logo
Miquita Oliver criticises Jack Whitehall's ‘inappropriate' Brit Awards hosting performance

Miquita Oliver criticises Jack Whitehall's ‘inappropriate' Brit Awards hosting performance

Independent06-03-2025

Miquita Oliver has criticised Brits Awards host Jack Whitehall for cheapening the music ceremony with '10 jokes about musicians taking cocaine'.
The annual ceremony took place at the O2 Arena in London on Saturday 2 March, with honoured musicians including Charli XCX, JADE, Stormzy and Miles Smith. Bad Education comedian Whitehall returned to host the events after a four-year hiatus, with Maya Jama and Roman Kemp on hosting duties last year.
TV presenter Oliver reflected on the ceremony while speaking on the podcast Miss Me?, which she co-hosts with singer Lily Allen, remarking that the appointment of Whitehall as this year's host was 'inappropriate'.
'I really don't wanna bring Jack Whitehall down,' Oliver said, before Allen urged her not to as she is friends with the comedy star.
Oliver ignored Allen's request and continued: 'I felt like he brought a condescending and somewhat glib attitude to the proceedings.'
She remarked that the event had turned into ' Ant and Dec's Saturday Night Takeaway ' and that Whitehall's jokes about the music industry's relationship with drug use was 'undermining' the artists being honoured at the ceremony.
Oliver said: 'There is a room full of creatives and artists who have given us work this year. That doesn't need to be undermined. And that was the whole MO of the tone.'
She added: 'There were over 10 jokes about musicians taking cocaine. Dated. Over.'
Allen remarked that she doesn't believe that musicians are taking cocaine at the Brit Awards like they may have done back in the Nineties and Noughties.
Oliver agreed, adding: 'Exactly. We're talking about the heady days of something that doesn't exist anymore. Now we're in this influencer, corporate room and we're talking about it as if we're in this room full of rock and roll stars.'
One drug-related joke occurred when Whitehall was interviewing actor Danny Dyer about his forthcoming comedy film Marching Powder.
Whitehall asked him: 'You were the lead part on Marching Powder. Did you have many lines?'
In another moment, Whitehall made a joke about disgraced music mogul P Diddy, and referenced Stormzy's controversial McDonald's collaboration.
When former Little Mix singer JADE performed her hit song 'Angel of my Dreams' wearing an all white outfit, Whitehall remarked: 'I love that she went for that aesthetic. I really thought Diddy might have done it for the white party theme. JADE has brought it back.'
P Diddy, real name Sean Combs, is under investigation, having been charged last year with racketeering, sex trafficking, and transportation to engage in prostitution. His alleged victims have claimed that some offences took place at his annual parties, where guests dressed in white.
Whitehall was subject to backlash from viewers at home, with some remarking that 'every other word was bleeped by ITV' because he was talking about drugs.
Another person wrote on X/Twitter that Whitehall's jokes were 'distasteful' as another said they were 'unfunny'.
Another person added: 'You had Munya Chawawa right there… and chose Jack Whitehall to host? Who's running the programming? '
Charli XCX was the champion of this year's Brit Awards, dominating with five awards for her trend-setting 2024 album Brat.
Allen said of Charli XCX's success: 'It was a very good effort, she totally took over the year. Ethel, my daughter was furious that Central Cee didn't win in any of his categories.'
Female artists fared well at the 2025 event, with US pop queens Sabrina Carpenter and Chappell Roan – both breakout stars of 2024 – scooping the prizes for Global Success and International Artist of the Year, respectively. Meanwhile, JADE accepted her first solo Brit award for Best Pop Act.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Terrifying moment woman was catapulted from UK fairground ride at 60mph
Terrifying moment woman was catapulted from UK fairground ride at 60mph

