logo
Writers Anonymous by William Wall: A literary thriller that is emotionally taut and structurally inventive

Writers Anonymous by William Wall: A literary thriller that is emotionally taut and structurally inventive

Irish Times15-05-2025

Writers Anonymous
Author
:
William Wall
ISBN-13
:
9781848408852
Publisher
:
New Island
Guideline Price
:
€16.95
'The idea came to me in the vacant space between one irrational thought and another. The place where ideas for books come from.' So muses Jim Winter, the protagonist of Writers Anonymous, the latest novel by William Wall.
Restless after the lockdowns of 2020, Jim, a well-known author, launches an anonymous online writers' workshop. This sets the stage for a story rich in introspection, meta-literary playfulness, and creeping dread.
Five unpublished writers are selected. Cameras stay off, and real names are not allowed. But one, Deirdre, begins submitting chapters that unsettle Jim deeply. Her novel describes the unsolved 1980 murder of Mattie Lantry, a lonely teen from a small Cork town, a case Jim knows all too well.
Wall blends literary thriller and character study, crafting a novel that's emotionally taut and structurally inventive. He peppers the book with excerpts from each student's writing, especially Deirdre's, whose crisp, haunting prose feels disturbingly intimate. Gradually, the lines blur between fiction and confession, self and other. How can Deirdre know what she knows?
READ MORE
The mystery alone could drive a lesser novel, but Writers Anonymous reaches further. Wall uses the workshop set-up to gently satirise literary culture, particularly the proliferation of Zoom-era courses where adverbs are heresy and anonymity is chic. The result is a smart reflection on writing and its place in our disrupted lives.
[
Frightfully unfashionable: the century-long decline of adverbs
Opens in new window
]
Written from Jim's first-person perspective, the novel offers a refreshingly intimate portrayal of the writer's mind, its rhythms, self-doubt and the quiet toll of creativity. These insights never overshadow the plot but enrich it, offering a nuanced glimpse at the cost and compulsion of storytelling.
Wall's writing is rarely showy, rather it possesses a clarity that intensifies as the novel progresses. He captures the social and political undercurrents, and the conspiracy-flecked paranoia that swelled during lockdown. With its literary allusions and world-weary wisdom, Writers Anonymous is also an edifying read, full of reflective pleasures.
It's often said that good poems are about poetry; the same might be true for novels. Without navel-gazing, Wall folds a quiet meditation on the form itself into the narrative. He also captures the multiplicity of our inner lives with a poet's touch. Winter reflects: 'Read my books and know that I am someone different. I am that darkness that lies beyond the dark of my books.' It's a haunting line, hinting at the gaps between the self we present and the selves we conceal, or perhaps, the selves we become when we write. In this way, Writers Anonymous becomes not just a mystery or a literary satire, but a profound reflection on identity, authorship and the shifting truths we tell ourselves and others.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Paul Clements on Forrest Reid, a 20th century author who is coming back into vogue
Paul Clements on Forrest Reid, a 20th century author who is coming back into vogue

Irish Times

time5 hours ago

  • Irish Times

Paul Clements on Forrest Reid, a 20th century author who is coming back into vogue

