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The Australian
24 minutes ago
- The Australian
Oasis: from clash to cash
Fifteen years after their explosive split, British music legends Liam and Noel Gallagher are reuniting for an Oasis tour that promises not only Britpop nostalgia but also staggering revenues. While Liam has insisted that money is "way down the list" of reasons for the feuding brothers' reunion, British press reports have suggested that each sibling could pocket around £50 million ($67 million). Matt Grimes, a music industry expert at Birmingham City University, offered a slightly more conservative estimate of around £40 million per Gallagher for the 17 UK dates alone. Oasis, whose hits include "Wonderwall", "Don't Look Back in Anger" and "Champagne Supernova", kick off the reunion tour on July 4 in Cardiff before playing several dates in their home city of Manchester the following week. Almost 1.4 million tickets have been sold for the UK shows, generating an estimated £240 million, according to Barclays bank. And that's just the beginning. Merchandise sales, from T-shirts and puzzles to baby clothes and tableware, plus six pop-up shops across the UK and Ireland could push total revenue to around £400 million, Grimes said. The 24 concerts outside the UK, including in Buenos Aires, Chicago, Sydney, Tokyo and Toronto, will drive revenues even higher. - Comeback tour- Still, the money from the return of Oasis is dwarfed by Taylor Swift's record-breaking Eras Tour, which grossed $2.2 billion from ticket sales alone across 149 shows worldwide. It was "a much bigger logistical event or sets of events than Oasis are proposing", Grimes said. There was a chaotic scramble for prized Oasis tickets when they went on sale in August last year. But fans were left outraged by exorbitant ticket costs that saw sudden price hikes -- known as dynamic pricing -- based on overwhelming demand, in some cases from £150 to £350. Ticketmaster, one of the official sales websites, said the pricing decision was made by the "tour organiser". Oasis pointed the finger at their promoter. The Gallagher brothers' promotional plan, however, was minimal: two posts on social media -- one to tease, the other to confirm. "The fact that they announced a reunion after many, many years of 'will they, won't they' is enough to make the press interested," Chris Anderton, professor of cultural economics at the University of Southampton, told AFP. - £1 bn economic boost - For Oasis there's no new album to promote, just classics to revive. "In the 1970s, even maybe the 1980s, you went on tour to sell albums," Anderton said. "Now you go on tour to make money and the album is something on the side -- if you make one at all." "Definitely Maybe", released 30 years ago, climbed back to the top of UK sales charts on the back of the reunion tour announcement. Each Oasis concertgoer will spend an average of £766 on tickets and outgoings such as transport and accommodation, according to Barclays. That is set to inject £1 billion into the British economy. Two key shifts help explain the rise of mega-tours, said Cecile Rap-Veber, managing director at the French artists' rights group Sacem. On one hand, streaming "doesn't bring in as much money as the CD era", prompting artists to look at how to make money elsewhere, she said. On the other, "the public's appetite for live shows" surged after the lockdown years of the Covid-19 pandemic. Those factors make fans more willing to spend big. Grimes sums up the choice: "Do I go to... Spain or maybe the south of France for a week's holiday that's going to cost me £600? Or do I go and see my favourite band?" zap/ajb/jkb/js/pst
News.com.au
27 minutes ago
- News.com.au
Oasis: from clash to cash
Fifteen years after their explosive split, British music legends Liam and Noel Gallagher are reuniting for an Oasis tour that promises not only Britpop nostalgia but also staggering revenues. While Liam has insisted that money is "way down the list" of reasons for the feuding brothers' reunion, British press reports have suggested that each sibling could pocket around £50 million ($67 million). Matt Grimes, a music industry expert at Birmingham City University, offered a slightly more conservative estimate of around £40 million per Gallagher for the 17 UK dates alone. Oasis, whose hits include "Wonderwall", "Don't Look Back in Anger" and "Champagne Supernova", kick off the reunion tour on July 4 in Cardiff before playing several dates in their home city of Manchester the following week. Almost 1.4 million tickets have been sold for the UK shows, generating an estimated £240 million, according to Barclays bank. And that's just the beginning. Merchandise sales, from T-shirts and puzzles to baby clothes and tableware, plus six pop-up shops across the UK and Ireland could push total revenue to around £400 million, Grimes said. The 24 concerts outside the UK, including in Buenos Aires, Chicago, Sydney, Tokyo and Toronto, will drive revenues even higher. - Comeback tour- Still, the money from the return of Oasis is dwarfed by Taylor Swift's record-breaking Eras Tour, which grossed $2.2 billion from ticket sales alone across 149 shows worldwide. It was "a much bigger logistical event or sets of events than Oasis are proposing", Grimes said. There was a chaotic