logo
‘KPop Demon Hunters' Review: Singing, Slinging and Slashing

‘KPop Demon Hunters' Review: Singing, Slinging and Slashing

Lest you roll your eyes and think of it as a four-quadrant-friendlier version of 'Abraham Lincoln: Vampire Hunter,' 'KPop Demon Hunters' immediately establishes its premise, getting any prospective scoffing out of the way.
For generations, a voice-over intro explains, girl groups have used their popular songs to secretly trap hordes of demons underground and keep the world safe. The latest group on their trail? Huntrix, a K-pop girl band that, in its fight against the sinister Gwi-ma (Lee Byung-hun) and his demons, is close to completing the Golden Honmoon, a protective barrier that will permanently keep evil forces at bay. But the girl group soon faces its toughest challenge yet: a demon boy band.
With that somewhat silly logline behind us, what we'll find in this Netflix animated film, directed by Maggie Kang and Chris Appelhans, is an original universe that is charming, funny and artfully punchy.
It's a Sony Pictures Animation film that shares a kind of lineage with the studio's recent hit 'Spider-Verse' franchise that is most apparent in the similar visual style. But otherwise what it borrows mostly is a more holistic and technical sense of the cinematic, a philosophy of approach that is rare in big-budget animation films. The action sequences are fluid and immersive, the art is frequently striking and the music (catchy, if formulaic earworms) is a properly wielded and dynamic storytelling tool.
And as for the cheesy girl group vs. boy band story, Kang and Appelhans have a sly sense of humor about it all, too; the movie is funniest when it pokes at pop culture that is highly manufactured, from K-pop to K-dramas to mass-produced singing competitions — the very things the film itself would never stoop to.
Rated PG. Running time: 1 hour 35 minutes. Watch on Netflix.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

How Texas' hands-off approach to autonomous vehicles gave Tesla an opening
How Texas' hands-off approach to autonomous vehicles gave Tesla an opening

The Verge

time42 minutes ago

  • The Verge

How Texas' hands-off approach to autonomous vehicles gave Tesla an opening

Fujifilm's new X Half camera is quirky, limited, and kind of fascinating. It ditches modern features like RAW, EVF and stabilization in favor of film-like charm, a small 1-inch sensor, built-in filters, and a digital 'film advance' lever. It's not for everyone — (mainly because of its price) but if you love capturing scrappy, spontaneous moments, this might be your new favorite camera. Here's what it's like to use.

‘People And Meat' Introduces Three Hard To Forget Characters
‘People And Meat' Introduces Three Hard To Forget Characters

Forbes

timean hour ago

  • Forbes

‘People And Meat' Introduces Three Hard To Forget Characters

In 'People and Meat' three seniors enjoy a meal they cannot pay for. The central characters in the 2025 Korean film People and Meat might fade into the background on a busy street in Seoul. Two of the characters are old men collecting discarded cardboard to sell. It's a wearying job that requires scouring the neighborhood for old boxes and their work barely earns them pocket change. The third of these characters is an old woman crouching by the vegetables she sells on the sidewalk. Passers-by might easily dismiss any of these characters. They are poor. They are old. They are nondescript. And yet these characters, the film's protagonists, deliver a touching and often funny meditation on life that makes them difficult to forget. They first get involved with each other when a fight breaks out between neighborhood newcomer Ui-sik (Jang Yong) and Hyun-jong (Park Keun-hyung), a longtime neighborhood resident. When they start fighting over cardboard Hwa-jin (Ye Su-jeong), the vegetable seller tries to shoo them away. She has no idea they will change her life. Ui-sik and Hyun-jong quickly make up. They share some tea and talk about the indignities of old age. They nostalgically reminisce about beef and radish soup and plan to make some together, roping in Hwa-jin because neither of them knows how. Then Ui-sik proposes a radical idea. Hyun-jong, played by Park Keun-hyung, collects cardboard to make ends meet. What they need is to nourish themselves with some delicious meat in a restaurant. He invites them to dine, but when it comes time to pay confesses he has no money and instructs them to dash out without paying. It's a bolder thing than Hwa-jin has ever done. She's been a law-abiding citizen all her life. However, that meat was delicious, satisfying their taste buds after many meals of cat food or worse. Dining and dashing gives them something to do, a chance to interact, and provides a touch of drama in their uneventful lonely lives. Although dining and dashing is not a victimless crime, it's hard to fault these seniors for wanting to have a decent meal. Unwise life choices, but also random accidents, have left them alone and in limited circumstances. A decent meal seems like a small thing to begrudge them. They see other seniors enjoying their golden years, dining out, and playing golf while they continue to work every day and still don't have enough to eat. The free meals they share are enjoyable, a chance to feel part of the wider world, so their small crime spree continues. There are many films—from Babette's Feast to Fried Green Tomatoes to Ratatouille that use food to propel the plot and in this film the stolen meals become a metaphor for the nourishment these characters derive from engaging with each other. The film also becomes a wistful poem about life and aging, one that observes the injustice of old age with humor and kindness. Defying the law is risky and there are consequences, but the film seems to say that there are also consequences to a life not lived, to not making the most of the rest of your life, whatever age you are. All three actors imbue their roles with a quiet dignity. Park has appeared in dramas such as Island and The Good Detective, while Jang had roles in the dramas Hold Me Tight and Avengers Social Club. Ye's prolific career includes roles in the films Project Silence and An Old Lady, and dramas such as ,The Worst of Evil, Jirisan, One The Woman and Mine. Yang Jong-hyun directed the film written by Lim Na-moo. People and Meat had its world premiere at the Tribeca Festival.