Daily Mirror

time14 hours ago

  • Daily Mirror

Terrifying moment woman was catapulted from UK fairground ride at 60mph

Jade Harrison was thrown from a fairground ride at 60mph and was left with life-altering injuries. The 27-year-old said she is 'lucky to be alive' and has vowed to never step foot on a fairground ride again A 27-year-old woman has miraculously survived a terrifying ordeal after she was flung from a fairground attraction at 60mph. Jade Harrison, 27, said she is "lucky to be alive" after she was ejected from the Airmaxx 360 ride when its metal safety bar malfunctioned. The early years educator, who hails from Hull, suffered a fractured jaw and experienced difficulty breathing after the harrowing event. ‌ Before the incident, Jade was an annual visitor to the Hull Fair with her friends and had never tried this particular ride before, reports the Manchester Evening News. "I wasn't planning on going on any rides," she recounted. "But my friend wanted to go on the Airmaxx 360. I didn't want to be left on my own." ‌ The dizzying Airmaxx 360 is known for its intense rotations and swinging carriages, reaching high speeds of 60mph. "I watched it go around and I thought no that's alright I'll go on that." However, only 90 seconds into their whirl, Jade overheard a worrying click coming from her seat clamp. She disregarded it after her companion mentioned they'd heard the same noise. "I didn't really panic," she shared. But as the carriage shifted unexpectedly, Jade's concern grew. "I just remember thinking I don't like that, I don't like that," she disclosed. And then it was too late. As soon as the ride started bouncing the bar just gave away." Jade was catapulted from the ride, colliding with another funfair machine mid-flight before plummeting to the ground, where she lost consciousness. "All I remember is the feeling of flipping like you do in a dream when you wake up startled," she recounted. "When I came to I was laid on the floor next to the ride but everyone was just around me and I was a bit confused. I kind of forgot where I was and what I was doing so it took me a minute to realise what had happened. ‌ "Then obviously I started panicking and everyone was telling me to calm down. It felt like ages for the paramedics to get there but in reality it was only about two minutes." After being whisked away to Hull Royal Infirmary, doctors discovered she had a broken jaw that needed surgery and metal plates fitted. She also endured severe nerve damage in her right thigh, which is still numb, as well as internal bruising, facial wounds, and damaged teeth that were subsequently removed or repaired. ‌ "I'm lucky to be alive," she said. "The most painful part was my chest. I couldn't sit up or take a deep breath. When I got home, I couldn't get out of bed without my partner's help." Jade's hospital stay spanned four days, and she was off work for almost a year following the October 2019 incident. Her dental restoration continued into 2021, and she admits the psychological healing was just as extensive. "I was in denial in the beginning. It was hard for me to accept that it happened to me," she admitted. "I would constantly tell myself I'm not going to think about it, I'm not going to think about it. But by doing that I was just delaying pain. ‌ "When I think about it deeply and I think how differently it could have gone I think I'm lucky to be alive. When I came off my ride I hit the ride next to me. They even said if I had hit that ride differently I would be dead. There was no way of surviving. "Luckily, I hit the ride the way that I did, so I hit the carriage, rather than the floor or anything else." ‌ Following the ordeal, Jade received a significant five-figure compensation from Taylor's Funfairs, the company that runs the ride, which admitted fault in the incident. The Health and Safety Executive shelved its criminal inquiry in 2023. An examination disclosed that the safety harnesses on the Airmaxx 360 were decidedly "inadequate". Since then, Jade hasn't set foot in a fair again. ‌ "I would never go on a fairground ride again," she said. "I've been on the teacups with my nephew, but that's about as far as I'll go. Anything where my feet leave the ground isn't happening." Jade battles the enduring consequences of the incident, which still looms large over her life, even six years afterwards. "It's still a prevalent factor in my life," she confided. "When I look in the mirror I always notice my leg, my right thigh that is damaged. That's quite a big insecurity to me. That's the main thing that reminds me." Unable to undergo additional surgery on her injured leg since it's deemed aesthetic, Jade faces the prospect of not getting time off work paid. She insists on stricter measures to avert such incidents in the future. I definitely think something needs to be done to stop this happening. It just doesn't make sense."

