The chess world is changing. Meet the check mates making all the right moves
Growing up in Kenya, Maleik Njoroge played chess casually in primary school.
But it wasn't until he stumbled upon a chess set in a Melbourne op shop that his love for the game swung into full force. The set he found reminded him of those from his childhood, and he carted it around for a year before eventually teaching his best friend to play. (As Njoroge puts it: 'I had the first problem chess players face: I had no one to play with.')
To Njoroge's surprise, it deepened their friendship.
As he began to play chess with more friends, he noticed the same effect: chess was a conduit for richer connections.
So Njoroge started Migrant Chess Club – a community in which to share his love of the game.
From New York to London, chess clubs globally are on the rise, attracting avid social players and inhabiting spaces not traditionally associated with chess, such as art galleries and bars.
'[It's] the intentionality of spending an hour or two, no distractions, no phones, just in each other's company and seeing each other's wins and losses in all this chaos,' he says.
'In the background of that is this silence and almost meditative space ... you have richer conversations, I'd say, as opposed to going to a bar and just drinking. I found this was an avenue that I hadn't had to connect with him before.'
In popular culture, from Anya Taylor Joy's The Queen's Gambit to Sally Rooney's buzzy 2024 novel Intermezzo and the M3GAN Chess bot, the centuries-old game has been making a bit of a comeback.
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Sky News AU
15-06-2025
- Sky News AU
Australian chess prodigy Reyaansh Chakrabarty talks grandmaster ambitions
For 11-year-old chess prodigy Reyaansh Chakrabarty, the hit Netflix show The Queen's Gambit sparked a love for the game that now takes him around the world on a quest to become Australia's first world champion. 'During the pandemic, I watched it a little bit, it's one of the things that got me interested in chess,' he told NewsWire this week in an exclusive interview. 'I didn't really know what chess was but I found it quite amusing, the pieces. 'She (Beth Harmon) is like looking up on the ceiling and watching the pieces move.' Like the fictional hero of the smash-hit show, Reyaansh imagines chess games in his head. 'I see pieces kind of everywhere,' he said. Reyaansh, from western Sydney, is a FIDE master with a classical rating of 2346 and his sharp rise has the Australian chess world excited. 'He is showing a lot of promise at a young age,' Australian Chess Federation publicity director Paul Power told NewsWire. The next level is international master, which generally means a rating of 2400 and three 'norms' or performance benchmarks a player needs to hit to gain the title. And then there is the rarefied world of grandmaster, a huge achievement that takes years of dedicated practice, study and ambition. Australia has only produced 10 grandmasters from a global field of about 2000. 'It's hard to predict that he is necessarily going to become a grandmaster, but he is certainly going about it the right way,' Mr Power said. 'Should he get to the GM title, Australia would be very pleased. It would be a feather in the cap, not just for Reyaansh and his family but for Australia.' Reyaansh's ambitions go even further and he dreams about becoming world champion. 'It's a huge call but right now I'm focused on improving step-by-step,' he said. It's an ambition that might seem extraordinary for an 11-year-old, but chess is a young person's game. The world champion is 18-year-old Indian wonder Gukesh Dommaraju, who ascended the throne in 2024 after beating Chinese GM Ding Liren in Singapore. Before Gukesh, the title was held by Norwegian legend Magnus Carlsen, widely credited as one of the greatest players in history alongside Garry Kasparov and controversial American icon Bobby Fischer. Mr Carlson became world champion at the age of 22. Reyaansh, a year 6 student at Strathfield South in Sydney's inner west, trains about five hours a day during the week, one hour before school and then four hours in the afternoon, and then for eight hours on Saturdays and Sundays. 'My school is very supportive of my chess, so I don't have much homework to do,' he said. 'But of course you still have to go to school and complete whatever you have to do.' He practises tactics and openings, or the first few moves in chess that dictate the development of a game, and constantly analyses his games looking for errors. Reyaansh also studies with Polish grandmaster Jacek Stopa through the Sydney Chess Academy, with face-to-face classes. 'He teaches me how deeply you need to prepare to get to the GM level,' he said. 'At the end of the class I'm very tired. The puzzles he gives me are very tough, like grandmaster level.' For black, Reyaansh loves the Caro-Kann and Queen's Gambit Declined defences. For white, he loves the Italian and Ruy Lopez openings. Russian champion Boris Spassky and Mr Fischer are his favourite players. 'I think he (Spassky) was very strong but also a nice guy. Bobby Fischer because he was a genius, one of the best players to ever live.' Reyaansh was born in Kolkata in India and immigrated to Australia at the age of two with his parents Sounak and Tapasri, both of whom support his chess dreams. Reyaansh has already beaten GMs, including Australian heavyweight Darryl Johansen at a match in Melbourne. 