logo
'Dandadan' Season 2: Everything We Know So Far - Release Date, Where to Watch, Story Arc Predictions & More!

'Dandadan' Season 2: Everything We Know So Far - Release Date, Where to Watch, Story Arc Predictions & More!

Kyodo News11-06-2025

By Haruka Ishibashi, Animate Times - 1 minutes ago - 17:42 | All
Following the success of its first season, which captivated audiences with its unique blend of the occult, intense battles, and high school romance, the 'Dandadan' anime is gearing up for its second installment.
Based on the beloved manga series from Shonen Jump+ by Yukinobu Tatsu follows the adventures of Momo, a high school girl who awakens to psychic powers, and her classmate Okarun, an occult enthusiast.
Here, we're diving deep into everything you need to know, release, story arcs, and what to look forward to.
'Dandadan' Season 2: Broadcast & Streaming Dates Revealed!
'Dandadan' Season 2 is scheduled to premiere in Japan on July 3, 2025 and airing every Thursday.
Crunchyroll and Netflix have confirmed that 'Dandadan' Season 2 will be available to stream for global viewers.
Catch Up on 'Dandadan' Season 1: Story Overview & Manga Adaptation Scope
The story begins when Momo, who believes in ghosts but not aliens, and Okarun, who believes in aliens but not ghosts, meet by chance and argue. To prove the existence of supernatural phenomena to each other, Momo decides to visit a UFO hotspot, while Okarun heads to a haunted location.
There, the two encounter an alien from planet Serpo and a yokai called Turbo Granny, who attack them. Okarun gains powers after being cursed by Turbo Granny, while Momo awakens her psychic abilities. They manage to escape the dangerous situation, but from then on, they frequently encounter and battle supernatural beings.
As they rescue their classmate Aira from the yokai called Acrobatic Silky and fend off alien attacks, Momo and Okarun gradually grow closer. One day, Jiji, Momo's childhood friend and first love, shows up at her house.
Jiji explains that his home is cursed, causing his parents to be hospitalized. Momo, Okarun, and Jiji investigate Jiji's house to lift the curse but find nothing. Momo then leaves alone for a nearby hot spring town.
Later, Okarun and Jiji discover a hidden room covered floor to ceiling with talismans. Meanwhile, at the public bath, Momo encounters a group of older men. These men turn out to be "crocodiles" - perverts who frequent mixed-gender hot springs to ogle women. As both parties face perilous situations, the first season comes to a close.
This covers up to the middle of chapter 34 in the original manga. Viewers are likely eager to find out how Momo escapes her predicament and uncover the truth behind the cursed house.
'Dandadan' Season 2: How Much of the Manga Will It Adapt?

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

'Apocalypse Hotel' Anime Adds Kenjiro Tsuda & Hina Kino as New Cast Members
'Apocalypse Hotel' Anime Adds Kenjiro Tsuda & Hina Kino as New Cast Members

Kyodo News

time2 days ago

  • Kyodo News

'Apocalypse Hotel' Anime Adds Kenjiro Tsuda & Hina Kino as New Cast Members

By TK Ogawa, Animate Times - 16 minutes ago - 18:57 | All The original TV anime "Apocalypse Hotel' recently has announced two exciting additions to its cast! Kenjiro Tsuda is voicing the role of an aggressive alien, while Hina Kino brings the character of Tamako to life. On the previous 10th episode, viewers were introduced to two new characters. The mysterious Agressive Alien, who oddly tries to conceal his stay at the hotel, and Tamako, the daughter of Ponko and Ponstin, made their debut appearances. Here we share the character information and comments from both newly cast voice actors. "Apocalypse Hotel' series has been airing since April 8 and is currently available to watch on Crunchyroll for global streaming. Kenjiro Tsuda and Hina Kino Join the Team! Agressive Alien (CV: Kenjiro Tsuda)

From bumper to bumper, 'F1' is Formula One spectacle
From bumper to bumper, 'F1' is Formula One spectacle

