposing, probing, and lend their readers a way to interrogate their own life decisions through the lens of another. The Spinoff's editor Mad Chapman reviewed A Different Kind of Power and addressed the tightrope that Ardern's attempt was always going to have to tread: 'I figured A Different Kind of Power would either veer political and therefore be cloaked in Ardern's usual restraint as a prime minister or it would veer celebrity and reveal the full emotion and drama behind the politician while conveniently brushing over policy and legacy,' wrote Chapman. 'Somehow it did neither.' 2 Air by John Boyne (Doubleday, $35) The final in Boyne's bestselling elements quartet. 3 Delirious by Damien Wilkins (Te Herenga Waka University Press, $38) The 2025 Jann Medlicott Acorn Prize for Fiction winner. Wilkins' novel is the story of Mary and Pete, their great loves, their great losses. Beautiful, funny, and somehow both complex and refreshing like a walk through the New Zealand bush. 4 Orbital by Samantha Harvey (Jonathan Cape, $26) The poetic Booker Prize winner of 2024. 5 James by Percival Everett (Picador, $38) 'With James, Everett goes back to Twain's novel on a rescue mission to restore Jim's humanity. He reconceives the novel and its world, trying to reconcile the characters and the plot with what now seems obvious to us about the institution of slavery. The result is funny, entertaining and deeply thought-provoking – part critique and part celebration of the original.' Read more of Marcel Theroux's review of James on The Guardian, here. 6 Toi Te Mana: An Indigenous History of Māori Art by Deidre Brown & Ngarino Ellis with Jonathan Mane-Wheoki (Auckland University Press, $100) The winner of the illustrated nonfiction category in this year's Ockhams and a major publication for Aotearoa for a long time to come. 7 Butter by Asako Yuzuki (Fourth Estate, $35) Hugely popular novel that is, curiously, not particularly popular in Yuzuki's home country of Japan. 8 Murriyang: Song of Time by Stan Grant (Simon and Schuster, $47) Here's the publisher's blurb for beloved Australian journalist and broadcaster, Stan Grant's latest book: 'Murriyang, in part Grant's response to the Voice referendum, eschews politics for love. In this gorgeous, grace-filled book, he zooms out to reflect on the biggest questions, ranging across the history, literature, theology, music and art that has shaped him. Setting aside anger for kindness, he reaches past the secular to the sacred and transcendent. Informed by spiritual thinkers from around the world, Murriyang is a Wiradjuri prayer in one long uninterrupted breath, challenging Western notions of linear time in favour of a time beyond time – the Dreaming. Murriyang is also very personal, each meditation interleaved with a memory of Grant's father, a Wiradjuri cultural leader. It asks how any of us can say goodbye to those we love.' 9 The Emperor of Gladness by Ocean Vuong (Penguin Random House, $38) Here's a lively snippet from Andrea Long Chu's review of Vuong's second novel: 'It is a sweet, charming, conventional novel whose ambition does not outstrip its ability. The young Hai is a suicidal college dropout stuck in the economically depressed but whimsically named town of East Gladness, Connecticut. 'If you aim for Gladness and miss, you'll find us,' the narrator says before directing our attention to Hai, who is about to jump off a bridge. But before he takes the plunge, the boy is flagged down by Grazina, a zany Lithuanian immigrant with dementia. Still unable to face his mother, who believes he is off at medical school, Hai moves in with Grazina, effectively becoming her live-in nurse, and seeks employment at the local HomeMarket (a thinly disguised Boston Market). Hai's co-workers are quirky, Wes Anderson–esque eccentrics who prove just as batty as Grazina: the manager, an amateur pro wrestler; the cashier, a Hollow Earther; Hai's cousin Sony, an autistic Civil War buff in denial about his father's death. Yet the delusions of others, instead of isolating Hai, end up pulling him out of his grief and into a provisional world of shared experience that, at least for a while, makes life worth living. What a pleasure to be given characters and a plot!' 10 The Book of Guilt by Catherine Chidgey (Te Herenga Waka University Press, $38) Sinister and magnificent. Catherine Chidgey's latest novel is an absorbing, gripping alternate history. Read The Spinoff's review, right here. WELLINGTON 1 A Different Kind Of Power by Jacinda Ardern (Penguin Random House, $60) 2 The Midnight Plane: New and Selected Poems by Dame Fiona Kidman (Otago University Press, $40) A gorgeous new collection of Kidman's poetry beautifully published in hardback and with an arresting cover image taken from the documentary about Kidman that premiered last year and was reviewed by The Spinoff, here. 3 The Book of Guilt by Catherine Chidgey (Te Herenga Waka University Press, $38) 4 Sunrise on the Reaping by Suzanne Collins (Scholastic, $30) Haymitch's time to shine in The Hunger Games. 5 Delirious by Damien Wilkins (Te Herenga Waka University Press, $38) 6 James by Percival Everett (Picador, $38) 7 Māori Made Easy: Workbook Kete 1 by Scotty Morrison (Penguin, $25) The indomitable Scotty Morrison is back with another brilliant aid for learning te reo Māori. 8 Abundance by Ezra Klein & Derek Thompson (Profile Books, $55) Klein and Thompson's highly anticipated roadmap for fixing housing, healthcare, infrastructure and innovation. 9 Slowing the Sun | Essays by Nadine Hura (Bridget Williams Books, $40) A stunning series of essays. Here's the publisher's blurb: 'Overwhelmed by the complexity of climate change, Nadine­ Hura sets out to find a language that connects more­ deeply with the environmental crisis. But what begins as a journalistic quest to understand the science takes an abrupt and introspective turn following the death of her brother. In the midst of grief, Hura works through science, pūrākau, poetry and back again. Seeking to understand climate change in relation to whenua and people, she asks: how should we respond to what has been lost? Her many-sided essays explore environmental degradation, social disconnection and Indigenous reclamation, insisting that any meaningful response must be grounded in Te Tiriti and anti-colonialism. Slowing the Sun is a karanga to those who have passed on, as well as to the living, to hold on to ancestral knowledge for future generations.' 10 Is a River Alive? by Robert Macfarlane (Penguin, $65) Wonderful to see that Aotearoa poet Hana Pera Aoake wrote about rivers from a te ao Māori perspective for The Serpentine gallery in London. Widely beloved nature writer Macfarlane comes at rivers from a very different perspective in this latest, already bestselling book.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store