'It was the first GM I defeated,' Reyaansh said. 'It was a good game, it was probably heading towards a draw but he blundered and I won it.' Mr Johansen was gracious in defeat. 'He was a bit disappointed, but we discussed some moves after the game,' Reyaansh said. But there was no time to celebrate. 'I had two games the next day, so I had to kind of forget about it and prepare for the next time.' The youngster, who likes to read JK Rowling and the Dog Man comic books, has also interacted with legends of the game, including former world champion Vishy Anand, whom he met in Singapore. 'It was like a dream come true. He gave me advice on staying patient,' Reyaansh said. He returned to Sydney last week after competing in a tournament in Norway and has travelled to the Czech Republic, Hungary, Belgium, Switzerland and Singapore to play against the best players in the world. When asked what he found really special about chess, he emphasised the intensity of the game and the mental focus it took to win. 'Even if you play perfectly the whole game, if you make one mistake, it's over,' he said. 'You need to focus from start to finish. You can't ever let you guard down.' Chess is in the midst of a popularity boom, triggered in part by The Queen's Gambit and the rising visibility of grandmasters on social media. Netflix claims more than 62 million people watched the show in its first 28 days on the streaming platform. Mr Power has also witnessed a growing number of youngsters trying out the game. 'The enthusiasm of primary level students is refreshing,' he said. For Reyaansh, finding a 'love for the game' is the first step children should take in their own chess pursuits. 'You have to find your love for the game,' he said. 'Otherwise, you'll kind of feel it is a chore. If you don't love it, you'll feel bored with it.'
Perth Now
15-06-2025
- Perth Now
Is this Aussie 11yo the next world champ?
For 11-year-old chess prodigy Reyaansh Chakrabarty, the hit Netflix show The Queen's Gambit sparked a love for the game that now takes him around the world on a quest to become Australia's first world champion. 'During the pandemic, I watched it a little bit, it's one of the things that got me interested in chess,' he told NewsWire this week in an exclusive interview. 'I didn't really know what chess was but I found it quite amusing, the pieces. 'She (Beth Harmon) is like looking up on the ceiling and watching the pieces move.' Like the fictional hero of the smash-hit show, Reyaansh imagines chess games in his head. 'I see pieces kind of everywhere,' he said. Reyaansh, from western Sydney, is a FIDE master with a classical rating of 2346 and his sharp rise has the Australian chess world excited. 'He is showing a lot of promise at a young age,' Australian Chess Federation publicity director Paul Power told NewsWire. Australian chess prodigy Reyaansh Chakrabarty is a FIDE master and hopes one day to become a grandmaster. Supplied Credit: News Corp Australia He travels the world playing against top players in tournaments. Supplied Credit: News Corp Australia The next level is international master, which generally means a rating of 2400 and three 'norms' or performance benchmarks a player needs to hit to gain the title. And then there is the rarefied world of grandmaster, a huge achievement that takes years of dedicated practice, study and ambition. Australia has only produced 10 grandmasters from a global field of about 2000. 'It's hard to predict that he is necessarily going to become a grandmaster, but he is certainly going about it the right way,' Mr Power said. 'Should he get to the GM title, Australia would be very pleased. It would be a feather in the cap, not just for Reyaansh and his family but for Australia.' Reyaansh's ambitions go even further and he dreams about becoming world champion. 'It's a huge call but right now I'm focused on improving step-by-step,' he said. He was inspired to take up chess after watching the hit Netflix show The Queen's Gambit. Supplied Credit: Supplied It's an ambition that might seem extraordinary for an 11-year-old, but chess is a young person's game. The world champion is 18-year-old Indian wonder Gukesh Dommaraju, who ascended the throne in 2024 after beating Chinese GM Ding Liren in Singapore. Before Gukesh, the title was held by Norwegian legend Magnus Carlsen, widely credited as one of the greatest players in history alongside Garry Kasparov and controversial American icon Bobby Fischer. Mr Carlson became world champion at the age of 22. Reyaansh, a year 6 student at Strathfield South in Sydney's inner west, trains about five hours a day during the week, one hour before school and then four hours in the afternoon, and then for eight hours on Saturdays and Sundays. 'My school is very supportive of my chess, so I don't have much homework to do,' he said. 'But of course you still have to go to school and complete whatever you have to do.' He practises tactics and openings, or the first few moves in chess that dictate the development of a game, and constantly analyses his games looking for errors. Reyaansh also studies with Polish grandmaster Jacek Stopa through the Sydney Chess Academy, with face-to-face classes. 