‘People thought I was off my face': indie rockers Hard-Fi look back at adrenaline, addiction and a life of excess
‘People thought I was off my face': indie rockers Hard-Fi look back at adrenaline, addiction and a life of excess

The Guardian

time15 hours ago

  • The Guardian

‘People thought I was off my face': indie rockers Hard-Fi look back at adrenaline, addiction and a life of excess

Hard-Fi formed in 2003 in Staines, Surrey. Frontman Richard Archer, guitarist Ross Phillips, bassist Kai Stephens and drummer Steve Kemp released their debut album, Stars of CCTV, in 2005. Featuring Cash Machine, Hard to Beat and Living for the Weekend, it reached No 1 in the UK, sold 1.2m copies worldwide and earned Brit awards and a Mercury prize nomination. The band released two further albums before going on hiatus in 2014. They reunited in 2022 and released a new EP in 2024. This shoot was for an interview in the Big Issue. I still wear those clothes now, but back then a good jacket or pair of sunglasses was a suit of armour. With the right pair of shades, I could face the Terminator. The more extrovert elements of being a frontman didn't always come naturally, so at times I was playing a larger-than-life character. I wasn't that confident performing – not to the extent I'd puke up backstage, but I'd get nervous and try too hard. I was also a bit gobbier and swearier back then. A lot of people thought I was off my face on coke, which I wasn't. Adrenaline is powerful stuff. I often had this outsider feeling – as if there was a party going on we weren't invited to. We'd go out in Staines rather than Camden, but, even though we weren't part of the 'scene', our shows kept selling out. By 2006, it felt like we were on a train that was getting faster and faster. For years, we'd tour and do promo, with no days off – all of which was exciting but exhausting. The whole time I thought: 'We can't stop, we can't screw it up.' There was so much pressure that I didn't get a chance to stop and soak it in. After our third record, the label said: 'We're not going to make another album with you.' I wanted to keep the band going, but the energy wasn't there any more. Ross had his first child, money was getting tight and I realised we should move on. In the years since, I've been writing and producing for other artists. In 2020, I got in touch with the guys and suggested we do something. I was thinking, 'Will people actually turn up?', but we sold out the Kentish Town Forum in 10 minutes. And here we are! I had never worn a flat cap in my life. It was not my thing, so I felt self-conscious. But this was 2005 – I felt self-conscious permanently. I was almost certainly thinking: 'Right, a flat cap, is it? I'll just stand here and try to look tough.' Before Hard-Fi, I was on the dole. I'd go in and say: 'We've got meetings at a record label, the band might actually happen.' They'd reply: 'Sure. Have you thought about getting a job at HMV?' When we signed to Atlantic in December 2004, the dole office thought I was making it up. I was shocked, too – so much so that I wanted to hide my portion of the advance in a pillow case. That approach continued whenever the band had success. As soon as anything good happened, I couldn't celebrate. I just felt fear. Our debut album was recorded in a taxi office covered in cheap asbestos tiles that looked as if they'd been painted yellow, but it was nicotine. They'd turn to dust if you touched them, and there were rats living in the roof. It was grim, a really nasty place. All of which made the more glamorous parts of the band more surreal. James Blunt invited us to a party at his place once. I was introduced to Paris Hilton. She looked me up and down, twice, then turned and walked away. Being in Hard-Fi is half family, half military operation. Rich is the colonel. I am the sergeant – I crack the whip. Ross is a private – 'Yes, sir!' – and Kai is more likely to be awol. We are solid, but we can bicker about all sorts. I get wound up the easiest. I get the hump about anything. After the group went on hiatus, I wanted to use my brain, so I ended up retraining as a nutritionist. Do I help the band eat healthily now? Not remotely. Twenty years later, I am still the same guy. Although, these days I would have the confidence to say no to the flat cap. Those Versace shades definitely helped me get into character. When I joined the group, I realised I was probably not in the best place for what could be a really exciting opportunity. I wasn't getting enough sleep or living my best life, so I had to sharpen up and straighten out. I had a lot of respect for Richard, I had come across Steve at university, and I got on with Ross straight away – we were both just lads from Staines. Before Hard-Fi, I was doing pest control. We used my van for some of those early gigs, and, as I had tough guts, I wasn't bothered by much. Once someone dropped something down a toilet and I grabbed it out with my hand. When the taxi office had an ant infestation, I said: 'Why do you think they're here? It's not for the tunes. There's sugar everywhere.' When our first single made the Top 20, I couldn't believe it was happening. Looking back, I don't think I responded well. Artistically I stepped up to the plate, but personally I lost the plot. My impostor syndrome was huge, and I was dealing with it by becoming dependent on alcohol. There wasn't much talk about addiction back then. To some extent, it was encouraged by the industry. After we were dropped, we had a good break from each other for a fair few years. During that time, I went on a real journey – bad habits returning, and losing a loved one. But I also got the chance to become a good father. I feel positive about life now, but mixed about what's happening with the band. As much as it's exciting to live a bit of 2005 again, because of the crazy curve I've been on, there's apprehension there, too. We were considered 'urban' by the press, so most of our early shoots were done in car parks or bus shelters – anywhere that looked grimy. This one would have been a pleasant change. My outfit is standard Hard-Fi clobber – a black polo and army surplus. I felt comfortable in that – ready to go. I was only 21 when Hard-Fi took off, and the last one to join. I was nervous, but they were an easy bunch of fellas. I'm the youngest of three siblings, I go with the flow, and I applied that same mentality to being in Hard-Fi. It's almost impossible to wind me up. Only my kids can – they've got special skills. In 2005, we were out every night and away from home for months on end. It was great, but I found doing red carpets stressful. Even after four pints, I look like I'm thinking: 'Ahh. What the fuck.' When the third album came around, I started having kids and I thought it was time to get a job. Music stopped for me for a few years – my guitars were put in a cupboard to keep them away from the kids. As we started up the group again, I realised I had forgotten how much I loved playing. But it is a different dynamic this time around. Back then I was just making music. I had zero responsibilities. I knew absolutely nothing at all.

