An undiminished Jimmy Barnes had fans on their feet for this classic
MUSIC
Jimmy Barnes ★★★
Palais Theatre, June 13
When I was a child, I got a Jimmy Barnes CD out of a packet of muesli bars. I didn't have a CD player, so I just had to imagine what it might sound like.
I already had enough Barnesy in my blood to have a good guess. His songs are part of the Australian collective unconscious. They play in our dreams. They give them away in muesli bar packets.
Barnes is now touring his 21st studio album, Defiant. A few hours before he took to the stage, it went to No. 1 in the album charts. It's his 15th No.1 album (19th if you count Cold Chisel). He plays virtually all of that record tonight. His gruff yarl is undiminished by age and recent heart surgery.
However, the new songs – gruff pub rock beasts about struggle and defiance – struggle themselves. The essence is all here, but the lyrics are a bit live-laugh-love ('It's a new day / I can feel the sun shining down on me').
It all buckles under the weight of a nine-piece band. Songs like The Long Road and Dig Deep are rote, mid-tempo, middle-of-the-road Barnesy. They could have come out any time since 1991. Album opener That's What You Do For Love gives it all a lift (possibly because it reminds me of Born To Run).
Taken all at once, it's a slog. The audience waits (mostly) patiently, as the new material is scattered with familiar stuff like Choirgirl and I'd Die To Be Alone With You Tonight.
It's when the opening piano of Flame Trees kicks in that everything changes. 'A real one,' my friend says. The crowd stand up en masse. People join in on the second line. By the chorus, it's a choir. 'But oh,' he sings, 'who needs that sentimental bullshit, anyway?' It's a beautiful song about the past escaping from us.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


7NEWS
30 minutes ago
- 7NEWS
‘Feeling a little bit weird': Aussie woman's gross find at the bottom of her Chinese takeaway
An Australian woman got more than she bargained for when she found an unsual item at the bottom of her Chinese takeaway. TikTokker Shraddha, or shraddyvibes, posted a video to the social media platform detailing the story of how she ended up getting $50 back from her meal from the bizarre find. After eating a portion of the meal, the Adelaide woman kept picking away at the stir fry until she noticed something was off. 'The container was feeling a little bit weird... at the bottom of the container was a working phone,' she explained. 'I pressed on the screen and it said the screen was (too hot), it was still working.' She had come away with a meal and a new phone from the takeaway, a bizarre find to say the least. After the gross realisation, she decided to get to the bottom of it and gave the restaurant a buzz. Loading TikTok Post 'I rang the place and said 'Hey I found a phone in my hotpot',' the woman said. 'Apparently the chef put the phone down in the takeaway container, and because it was black... it just blended in with the container. 'Then someone else had grabbed the container and put the hotpot on top.' The TikTokker drove back to the establishment and was greeted by apologetic staff — and a cheeky refund. 'I paid $35 for the hotpot originally and they gave me $50 back, and the chef was also like 'let me know when you're here next time and I'll give you free hotpot,' she said. Luckily she lived close by to the restaurant and didn't need to heat up the food, otherwise it could of ended in a disaster. Despite the mishap, the woman elected not to name and shame the restaurant saying, 'mistakes happen'. Viewers also found humour in the incident. 'Dinner with a side of phone ! 😂,' one person commented. 'This has to be an original experience 🤣💯,' another wrote.

The Age
2 hours ago
- The Age
Concert tickets are skyrocketing. Fans have come up with a worrying solution
When Bianca Wilmott wanted to surprise her boyfriend with two expensive tickets to Lady Gaga's upcoming Australian tour, she knew exactly how she was going to do it. The 32-year-old social media manager from Sydney's inner west turned to the buy now, pay later (BNPL) service Afterpay to cover the cost of her two $600 tickets. 'It's part of my budgeting, to be able to split the payment up … I wouldn't have [purchased tickets without Afterpay] because I wouldn't have wanted to make that big payment in one go,' says Wilmott, who was one of 11,500 people to purchase Lady Gaga tickets through the BNPL platform. Data provided by Afterpay showed that 1.5 million transactions were made in live entertainment in Australia over the 12 months to April 2025 amid a flurry of big international acts such as Katy Perry, Billie Eilish, Dua Lipa and Olivia Rodrigo, as well as our own Kylie Minogue. Later this year there's Gaga, Metallica, Kendrick Lamar, Bad Bunny, Oasis and Usher. And they are getting more expensive – last year, a Live Performance Australia report revealed that in 2023, the average concert ticket price jumped to $128.21, from $87.01 in 2022. And a report by Music Australia this year found that 'despite feeling less financially secure, young Australians are spending larger sums on entertainment and leisure in 2024 than they were in 2019' and are increasingly purchasing last-minute tickets that might 'break the bank'. Loading The report, titled Listening In: Insights on live music attendance, found that young people were driven by FOMO – fear of missing out – when it came to shelling out for international touring artists, often to the detriment of ticket sales for local talent. A fall in ticket sales for pub and club concerts, often featuring emerging artists, corresponded 'with a spate of big international acts touring Australia after the pandemic', the report says. While the report did not address how audiences bought tickets, it did find that 79 per cent of under 24s had saved money to purchase concert tickets, compared with 31 per cent of those over 40.

Sydney Morning Herald
2 hours ago
- Sydney Morning Herald
Concert tickets are skyrocketing. Fans have come up with a worrying solution
When Bianca Wilmott wanted to surprise her boyfriend with two expensive tickets to Lady Gaga's upcoming Australian tour, she knew exactly how she was going to do it. The 32-year-old social media manager from Sydney's inner west turned to the buy now, pay later (BNPL) service Afterpay to cover the cost of her two $600 tickets. 'It's part of my budgeting, to be able to split the payment up … I wouldn't have [purchased tickets without Afterpay] because I wouldn't have wanted to make that big payment in one go,' says Wilmott, who was one of 11,500 people to purchase Lady Gaga tickets through the BNPL platform. Data provided by Afterpay showed that 1.5 million transactions were made in live entertainment in Australia over the 12 months to April 2025 amid a flurry of big international acts such as Katy Perry, Billie Eilish, Dua Lipa and Olivia Rodrigo, as well as our own Kylie Minogue. Later this year there's Gaga, Metallica, Kendrick Lamar, Bad Bunny, Oasis and Usher. And they are getting more expensive – last year, a Live Performance Australia report revealed that in 2023, the average concert ticket price jumped to $128.21, from $87.01 in 2022. And a report by Music Australia this year found that 'despite feeling less financially secure, young Australians are spending larger sums on entertainment and leisure in 2024 than they were in 2019' and are increasingly purchasing last-minute tickets that might 'break the bank'. Loading The report, titled Listening In: Insights on live music attendance, found that young people were driven by FOMO – fear of missing out – when it came to shelling out for international touring artists, often to the detriment of ticket sales for local talent. A fall in ticket sales for pub and club concerts, often featuring emerging artists, corresponded 'with a spate of big international acts touring Australia after the pandemic', the report says. While the report did not address how audiences bought tickets, it did find that 79 per cent of under 24s had saved money to purchase concert tickets, compared with 31 per cent of those over 40.