'He teaches me how deeply you need to prepare to get to the GM level,' he said. 'At the end of the class I'm very tired. The puzzles he gives me are very tough, like grandmaster level.' For black, Reyaansh loves the Caro-Kann and Queen's Gambit Declined defences. For white, he loves the Italian and Ruy Lopez openings. Russian champion Boris Spassky and Mr Fischer are his favourite players. 'I think he (Spassky) was very strong but also a nice guy. Bobby Fischer because he was a genius, one of the best players to ever live.' Reyaansh was born in Kolkata in India and immigrated to Australia at the age of two with his parents Sounak and Tapasri, both of whom support his chess dreams. Reyaansh has already beaten GMs, including Australian heavyweight Darryl Johansen at a match in Melbourne. 'It was the first GM I defeated,' Reyaansh said. 'It was a good game, it was probably heading towards a draw but he blundered and I won it.' Mr Johansen was gracious in defeat. 'He was a bit disappointed, but we discussed some moves after the game,' Reyaansh said. But there was no time to celebrate. 'I had two games the next day, so I had to kind of forget about it and prepare for the next time.' The youngster, who likes to read JK Rowling and the Dog Man comic books, has also interacted with legends of the game, including former world champion Vishy Anand, whom he met in Singapore. 'It was like a dream come true. He gave me advice on staying patient,' Reyaansh said. He returned to Sydney last week after competing in a tournament in Norway and has travelled to the Czech Republic, Hungary, Belgium, Switzerland and Singapore to play against the best players in the world. When asked what he found really special about chess, he emphasised the intensity of the game and the mental focus it took to win. 'Even if you play perfectly the whole game, if you make one mistake, it's over,' he said. Reyaansh meets former world champion Vishy Anand. Supplied Credit: News Corp Australia 'You need to focus from start to finish. You can't ever let you guard down.' Chess is in the midst of a popularity boom, triggered in part by The Queen's Gambit and the rising visibility of grandmasters on social media. Netflix claims more than 62 million people watched the show in its first 28 days on the streaming platform. Mr Power has also witnessed a growing number of youngsters trying out the game. 'The enthusiasm of primary level students is refreshing,' he said. For Reyaansh, finding a 'love for the game' is the first step children should take in their own chess pursuits. 'You have to find your love for the game,' he said. 'Otherwise, you'll kind of feel it is a chore. If you don't love it, you'll feel bored with it.'
The Advertiser
12-06-2025
- The Advertiser
Good cop or bad cop? In Netflix's new Dept. Q, actor Matthew Goode plays both
Being a leading man? Matthew Goode quite likes it. He's the star of Dept. Q, based on the books by Danish author Jussi Adler-Olsen and set in the cold case division of the Edinburgh police. From The Queen's Gambit showrunner Scott Frank, the nine-part Netflix miniseries stars Goode as a one-man combination of good cop/bad cop. While Detective Chief Inspector Carl Morck is a brilliant investigator, he is equally successful at annoying people - even begrudging respect for his talent quickly turns into intense dislike. Goode has been No. 1 on the call sheet before, but he didn't enjoy it: "It's something I shied away from after the beginning of my career where I was there for a bit and then I had some sort of bad things ... things weren't necessarily positive at that point, after that. And I just went, I just want to be, you know, not the lead any more". Goode acknowledges that actors don't get to choose if a main part is "bestowed" on them and notes that Frank fought to cast him in Dept. Q. The pair first worked together on The Lookout (2007). The English actor portrayed an American thief, a long way from the period dramas he's recently been known for, playing suave Brits in The Crown, Downton Abbey and Freud's Last Session. Goode and Frank talked and teased each other in a recent interview about working together and breaking Goode out of his period drama groove. The conversation has been edited for clarity and brevity. Question: Describe your relationship. GOODE: Father and son. FRANK: Taxing, toxic, troubling. GOODE: Well, he's the genius and I just do what he says, basically. FRANK: I wish. We go way back. We made a film together, the first film I ever directed, in fact. And I was lucky that I had Matthew because he was outstanding and made it easier for me at that point. And I think we both just really know one another and I love this man. I would work with him in everything I ever did, but he's a pain in the ass. GOODE: Well, you know. There has to be some cost! FRANK: He is Carl Morck, in many ways. To know him is to want to strangle him. Does that sum it up? GOODE: OK, so now you see what I'm working with. This is the second time he's given me a character that I genuinely don't think that many other people would have taken that chance, because I don't really scream