Japan Today

time3 days ago

  • Japan Today

From bumper to bumper, 'F1' is Formula One spectacle

review By JAKE COYLE The wide-screen spectacle of Formula One gets a gleaming, rip-roaring workout in Joseph Kosinski's 'F1,' a fine-tuned machine of a movie that, in its most riveting racing scenes, approaches a kind of high-speed splendor. Kosinski, who last endeavored to put moviegoers in the seat of a fighter jet in 'Top Gun: Maverick,' has moved to the open cockpits of Formula One with much the same affection, if not outright need, for speed. A lot of the same team is back. Jerry Bruckheimer produces. Ehren Kruger, a co-writer on 'Maverick,' takes sole credit here. Hans Zimmer, a co-composer previously, supplies the thumping score. And, again, our central figure is an older, high-flying cowboy plucked down in an ultramodern, gas-guzzling conveyance to teach a younger generation about old-school ingenuity and, maybe, the enduring appeal of denim. But whereas Tom Cruise is a particularly forward-moving action star, Brad Pitt, who stars as the driving-addicted Sonny Hayes in 'F1,' has always been a more arrestingly poised presence. Think of the way he so calmly and half-interestedly faces off with Bruce Lee in Quentin Tarantino's 'Once Upon a Time … in Hollywood.' In the opening scene of 'F1,' he's sleeping in a van with headphones on when someone rouses him. He splashes some water on his face and walks a few steps over to the Daytona oval, where he quickly enters his team's car, in the midst of a 24-hour race. Pitt goes from zero to 180 mph in a minute. Sonny, a long-ago phenom who crashed out of Formula One decades earlier and has since been racing any vehicle, even a taxi, he can get behind the wheel of, is approached by an old friend, Ruben Cervantes (Javier Bardem) about joining his flagging F1 team, APX. Sonny turns him down at first but, of course, he joins and 'F1' is off to the races. The title sequence, exquisitely timed to the syncopated rhythms of Zimmer's score, is a blistering introduction. The hotshot rookie driver Noah Pearce (Damson Idris) is just running a practice lap, but Kosinski, his camera adeptly moving in and out of the cockpit, uses the moment to plunge us into the high-tech world of Formula One, where every inch of the car is connected to digital sensors monitored by a watchful team. Here, that includes technical director Kate McKenna (Kerry Condon) and Kaspar Molinski (Kim Bodnia), the team's chief. Verisimilitude is of obvious importance to the filmmakers, who bathe this very Formula One-authorized film in all the sleek operations and globe-trotting spectacle of the sport. That Apple, which produced the film, would even go for such a high-priced summer movie about Formula One is a testament to the upswing in popularity of a sport once quite niche in America, and of the halo effects of both the Netflix series 'Formula 1: Drive to Survive' and the much-celebrated driver Lewis Hamilton, an executive producer on 'F1.' Whether 'F1' pleases diehards I'll leave to more ardent followers of the circuit. But what I can say definitively is that Claudio Miranda knows how to shoot it. The cinematographer, who has shot all of Kosinski's films as well as wonders like Ang Lee's 'Life of Pi,' brings Formula One to vivid, visceral life. When 'F1' heads to the big races, Miranda is always simultaneously capturing the zooming cars from the asphalt while backgrounding it with the sweeping spectacle of a course like the U.K.'s fabled Silverstone Circuit. OK, you might be thinking, so the racing is good; is there a story? There's what I'd call enough of one, though you might have to go to the photo finish to verify that. When Sonny shows up, and rapidly turns one practice vehicle into toast, it's clear that he's going to be an agent of chaos at APX, a low-ranking team that's in heavy debt and struggling to find a car that performs. This gives Pitt a fine opportunity to flash his charisma, playing Sonny as an obsessive who refuses any trophy and has no real interest in money, either. The flashier, media-ready Noah watches Sonny's arrival with skepticism, and two begin more as rivals than teammates. Idris is up to the mano-a-mano challenge, but he's limited by a role ultimately revolving around — and reducing to — a young Black man learning a lesson in work ethic. A relationship does develop, but 'F1' struggles to get its characters out of the starting blocks, keeping them closer to the cliches they start out as. The actor who, more than anyone, keeps the momentum going is Condon, playing an aerodynamics specialist whose connection with Pitt's Sonny is immediate. Just as she did in between another pair of headstrong men in 'The Banshees of Inisherin,' Condon is a rush of naturalism. If there's something preventing 'F1' from hitting full speed, it's its insistence on having its characters constantly voice Sonny's motivations. The same holds true on the race course, where broadcast commentary narrates virtually every moment of the drama. That may be a necessity for a sport where the crucial strategies of hot tires and pit-stop timing aren't quite household concepts. But the best car race movies — from 'Grand Prix' to 'Senna' to 'Ferrari' — know when to rely on nothing but the roar of an engine. 'F1' steers predictably to the finish line, cribbing here and there from sports dramas before it. (Tobias Menzies plays a board member with uncertain corporate goals.) When 'F1' does, finally, quiet down, for one blissful moment, the movie, almost literally, soars. It's not quite enough to forget all the high-octane macho dramatics before it, but it's enough to glimpse another road 'F1' might have taken. 'F1,' an Apple Studios productions released by Warner Bros., is rated PG-13 by the Motion Picture Association for strong language and action. Running time: 155 minutes. Three stars out of four. © Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.

