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Richard and Sharon Jenkins, other familiar faces to return to Trinity Rep to direct in 2025-26 season

Richard and Sharon Jenkins, other familiar faces to return to Trinity Rep to direct in 2025-26 season

Boston Globe28-04-2025

'Directors like Richard and Sharon Jenkins, Amanda Dehnert, and Ben Steinfeld have a long history with our company, but their work hasn't been on our stages for a while,' Columbus said in a
Richard and Sharon Jenkins will be the creative minds behind 'A Christmas Carol,' when it returns for its 49th year this holiday season. Steinfeld will direct a production of 'The Winter's Tale,' by
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The lineup, which includes several other productions 'promises to inspire, engage, and connect us all, while returning us to the roots of what makes Trinity Rep's brand of theater-making so uniquely captivating,' Executive Director Katie Liberman said in a press release announcing the forthcoming
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'Each story explores themes of connection, hope, and forgiveness, narratives that resonate deeply with the world we live in today,' Liberman said.
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According to Trinity Rep, due to
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Here is the schedule for the upcoming season:
'Cold War Choir Practice:'
Written by recent Brown University graduate Ro Reddick and directed by 'Brown/Trinity Rep alumna' Aileen Wen McGroddy, 'Cold War Choir Practice' will have its world premiere when it takes the stage in Providence. 'A dark comedic thriller, the new play follows a Black family's unexpected foray into cults, espionage, the Cold War, and choir practice as they deal with family tensions,' the company says. The show runs Sept. 4 through Oct. 5.
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'A Christmas Carol:'
Emmy Award-winner, Academy Award-nominee, and former Trinity Rep Artistic Director Richard Jenkins will co-direct the Charles Dickens classic this year, alongside acclaimed choreographer Sharon Jenkins. The show runs Nov. 6 through Dec. 31.
'The Roommate' and 'The Winter's Tale:'
According to Trinity Rep, for the first quarter of 2026, a 'contemporary play and a classic work will run in a rotating repertory.' The first is 'The Roommate' by Jen Silverman. Directed by Columbus, the play is described as 'a one-act comedy about second acts in life.' The other is Shakespeare's 'The Winter's Tale,' directed by Steinfeld. The two productions run in
'Primary Trust:'
Directed by resident company member Tatyana-Marie Carlo, this Pulitzer Prize-winning play by Eboni Booth is 'a hilarious, heartwarming story about an isolated man who finds connection outside his comfort zone,' according to Trinity Rep. The show runs from April 9 through May 10, 2026.
'Next to Normal:'
With a book and lyrics by Brian Yorkey and music by Tom Kitt, the Tony Award-winning rock musical 'explores a suburban housewife's struggle with bipolar disorder, her loved ones' journey in learning to see each other for who they truly are, and discovering what it means to be family,' according to Trinity Rep, which said Dehnert, a former associate artistic director at Trinity, will return for the first time in over 20 years to direct. The show runs from May 28 through June 28, 2026.
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Juneteenth events and Black-owned businesses in Albuquerque

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Key moments from the sixth week of Sean 'Diddy' Combs' sex trafficking trial

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We spent 8 hours at Ebony Beach Club's 'Juneteenth on the Pier'
We spent 8 hours at Ebony Beach Club's 'Juneteenth on the Pier'

Yahoo

time15 hours ago

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We spent 8 hours at Ebony Beach Club's 'Juneteenth on the Pier'

The Ebony Beach Club's priority is to create a space for Black beachside communities in Los Angeles. So, every year on Juneteenth, they transform a local beach into a full-blown festival, consisting of nonstop DJs, a vivacious dance floor and neighborly vendors. This year, the beach club partnered with Black Lives Matter and took over the Santa Monica Pier. Here's everything that went down. 12:39 p.m. I arrive early. Ebony Beach Club founder, Brick, runs from vendor to vendor, ensuring everyone is ready for the day ahead. He boasts that there's 'not a cloud in sight' — and that everything is aligning for today's 'historic moment.' 1:58 p.m. I never thought I would be able to say I've found a sense of inner peace in the middle of the Santa Monica Pier. The typically chaotic environment is transformed by rhythmic breathing exercises and sound bath frequencies. For a moment, it does feel like I am cooking under the hot summer sun, but still, I couldn't be more at ease. 3:09 p.m. So far, the music selection transcends generations. Anything from Aaliyah to YG and Frankie Beverly fills the beachy air. But after hearing more than one early 2000s Ne-Yo classic, I can't help but wonder what he's up to. Why the lack of 2025 Ne-Yo bangers? 3:40 p.m. The crowd is slowly growing. Most partygoers sport a mix of brightly colored swimwear with denim shorts or matching mini skirts. Others wear graphic tees that commemorate the holiday and show L.A. pride. The most standout looks so far have included bejeweled thongs, color-coordinated snapbacks and sneakers and pleated, baggy jorts. 3:58 p.m. In the flash of a moment, a familiar face glides through the crowded pier. Her grill catches the light and a pair of Labubus hangs from a designer bag. It's none other than R&B royalty Kehlani. A growing swarm of fans start to catch on. I get my chance to say something as she passes. I compliment her latest single and let her continue on her mission to the bar. Cool, casual and of course, no mention of the fact that I was listening to the Kehlani Spotify radio on the whole drive over. 4:45 p.m. Brick halts the music and offers a quick history lesson from the DJ decks. He speaks of the first Ebony Beach Club, started by a man named Silas White in 1957. That year, 2,000 Black people, including Brick's own grandfather, signed up to be members. But the City of Santa Monica had barred it from ever opening. Today's Ebony Beach Club celebration roughly creates space for around 2,000 people to be at the exact same beach and enjoy the party. 'This is the most Black people the Santa Monica pier has seen in a while,' said Brick, who was met with an echoing applause. 'Today, we are Black people who are occupying this space for the first time in a long time.' 5:30 p.m. The emcee says, 'If you're outside the barricade, I'm sorry. If you couldn't get a ticket, I'm sorry.' He addresses the consistent crowd of onlookers who have lingered by the barricades. Some appear to be tourists, but most spectators seem like they were too late to grab a ticket. Nonetheless, they are able to indulge in the sights and sounds, even if it's for only a few minutes. 6:17 p.m. What's an L.A. party without Los Tucanes de Tijuana's 'La Chona?' The norteño anthem gets mixed into T.I. 's 'What You Know.' Unexpected, but somehow serendipitous. 7:25 p.m. I'm starting to seriously question the weight limit on the truck. Though its height is that of a monster truck, it has the feel of a clown car. The truck bed, filled with DJ equipment, is overflowing with people singing along and jumping to the beat. People are perched atop the car, as well as those hanging off its side, in an impressive, partially aerial twerk. I can't even imagine the kind of core strength that it takes. 7:51 p.m. As the party wraps up, Sexyy Red's distinctive vocals overtake the crowd. It feels like one final hurrah. If there's been one consistent feeling that's marked the entire party, it's been an infectious sense of joy. 8:05 p.m. On the way back to the car, people yell 'Happy Juneteenth' out their car windows. My feet are a bit achy and the tops of my shoulders a little sore to the touch, but spirits are still high. Now for the biggest test of patience — braving the traffic of leaving a Santa Monica parking structure. This story originally appeared in Los Angeles Times.

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