Kansas City bank robber (in The Lookout). And I think this is a part that some people would have kind of gone, it's a bit more sort of Tom Hardy-ish, perhaps. But that's what we are, we're actors, but you don't necessarily get to be versatile a lot of the time, so I feel very indebted to you. Q: Did you write with Matthew in mind? FRANK: I had always thought he would be terrific for this, and I didn't know if we would end up doing it together, but from the minute I started thinking about it, doing it here, I really ... I knew he would love it. I think a lot of times people only see actors in one way or a particular way ... they just see the roles they've already played, they're not really paying attention to what else is happening. Q: Dept. Q is not a period drama. GOODE: There you go, that's a prime example, yeah. Q: So is that part of the appeal? GOODE: I mean a career is, for want of a better way of explaining it, is a bit like a river where essentially you can go, there's the main channel in it, but there's eddies and you get caught in certain things and you get cast in certain ways. So you're not really ever particularly in control of it. Certainly unless you have your own production company or you become a massive star where you actually sort of have the keys to Hollywood and then you have a bit more of a sphere of influence and you can dip your toes in different waters. And he had to fight for me a little bit for this one. He had to go bat for me to actually do the part. Q: Have you played a detective before? GOODE: No, this is my first time, I think. I've got a memory like a sieve now; I've got three kids, that's the only thing I really think about. But no, I think this is my first time. FRANK: I don't think you have. GOODE: Only with my wife with some dress up, but that's about it. Q: Carl is not a posh character. GOODE: No because (Frank) transposed it from the original Danish setting, Copenhagen, and it works brilliantly, obviously, in Edinburgh, and it becomes this amazing character. But he made the character English. But we haven't given too much detail yet as to as to his past, which I love the fact, because we're aiming to be able to keep doing this because there's 10 books. AP/AAP Being a leading man? Matthew Goode quite likes it. He's the star of Dept. Q, based on the books by Danish author Jussi Adler-Olsen and set in the cold case division of the Edinburgh police. From The Queen's Gambit showrunner Scott Frank, the nine-part Netflix miniseries stars Goode as a one-man combination of good cop/bad cop. While Detective Chief Inspector Carl Morck is a brilliant investigator, he is equally successful at annoying people - even begrudging respect for his talent quickly turns into intense dislike. Goode has been No. 1 on the call sheet before, but he didn't enjoy it: "It's something I shied away from after the beginning of my career where I was there for a bit and then I had some sort of bad things ... things weren't necessarily positive at that point, after that. And I just went, I just want to be, you know, not the lead any more". Goode acknowledges that actors don't get to choose if a main part is "bestowed" on them and notes that Frank fought to cast him in Dept. Q. The pair first worked together on The Lookout (2007). The English actor portrayed an American thief, a long way from the period dramas he's recently been known for, playing suave Brits in The Crown, Downton Abbey and Freud's Last Session. Goode and Frank talked and teased each other in a recent interview about working together and breaking Goode out of his period drama groove. The conversation has been edited for clarity and brevity. Question: Describe your relationship. GOODE: Father and son. FRANK: Taxing, toxic, troubling. GOODE: Well, he's the genius and I just do what he says, basically. FRANK: I wish. We go way back. We made a film together, the first film I ever directed, in fact. And I was lucky that I had Matthew because he was outstanding and made it easier for me at that point. And I think we both just really know one another and I love this man. I would work with him in everything I ever did, but he's a pain in the ass. GOODE: Well, you know. There has to be some cost! FRANK: He is Carl Morck, in many ways. To know him is to want to strangle him. Does that sum it up? GOODE: OK, so now you see what I'm working with. This is the second time he's given me a character that I genuinely don't think that many other people would have taken that chance, because I don't really scream Kansas City bank robber (in The Lookout). And I think this is a part that some people would have kind of gone, it's a bit more sort of Tom Hardy-ish, perhaps. But that's what we are, we're actors, but you don't necessarily get to be versatile a lot of the time, so I feel very indebted to you. Q: Did you write with Matthew in mind? FRANK: I had always thought he would be terrific for this, and I didn't know if we would end up doing it together, but from the minute I started thinking about it, doing it here, I really ... I knew he would love it. I think a lot of times people only see actors in one way or a particular way ... they just see the roles they've already played, they're not really paying attention to what else is happening. Q: