Experts break down the worst Emmy snubs of all time

After every Emmys, it's de rigueur to write about shows that were 'snubbed.' But let's put it in perspective: If 'The Bob Newhart Show' never won an Emmy, why should you?
Then again, why didn't CBS' 1970s sitcom ever win an Emmy? Or 'The Wire,' for that matter? Or 'Better Call Saul,' 'New Girl,' 'Parks and Recreation,' 'My So-Called Life,' 'Better Things,' 'The Good Place,' 'BoJack Horseman' and numerous other beloved shows?
In many cases, shows shut out at the Emmys have stood the test of time, if not the test of voters at the time. So why do some series — including still-eligible titles like 'NCIS,' 'It's Always Sunny in Philadelphia' and 'Yellowstone' — fall through the cracks?
It happens at the Academy Awards too, of course. 'But with the Oscars, you only have one crack at it — if something else got the momentum, there's nothing you can do,' says Jason Lynch, curator at New York's Paley Center for Media. 'For TV, theoretically, if something goes for several seasons, you get multiple cracks at it, so if a series still hasn't received any Emmys, that discrepancy is more glaring and apparent. You can't just say that was a crazy year.'
'Better Call Saul' is a vivid example. 'It went 0 for 53 nominations,' Lynch says. 'There was this drumbeat, the final season, where journalists are reminding Emmy voters, 'This is your last chance, please'' — to no avail.
That's another way the Emmys differ from the Oscars, notes Irving Belateche, professor of the practice of cinematic arts at USC. 'With the Oscars, you can point to times when people finally get a kind of career award, even if it's not for that role or that film. In the Emmys, they don't do that, where they say, 'Let's finally give 'Better Call Saul' a win.' That, I don't understand.'
Then again, Belateche adds, the series was up against stiff competition: ''Game of Thrones' four times and 'Succession' twice. There are so many good, popular shows you're competing against, it's not so cut and dried.' Similarly, 'The Bob Newhart Show' faced off against 'All in the Family,' 'MASH' and 'The Mary Tyler Moore Show.'
Still, even strong fields can't explain away the Emmys' treatment of 'The Wire' — often listed among the greatest TV shows of all time — which not only never won in five seasons but was only nominated twice. 'And 'Parks and Recreation' is absolutely one of the top three comedies of the 21st century,' Lynch says. 'To never win a single Emmy is unfathomable.'
Genre bias is another concern, Belateche says. 'That worked against some of the shows that were overlooked, like 'Buffy the Vampire Slayer.'' Although 'Buffy' did win two Creative Arts Emmys, for makeup and music composition, it was up against episodes of 'The Sopranos' and 'The West Wing' — the sort of prestige dramas that traditionally do well with voters — when it was nominated in 2000 for writing.
'Sometimes the format and the tone work against it,' says Belateche. 'Obviously that's true of 'It's Always Sunny in Philadelphia.'' Set to premiere its 17th season in July, 'Sunny' has received only three nods for stunt coordination. 'It's super quirky and really popular among the younger crowd, like my students.' 'BoJack Horseman's' six surreal seasons likewise yielded just three nods.
The nomination process itself can present a challenge. 'You're only submitting one episode,' Lynch points out. 'When we're thinking about award-worthy performances, we're thinking about entire seasons, or multiple seasons, but a voter is only watching whatever episode is submitted, which could be a great showcase for a scene or two but is not giving you all the context you need to appreciate that show. And I don't know how to fix that. To their credit, the Television Academy has tried. Every couple of years they do change the voting procedures, and sometimes it helps and sometimes it doesn't.'
Plus, voters may lack much time to focus on anything but their own work: 'If you ask showrunners and producers what they're watching, they say, 'I'm so busy I don't have time to watch anything.' That's a problem as well,' says Lynch.
'The other thing that we've seen, even more so the past couple of years, is that Emmy voters are often reflexively voting for whatever they voted for the previous years,' he adds. 'Something like a 'Modern Family' was winning every year. And now we're getting a lot of sweeps, which became most apparent in 2020 when 'Schitt's Creek' ran the board. It's harder for other shows to get in there when you have only a small handful of shows hoovering up all of the awards.' And if shows don't score wins early in their run, it's all the harder for them to break through later.
Lynch would love to see a way for TV Academy members to vote for shows once they're clearly seen as part of the pantheon. 'It's only time that's going to give you that sense of a show's legacy. But this is a TV business; nobody's going to watch an Emmy show in 2025 that's giving away trophies to shows from 2015.'