'KPop Demon Hunters' cast says animation makes them 'way cooler'
'KPop Demon Hunters' cast says animation makes them 'way cooler'

UPI

time3 hours ago

  • UPI

'KPop Demon Hunters' cast says animation makes them 'way cooler'

1 of 5 | Huntrix are secretly demon hunters in "KPop Demon Hunters," on Netflix Friday. Photo courtesy of Netflix LOS ANGELES, June 20 (UPI) -- The cast of KPop Demon Hunters, premiering Friday on Netflix, say the animated film added impressive attributes to their characters. Arden Cho, May Hong and Ji-young Yoo voice a trio of K-pop stars who battle demons with their music. Cho, Hong and Yoo provide the speaking voices for Rumi, Mira and Zoey. In a recent Zoom interview with UPI, the actors marveled at recording artists EJAE, Audrey Nuna and REI AMI performing the film's songs combined with the animators creating their dance and battle scenes. "It's such a pleasure to see the musical element of it and just what we built together come together," Hong said. "Then you're like whoa, I'm even cooler than I thought." Cho agreed she felt "way cooler." "I feel like that's the magic of animation," she added. "There's just so many talented artists working together to create something and you're just mind blown when it comes out." Director Chris Appelhans said he and co-director Maggie Kang discovered animated choreography had to be "a little dialed up beyond real life" to make an impact in animation. "It really took a lot of analysis to be like, let's make this snappy move even snappier, this straight line perfectly straight, this S curve really pushed," Appelhans said. "That took us down a route to really having to understand the girls as performers, what their strengths were, how they moved differently." The three women make up the girl group Huntrix. Their latest enemies disguise themselves as a boy band to challenge Huntrix on the music charts. Huntrix even writes a diss track called "Takedown," which seems out of character for them. Cho said the lyrics betray how tough Huntrix thinks they are. "I feel like it's so cute," Cho said. "We can want to take them down. How dare those boys be so cute and try to steal the souls of our fans? How dare they? So we'll take 'em down." With a demon boy band creating tension, it becomes harder and harder for Rumi to hide a secret she's been keeping her whole life: she is actually half demon. To Cho, this is a good metaphor for anything young people may think they have to hide. "I feel like we, in different chapters of our life, all experience something that we might be ashamed of or embarrassed about or confused about," Cho said. "I love that this movie is really about her being true to herself and not being scared of who she is and accepting all of Rumi." Mira is the most aggressive of the trio. Hong feels, however, that Mira channels her anger in constructive ways. "I think she needs it, actually," Hong said. "I think that the energy that she has and brings to the table is fierce, not just purely angry." Zoey often tries to hold Huntrix together as a people pleaser. "Was it obvious?" Yoo joked. "Yes, she is but we love her. She'll get over it eventually, hopefully." Each role was recorded separately, with directors Appelhans and Kang playing the other two demon hunters in the studio. Cho, Hong and Yoo knew each other prior to the film through the industry, and now have a group chat together. They also confirmed their K-pop fandom, with Yoo asserting she has been in the BTS Army since 2015. Huntrix sings English-language songs, but Kang was proud to incorporate a few Korean words in the lyrics. "Ultimately, our songs had to carry so much story that a lot of the lyrics were too important to not be understood," Kang said. "We didn't want to go the route of subtitling things for the songs. So a lot of it is in English but we did manage to sneak some Korean in there." Reflecting on Huntrix's songs in the film, Yoo acknowledged that they have more success with the more positive song "What It Sounds Like" following "Takedown." "Choosing kindness will always take you farther than choosing to make someone feel smaller for no reason," Yoo said. "So I think that's a great message, especially for young people to learn how to handle conflict."

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store