Dept. Q is not a period drama. GOODE: There you go, that's a prime example, yeah. Q: So is that part of the appeal? GOODE: I mean a career is, for want of a better way of explaining it, is a bit like a river where essentially you can go, there's the main channel in it, but there's eddies and you get caught in certain things and you get cast in certain ways. So you're not really ever particularly in control of it. Certainly unless you have your own production company or you become a massive star where you actually sort of have the keys to Hollywood and then you have a bit more of a sphere of influence and you can dip your toes in different waters. And he had to fight for me a little bit for this one. He had to go bat for me to actually do the part. Q: Have you played a detective before? GOODE: No, this is my first time, I think. I've got a memory like a sieve now; I've got three kids, that's the only thing I really think about. But no, I think this is my first time. FRANK: I don't think you have. GOODE: Only with my wife with some dress up, but that's about it. Q: Carl is not a posh character. GOODE: No because (Frank) transposed it from the original Danish setting, Copenhagen, and it works brilliantly, obviously, in Edinburgh, and it becomes this amazing character. But he made the character English. But we haven't given too much detail yet as to as to his past, which I love the fact, because we're aiming to be able to keep doing this because there's 10 books. AP/AAP Being a leading man? Matthew Goode quite likes it. He's the star of Dept. Q, based on the books by Danish author Jussi Adler-Olsen and set in the cold case division of the Edinburgh police. From The Queen's Gambit showrunner Scott Frank, the nine-part Netflix miniseries stars Goode as a one-man combination of good cop/bad cop. While Detective Chief Inspector Carl Morck is a brilliant investigator, he is equally successful at annoying people - even begrudging respect for his talent quickly turns into intense dislike. Goode has been No. 1 on the call sheet before, but he didn't enjoy it: "It's something I shied away from after the beginning of my career where I was there for a bit and then I had some sort of bad things ... things weren't necessarily positive at that point, after that. And I just went, I just want to be, you know, not the lead any more". Goode acknowledges that actors don't get to choose if a main part is "bestowed" on them and notes that Frank fought to cast him in Dept. Q. The pair first worked together on The Lookout (2007). The English actor portrayed an American thief, a long way from the period dramas he's recently been known for, playing suave Brits in The Crown, Downton Abbey and Freud's Last Session. Goode and Frank talked and teased each other in a recent interview about working together and breaking Goode out of his period drama groove. The conversation has been edited for clarity and brevity. Question: Describe your relationship. GOODE: Father and son. FRANK: Taxing, toxic, troubling. GOODE: Well, he's the genius and I just do what he says, basically. FRANK: I wish. We go way back. We made a film together, the first film I ever directed, in fact. And I was lucky that I had Matthew because he was outstanding and made it easier for me at that point. And I think we both just really know one another and I love this man. I would work with him in everything I ever did, but he's a pain in the ass. GOODE: Well, you know. There has to be some cost! FRANK: He is Carl Morck, in many ways. To know him is to want to strangle him. Does that sum it up? GOODE: OK, so now you see what I'm working with. This is the second time he's given me a character that I genuinely don't think that many other people would have taken that chance, because I don't really scream Kansas City bank robber (in The Lookout). And I think this is a part that some people would have kind of gone, it's a bit more sort of Tom Hardy-ish, perhaps. But that's what we are, we're actors, but you don't necessarily get to be versatile a lot of the time, so I feel very indebted to you. Q: Did you write with Matthew in mind? FRANK: I had always thought he would be terrific for this, and I didn't know if we would end up doing it together, but from the minute I started thinking about it, doing it here, I really ... I knew he would love it. I think a lot of times people only see actors in one way or a particular way ... they just see the roles they've already played, they're not really paying attention to what else is happening. Q: Dept. Q is not a period drama. GOODE: There you go, that's a prime example, yeah. Q: So is that part of the appeal? GOODE: I mean a career is, for want of a better way of explaining it, is a bit like a river where essentially you can go, there's the main channel in it, but there's eddies and you get caught in certain things and you get cast in certain ways. So you're not really ever particularly in control of it. Certainly unless you have your own production company or you become a massive star where you actually sort of have the keys to Hollywood and then you have a bit more of a sphere of influence and you can dip your toes in different waters. And he had to fight for me a little bit for this one. He had to go bat for me to actually