Forrest Reid's name may not be widely known to readers today but in his time he was a culturally important author of 17 novels, two autobiographies, essays, literary criticism and translation work. Born in Belfast 150 years ago, on June 24th, 1875, Reid was the youngest of 12 children – six of whom survived – and came from a middle-class Protestant family. His father was the manager of a felt works, later becoming involved in a failed shipping venture. On his mother's side he could claim descent from Catherine Parr – the last of the six wives of Henry VIII – and a source of pride to the young boy. Reid was educated at the Royal Belfast Academical Institution (known as 'Inst') founded in 1810. However, he was unable to continue with his education owing to his family's difficult financial circumstances, and in the early 1890s became apprenticed to the tea trade but found the work boring. His father died when he was young, and following the death of his mother in 1901, he inherited a small legacy which enabled him to enter Christ's College Cambridge graduating with a degree in medieval and modern languages. The Kingdom of Twilight, Reid's first novel came out in 1904, while his coming-of-age novel Following Darkness – known under the literary genre Bildungsroman – was published eight years later in 1912. A leitmotif in his writing is childhood and the loss of innocence. READ MORE Reid developed lifelong friendships with illustrious figures in the literary world, and by extension the Bloomsbury Group, made up of artists, writers and intellectuals who it is said ''ived in squares and loved in triangles.' He became a close friend of the poet and novelist Walter de la Mare, writing a critical study of him. In 1912, E. M. Forster, whom he met at Cambridge and whose novels include The Longest Journey, A Room with a View, and A Passage to India, wrote to Reid praising his third novel, The Bracknels, stating, 'the book has moved me a good deal'. For 35 years the two corresponded through several hundred letters and cards showing mutual affection in discussing literature and culture, as well as political crises such as the debate over the Third Home Rule Bill (1912-14). Letters from the American-British author Henry James offered Reid writing tips along with suggested book recommendations. But their friendship turned hostile after Reid dedicated to him his homoerotic novella The Garden God: A Tale of Two Boys. In a review of a biography of Reid published in 1980, the novelist V. S. Pritchett, noted that James 'was embarrassed and angered by the platonic eroticism of the book and broke off the relationship in a panic.' Aside from his novels, Reid published translations in the form of Poems from the Greek Anthology (1943) while his analysis of the work of W. B. Yeats (1915) is regarded as one of the best critical studies of the poet. A founder member of the Irish Academy of Letters, Reid was made honorary Doctor of Literature by Queen's University Belfast in 1933. For many decades his books disappeared from the literary canon, but this century has seen a renaissance of interest in his writing with at least 10 of his novels reissued in fresh editions since 2007. Several of his novels have been republished in the Faber Finds series which has also reprinted Sean O'Casey's Autobiographies. In Reid's autobiography, Apostate (1926), which he described as his 'chronicle of a prolonged personal adventure', he evokes locations around Belfast in the early 1880s. He recalls the subdued notes of a band playing in Ormeau Park, the sensory experience of a hot summer's day on the banks of the River Lagan, and a walk with his nurse through the Palm House Conservatory in Botanic Gardens which he called 'a tropical landscape'; all of this fed into his memories, expressing the dream visions of his rhythmic prose. A second autobiography, Private Road, was published in 1940 with an account of his Cambridge years, and of his meetings with the author, poet, and critic AE, the pseudonym of Geroge Russell. In that book he also scorned Henry James's 'strange moral timidity' in rejecting his earlier dedication. Reid penned essays on other writers including the playwright and novelist Seamus O'Kelly. Although he never attained huge commercial success, his work was well received. Irish authors, such as John McGahern, recognised the quality of his writing, admiring the way his prose captured specific scenes in his book Brian Westby (1934). In 1944 Reid's novel, Young Tom, was awarded the prestigious James Tait Black Memorial Prize for the best work of fiction in that year. Three years later, on January 4th, 1947, he died of peritonitis at Warrenpoint in Co Down. Today a plaque marks his last Belfast home while his memory survives in his old school where a Forrest Reid Memorial Prize for Creative Writing is awarded each year.

Leo Varadkar says politicians should not censor artists following Keir Starmer Kneecap remark
Leo Varadkar says politicians should not censor artists following Keir Starmer Kneecap remark

Irish Times

time6 hours ago

  • Irish Times

Leo Varadkar says politicians should not censor artists following Keir Starmer Kneecap remark