Arnold Schwarzenegger and Carrie-Anne Moss make magic in 'Fubar' season 2
Arnold Schwarzenegger and Carrie-Anne Moss make magic in 'Fubar' season 2

Japan Today

time5 days ago

  • Japan Today

Arnold Schwarzenegger and Carrie-Anne Moss make magic in 'Fubar' season 2

FILE PHOTO: Cast members Arnold Schwarzenegger, Fabiana Udenio, Monica Barbaro, Barbara Eve Harris, Fortune Feimster, Aparna Brielle, Travis Van Winkle, Carrie-Anne Moss and Milan Carter attend a premiere for season 2 of the television series FUBAR in Los Angeles, California, U.S., June 11, 2025. REUTERS/Mario Anzuoni By Danielle Broadway Austrian and American actor Arnold Schwarzenegger had to admit that it took him a lot of practice to nail the tango scene with Canadian actor Carrie-Anne Moss for season 2 of the Netflix action-comedy series "Fubar." "We practiced. We practiced a lot, and she didn't need as much practice as I did, but I really practiced," the former California governor told Reuters. The "Terminator" actor recalled doing the first take for the dance scene and impressing everyone with how ready they were. "They just thought we were rehearsing, but they did not know that we were that prepared for the whole thing," Schwarzenegger said with a smile. "Fubar" season 2, created by Nick Santora and produced by Skydance Television and Blackjack Films, premiered on Netflix last Thursday. The story follows Luke Brunner, played by Schwarzenegger and his daughter Emma, played by Monica Barbaro, who are both CIA operatives. Their fellow CIA team members include Barry Putt, played by Milan Carter, Boro Polonia, played by Gabriel Luna, Roo Russell, played by Fortune Feimster and Aldon Reese, portrayed by Travis Van Winkle. In season 2, Brunner is back to working with his CIA team, but things take an unexpected turn when he encounters his ex-lover Greta Nelson, played by Carrie-Anne Moss. Greta is a former East German spy who ends up going up against Brunner in both the tango and a tussling battle. "Most of my scenes are with Arnold, so we developed this incredible friendship," Carrie-Anne said. Schwarzenegger humorously recalled the "Matrix" actor bringing what he dubbed as "secret oil" to the set and putting it behind his ears before shooting a scene. "Peppermint oil. I'm a big peppermint oil or just essential oil person," Carrie-Anne clarified. "It was like some magic power because as soon as she smeared the stuff behind my ears, I mean it was like 'pum!' and we were kind of out of the gate doing our scenes in the most perfect way," Schwarzenegger added. © Thomson Reuters 2025.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store