scramble for prized Oasis tickets when they went on sale in August last year. But fans were left outraged by exorbitant ticket costs that saw sudden price hikes -- known as dynamic pricing -- based on overwhelming demand, in some cases from £150 to £350. Ticketmaster, one of the official sales websites, said the pricing decision was made by the "tour organiser". Oasis pointed the finger at their promoter. The Gallagher brothers' promotional plan, however, was minimal: two posts on social media -- one to tease, the other to confirm. "The fact that they announced a reunion after many, many years of 'will they, won't they' is enough to make the press interested," Chris Anderton, professor of cultural economics at the University of Southampton, told AFP. - £1 bn economic boost - For Oasis there's no new album to promote, just classics to revive. "In the 1970s, even maybe the 1980s, you went on tour to sell albums," Anderton said. "Now you go on tour to make money and the album is something on the side -- if you make one at all." "Definitely Maybe", released 30 years ago, climbed back to the top of UK sales charts on the back of the reunion tour announcement. Each Oasis concertgoer will spend an average of £766 on tickets and outgoings such as transport and accommodation, according to Barclays. That is set to inject £1 billion into the British economy. Two key shifts help explain the rise of mega-tours, said Cecile Rap-Veber, managing director at the French artists' rights group Sacem. On one hand, streaming "doesn't bring in as much money as the CD era", prompting artists to look at how to make money elsewhere, she said. On the other, "the public's appetite for live shows" surged after the lockdown years of the Covid-19 pandemic. Those factors make fans more willing to spend big. zap/ajb/jkb/js/pst
News.com.au
3 hours ago
- News.com.au
Girls shouldn't shout?: Women break the mould at French metal festival
Women artists are pushing back against gender stereotypes at the French heavy metal festival Hellfest, where men have long dominated the loud and rebellious genre. With around 60,000 visitors per day, the 18th edition of France's biggest metal festival wrapped up Sunday after four days of head-banging performances. Marked by loud guitars and guttural shouting, heavy metal has historically been associated with men and virility. On Friday, nine bands featuring at least one woman took to one of Hellfest's main stages, a notable step toward recognising women in the genre. Hellfest showcases around 180 bands spanning metal subgenres from thrash and black metal to hardcore punk, with major acts like Korn, Muse and Scorpions performing. Among the newer voices carving space in the scene is Camille Contreras, a chemical engineer by training and self-taught metalcore vocalist, who faced a backlash in 2023 after joining French band Novelists as their lead singer. "There were a few remarks, but I didn't really take them personally because they said 'a girl shouldn't shout'," Contreras told AFP. "I told myself 'this guy, he's just stupid'." Contreras proved her vocal strength during live shows, helping Novelists gain international traction with tours in the United States and China. Her four bandmates said the decision to bring her in went beyond voice, praising her performance style, stage presence, good mood, ability to convey atmosphere and diversity. Praised by her bandmates as "transgressive" for challenging "norms and many stereotypes", Contreras -- nicknamed the "devil's diva" -- fired up the Hellfest crowd during their Sunday set. She wasn't the only woman making waves at the festival. US rock giant Linkin Park, best known for hits like "In the End" and "Numb", returned to the Hellfest stage on Sunday with new vocalist Emily Armstrong, who joined in 2024 following the 2017 death of frontman Chester Bennington. "They were in the right state of mind by choosing to make a 180 degree U-turn, rather than creating a copy of Chester, and it's working really well," said Christie Medina-Gonzalez, programmer and artistic coordinator for Hellfest. - 'Very good start' - Women are still underrepresented at the festival but they are becoming "much more widespread now", according to Contreras. "All of the attitudes are evolving a little," she said. "Women are maybe less scared of showing who they are," she added, noting that "there are more and more female bands in all kinds of subgenres" of heavy metal, which nevertheless remains "very standardised" and "very masculine". Friday's stage dedicated to woman-fronted acts featured performances by the neo-Viking metal collective Heilung, from Scandinavia and Germany, alongside Dutch symphonic metal bands Epica and Within Temptation. The initiative is "a very good start to make women more visible", said Sharon den Adel, cofounder of Within Temptation with her husband and guitarist Robert Westerholt. "I know a lot of my colleagues had a lot of problems being accepted as a woman," Den Adel said. When the lead vocalist was growing up, people often asked who her idols were. Now, with more women playing guitar and playing drums, female performances are more visible, she said. As metal artists, women "will plant seeds in young girls' minds of, 'I can be this, this is also an option for me, maybe I can do this passion as well'".