Former taoiseach Leo Varadkar has said politicians should not try to censor artists after British prime minister Keir Starmer described Kneecap's forthcoming performance at the Glastonbury festival as inappropriate. Kneecap member Liam Óg Ó hAnnaidh, whose stage name is Mo Chara, appeared in court on Wednesday charged, under UK anti-terrorism legislation, with showing support for a proscribed organisation. It was alleged he draped himself in a Hizbullah flag at a London gig last November and shouted 'up Hamas, up Hizbullah', referring to the Palestinian and Lebanese militant groups respectively. In an interview with The Sun, Mr Starmer said he did not think the Belfast rap trio should perform at Glastonbury. READ MORE 'I think we need to come down really clearly on this. This is about the threats that shouldn't be made, I won't say too much because there's a court case on, but I don't think that's appropriate,' he said. It comes after Conservative Party leader Kemi Badenoch said on X that she thought the BBC 'should not be showing' Kneecap's performance at the festival next week. Kneecap's official Instagram page shared a screenshot of the article containing Mr Starmer's comments, stating that 'arming a fu*king genocide' was what's 'not appropriate'. In a comment underneath the post, Mr Varadkar said he had thought the comment from Mr Starmer was a 'gag'. '[I] no longer hold office nor have any mandate so my views don't count for so much anymore. I get that. But I really thought this was some sort of gag. It's the role of artists to be avant guarde, inappropriate, challenging, disruptive - from James Joyce to Sex Pistols and Playboy,' he said. [ Fans rally behind Kneecap after London court appearance: 'If you're supporting Ireland, you're supporting Kneecap' Opens in new window ] 'Politicians really should not try to censor this. If an offence was committed, let the courts decide. In the meantime, the rule of law says the accused is innocent until proven guilty.' Mr Ó hAnnaidh was released on unconditional bail until his next hearing on August 20th. He and his bandmates – Naoise Ó Cairealláin, and JJ Ó Dochartaigh - arrived at the central London court to a scrum of hundreds of supporters who cheered as their vehicle pulled up outside it. The band were wearing 'Free Mo Chara' T-shirts as they arrived. Following the hearing, the rapper said: 'For anybody going to Glastonbury, you can see us there at 4pm on the Saturday. 'If you can't be there we'll be on the BBC, if anybody watches the BBC. We'll be at Wembley in September.' - Additional reporting Agencies

American TikTok having a cut off 'Irish noses'
American TikTok having a cut off 'Irish noses'

Extra.ie​

time12 hours ago

  • Extra.ie​

American TikTok having a cut off 'Irish noses'

Irish social media users are up in arms after a new trend has emerged online where Americans show off their Irish heritage. The trend sees TikTok users take to the app to show off their 'Irish nose.' Yep, you read that right. Obviously, there is no such thing as an 'Irish nose,' with those taking part in the trend facing some backlash. Irish social media users are up in arms after a new trend has emerged online where Americans show off their Irish heritage. Pic: Shutterstock One person shared a glimpse of her nose, revealing 'this is the nose of my mother, her sisters, my grandmother and many more hailed from Kilkenny.' A comment left under the post said: 'I saw this trend and I was like omg do I have an Irish nose bc [because] it's long and pointy, but then everyone under this has completely different noses. And the Irish say there's no such thing as an Irish nose.' The original poster admitted she was 'surprised at how negative some of the comments got.' @maniacmckee Growing up I wanted my sisters nose. It was cute and little and pointed with a little scoop along the bridge. She has our paternal grandmothers nose from the Swedish side of the family. But I'm so happy to have the nose of our mom, her sisters my maternal grandmother and many others that came from the Emerald Isle ☘️ #irishheritage #family ♬ original sound – meadhbhwalshmusic She explained: 'For me, this trend was about how lovely it is to see a certain facial feature be passed down the generations. Not that I am Irish but that I have ancestors from there starting with my maternal great grandmother and perhaps that's where this feature came from. 'Can't please everyone but I was coming from a good place.' @niamhoconnnor Irish nose???? 😭😭😭 ♬ original sound – meadhbhwalshmusic Content creator Niamh O'Connor was amongst those hitting out at the latest trend, writing: 'Dear America: There is no such thing as an Irish nose. You made it up. Love from Ireland.' Niamh's post received more than 40,000 likes from people in agreement with her with many taking to the comments venting their frustrations. One said: 'We only have big Irish heads.' Another added: 'Literally you cannot tell when someone is Irish apart from their accent.' A third added: 'It's the same with 'Irish hair' and 'Irish eyes,' they just love to put Irish onto anything.' Ironically, the song, Will Ye Go Lassie, that is accompanying the trend is more of a Scottish folk song, despite Cork musician Maedhbh Walsh singing her own version.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store