Then again, the Emmys' Governors Award has occasionally been given to shows, and the entire 'Star Trek' franchise won a Governors Award in 2018 in recognition of its lasting impact, finally celebrating that first Emmy-less series (along with six others). There may be hope for 'The Wire' yet.

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What scene that you filmed do you miss the most from the scraps pile? I feel quite lucky in that I think lots of my biggest scenes were pretty important to the development of the story and the progression of the plot, so I didn't have that much cut. I don't think I had any big scenes [cut] in their entirety. They trimmed scenes that I was in where they would cut unnecessary lines from the middle of the scene, which is something I'm not that used to seeing, but it makes sense because we shot so much [and] they were so pressed for time that buying a few seconds here and there is totally worthwhile. The scene when me and Sarah Catherine are on the beach talking, I can't remember whether we're on our way to the temple or on our way back, there was a whole middle section that they cut out where she basically says, 'I don't think you should stay at the temple. 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You spent six-plus months with some amazing vets on set, be that Parker [Posey] or Walton [Goggins] or Jason, etc. What morals of wisdom and advice did you pick up from them while working on this show along the way? I learned very different things from all of those legends, some of which were in direct opposition with each other. Everyone has such different ways of doing it, and that's part of what's so amazing about acting to me. I'm a college dropout, [and] this methodology of acting is something that, of course, can be taught in drama schools, but a lot of the time it is not taught. A lot of the time actors are sort of putting together these pieces of how we like to do our job over the course of our careers, and they become very personalized and unique. Jason was very fly by the seat of [his] pants. He would do all the work on the character beforehand, like a month before we started shooting. 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I'm curious what your advice would be for the next batch of actors, and is there anything that you now know that you wish you had known when you were starting out getting ready to shoot the show? I'd say get your mental health in order, because it is tough being that far away from home for that long. That has no bearing on the job itself, which is the most fun thing in the world. But inevitably, when you're away from home for that long, there are certain challenges. In terms of the actual work, I would say you need no advice. I met with Adam DiMarco, who played a very parallel role to mine in the second season, before I went away to shoot. I was like, 'Do you have any advice? Like, what's Mike like? What's his annoying thing and how do you work around it?' Because every director has one. And he was like, 'There is nothing, he's just great.' I was like, 'Okay, dude. 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I think that it would be impossible for me to describe a dream role because the best roles are the ones that are original and haven't been written yet. At the time, Travis Bickle [in Martin Scorsese's Taxi Driver] was obviously a very new kind of character, and I'd love to play a new kind of character. The comedy that you mentioned is , and that filmed in North Carolina, correct?Yep! Was that your first time visiting the state, and do you think that your Ratliff family nailed the North Carolina accent after spending time shooting there? I kind of think we did! Everyone said that we kids don't have any accents, but we did work with a dialogue coach and changed very subtle vowels, because apparently, from the people I met when I was there, the younger generation are totally losing their accents because of the globalization of the internet and going to colleges where you travel around, you tend to soften your accent. But it was my first time, and I love North Carolina. 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Have you heard those rumors, and would you be open to potentially returning for an all-star season? Of course I would. I would jump off the Empire State Building for Mike White (Laughs), I would do just about anything. I would adore to work with him again in whatever capacity. I mean, we would all, including Mike, joke about him doing an all-star season when we were in Thailand, but I could sort of never tell whether he was joking or he was serious, so, who knows? The thing is that the all-star season would have to, I imagine, be the last season. I can't tell when the last season's going to be right now, because the show is such a hit and Mike is so happy making it. I don't know when they would ever decide to stop, but we'll see, and if that phone rings with his name on it, I'm picking up 10 times out of 10. Looking back on your entire experience, what is the biggest thing you learned from playing Lochlan? I think the biggest thing that I learned was that you have to soak it in. That's sort of my only regret from the shoot is that, not just me, but I was talking to Parker and Sarah Catherine, and we were just saying we were all so nervous going into it, and we shouldn't have been, because Mike is so lovely and puts everyone at ease. But, it's a big show, it's a big deal, and for me, it's a big deal because I've never been in anything so big before with so many eyes on it. And even for someone like Parker Posey, who's a legend in our field, it's intense and it's nerve wracking to be a part of something that's already so beloved, and [to] be a new part of something that people are going to judge and have opinions on. I think at times, I was too nervous to really sit back and be like, you know what? 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