do the part. Q: Have you played a detective before? GOODE: No, this is my first time, I think. I've got a memory like a sieve now; I've got three kids, that's the only thing I really think about. But no, I think this is my first time. FRANK: I don't think you have. GOODE: Only with my wife with some dress up, but that's about it. Q: Carl is not a posh character. GOODE: No because (Frank) transposed it from the original Danish setting, Copenhagen, and it works brilliantly, obviously, in Edinburgh, and it becomes this amazing character. But he made the character English. But we haven't given too much detail yet as to as to his past, which I love the fact, because we're aiming to be able to keep doing this because there's 10 books. AP/AAP Being a leading man? Matthew Goode quite likes it. He's the star of Dept. Q, based on the books by Danish author Jussi Adler-Olsen and set in the cold case division of the Edinburgh police. From The Queen's Gambit showrunner Scott Frank, the nine-part Netflix miniseries stars Goode as a one-man combination of good cop/bad cop. While Detective Chief Inspector Carl Morck is a brilliant investigator, he is equally successful at annoying people - even begrudging respect for his talent quickly turns into intense dislike. Goode has been No. 1 on the call sheet before, but he didn't enjoy it: "It's something I shied away from after the beginning of my career where I was there for a bit and then I had some sort of bad things ... things weren't necessarily positive at that point, after that. And I just went, I just want to be, you know, not the lead any more". Goode acknowledges that actors don't get to choose if a main part is "bestowed" on them and notes that Frank fought to cast him in Dept. Q. The pair first worked together on The Lookout (2007). The English actor portrayed an American thief, a long way from the period dramas he's recently been known for, playing suave Brits in The Crown, Downton Abbey and Freud's Last Session. Goode and Frank talked and teased each other in a recent interview about working together and breaking Goode out of his period drama groove. The conversation has been edited for clarity and brevity. Question: Describe your relationship. GOODE: Father and son. FRANK: Taxing, toxic, troubling. GOODE: Well, he's the genius and I just do what he says, basically. FRANK: I wish. We go way back. We made a film together, the first film I ever directed, in fact. And I was lucky that I had Matthew because he was outstanding and made it easier for me at that point. And I think we both just really know one another and I love this man. I would work with him in everything I ever did, but he's a pain in the ass. GOODE: Well, you know. There has to be some cost! FRANK: He is Carl Morck, in many ways. To know him is to want to strangle him. Does that sum it up? GOODE: OK, so now you see what I'm working with. This is the second time he's given me a character that I genuinely don't think that many other people would have taken that chance, because I don't really scream Kansas City bank robber (in The Lookout). And I think this is a part that some people would have kind of gone, it's a bit more sort of Tom Hardy-ish, perhaps. But that's what we are, we're actors, but you don't necessarily get to be versatile a lot of the time, so I feel very indebted to you. Q: Did you write with Matthew in mind? FRANK: I had always thought he would be terrific for this, and I didn't know if we would end up doing it together, but from the minute I started thinking about it, doing it here, I really ... I knew he would love it. I think a lot of times people only see actors in one way or a particular way ... they just see the roles they've already played, they're not really paying attention to what else is happening. Q: Dept. Q is not a period drama. GOODE: There you go, that's a prime example, yeah. Q: So is that part of the appeal? GOODE: I mean a career is, for want of a better way of explaining it, is a bit like a river where essentially you can go, there's the main channel in it, but there's eddies and you get caught in certain things and you get cast in certain ways. So you're not really ever particularly in control of it. Certainly unless you have your own production company or you become a massive star where you actually sort of have the keys to Hollywood and then you have a bit more of a sphere of influence and you can dip your toes in different waters. And he had to fight for me a little bit for this one. He had to go bat for me to actually do the part. Q: Have you played a detective before? GOODE: No, this is my first time, I think. I've got a memory like a sieve now; I've got three kids, that's the only thing I really think about. But no, I think this is my first time. FRANK: I don't think you have. GOODE: Only with my wife with some dress up, but that's about it. Q: Carl is not a posh character. GOODE: No because (Frank) transposed it from the original Danish setting, Copenhagen, and it works brilliantly, obviously, in Edinburgh, and it becomes this amazing character. But he made the character English. But we haven't given too much detail yet as to as to his past, which I love the fact, because we're aiming to be able to keep doing this because there's 10 books. AP/AAP