Stephen Mulhern dropped from £1m Butlin's magic show
Stephen Mulhern dropped from £1m Butlin's magic show

The Herald Scotland

time18 hours ago

  • The Herald Scotland

Stephen Mulhern dropped from £1m Butlin's magic show

The 48-year-old's deal with the holiday centres was reported to be valued at around £1 million. Mulhern had worked as a Redcoat at Minehead Butlin's between 1995 and 1996 before he broke into TV work. As reported by Somerset Live, a spokesperson for Mulhern said: 'Stephen has absolutely loved being part of the Butlin's family – performing his stage shows in front of thousands of holiday makers across the country and the relationship with Butlin's remains hugely positive. "This change allows Stephen to explore new opportunities in the family holiday space – something he's incredibly passionate about.' A Butlin's spokesperson said: 'Stephen has been an incredible part of the Butlin's experience and continues to be a valued member of the family. 'Stephen's much-loved live show won't return in 2026 after three fantastic years, but we're thrilled to be working together on ongoing projects this autumn.' The show is continuing for 2025, with dates at Minehead as well as Bognor Regis and Skegness. Families can choose a 'Summer Holidays Feat Stephen Mulhern' package to ensure they get to see him, which runs on selected school holiday breaks. Recommended reading: Who is Stephen Mulhern? Stephen Mulhern is a TV presenter, entertainer and magician who got his start in the media by presenting on CITV with shows like Finger Tips and Tricky TV. He's also worked on Britain's Got More Talent, Saturday Night Takeaway, Catchphrase and In For a Penny. In recent years, he's helmed coverage of ITV's reboot of Deal or No Deal and You Bet!

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store