Casual Never Looked This Cool Until Tara Sutaria Showed Up In A Backless Dress
Last Updated:
Tara Sutaria was spotted outside a cafe looking gorgeous in her overall appearance.
Tara Sutaria, celebrated for both her acting prowess and standout fashion statements, has carved a niche for herself with films like Student of the Year 2, Marjaavaan and Ek Villain Returns. But it's not just her on-screen roles that grab attention; Tara's every public appearance turns into a fashion moment, and her recent outing in Mumbai was no exception.
In a video making the rounds on Instagram, the actress is seen stepping out of her car to enter a café on one of Mumbai's busy streets. Before heading in, Tara shared a warm exchange with a few familiar faces waiting outside. She greeted them with genuine smiles and hugs, creating a brief but heartwarming moment.
Despite the paparazzi's persistent calls for a photo, Tara kept it low-key and made her way straight into the café without posing, letting her effortlessly stylish look do all the talking.
View this post on Instagram
A post shared by F I L M Y G Y A N (@filmygyan)
Despite this, it was Tara's look for the night that revealed her firm foot in fashion. She was wearing a flowy white-hued satin gown that made her look every bit dreamy. The ensemble exuded class and poise, featuring a backless, halterneck style element and a deep plunging neckline. The voluminous fabric attached to the lower portion of her dress gave enough room for the actress to comfortably move during the hot and humid season.
The Student of the Year 2 diva teamed her ensemble with dewy makeup that included soft blushed cheeks, thin strokes of eyeliner and glossy lipstick. Additionally, it was her chic bob haircut that elevated her look a notch higher. Not only this, Tara also knows how to pick the right accessories to complement each of her appearances. She carried a metal sling purse, offering an edgy mark to her charm. Finally, a pair of classy sandals and dangling earrings added stars to her overall beauty.
The video garnered immense attention from her fans, who flooded the comment section with appreciative emojis. While one user called her 'sexy", another mentioned, 'Super," followed by a smiling emoji. Yet another person added, 'Indian Selena Gomez."
Meanwhile, a section of social media users even criticised her outfit, calling it a bed sheet or a sofa cover. A comment read, 'Now she will have to buy another WHITE SATiN sheet as the Bed is Missing ONE."
Coming to Tara's professional front, she will be next seen in a bilingual film titled Toxic: A Fairy Tale for Grown-Ups, which is scheduled for release in 2026.
First Published:
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
New Indian Express
29 minutes ago
- New Indian Express
Reimagining Carnatic presentation
Cleveland Thyagaraja Festival (CTF) has become the most sought after event even for the established Carnatic musicians outside of India. The festival has been tirelessly engaging the Indian community across the American continent for an annual coming together that celebrates Carnatic as a tradition. This year, visiting the Cleveland festival for the eighth consecutive year is a Chennai-based music institution, Sishyakulam that has reimagined Carnatic tradition's presentation format. Its managing director, the young and vibrant Shankar Santhanagopalan, tells me more about the new format. But first, here are a few broad strokes that will paint the cultural scene of the Indian diaspora in North America. As much as the community is tuned to pop culture and contemporary forms, they prioritise classical artforms over others for their richness and depth. The feasibility and availability for this goes to the pioneering efforts of a few good Samaritans, who sowed the cultural seeds as early as the 1970s. Today many centres of performing arts have mushroomed in various parts. The Indian diaspora's socio-cultural engagements here not only exemplifies how they are dedicated in strengthening their cultural roots, but also demonstrates how traditions are inclusive. Through that lens, they add to India's unity and diversity in a far more pronounced manner. What was missing in this scenario was a place where parents and students could meet, interact with peers from other regions more often without always having to wait for their India trip. This need was met when Sishyakulam proposed the EPIC Choir. 'When we studied the Indian classical music landscape in the United States, we observed that the Carnatic music community was widespread but fragmented. EPIC Choir was conceived to be a platform to bring students from across the country together to be part of something larger than their regional exposure to the artform,' Shankar shared. 'The choral ensemble format enabled us to introduce young learners to contemporary compositions rooted in Carnatic idioms. Since its debut at the CTF in 2015, it has delivered nearly 50 original compositions — each crafted to balance artistic depth with accessibility,' he further explained.
Mint
29 minutes ago
- Mint
Micro-drama startups are vying with Reels and Shorts for screen time
Manisha, a 37-year-old domestic worker, boards a local train every morning from Sion to Dadar in Mumbai—her short 10-minute ride serving as a sanctuary removed from the humdrum and chaos of the day. Like many urban Indians, her wait time is also her watch time. On her smartphone screen, between jostling elbows and station stops, she watches short-form videos—sometimes a quick reel, sometimes a bite-sized soap opera on YouTube. While Reels and Shorts dominate screen time during commutes and idle moments, the human pull towards compelling stories remains strong. 'These few minutes are mine, I don't have time for full shows," said Manisha. This behaviour—short bursts of downtime spent snacking content—is precisely what a new wave of Indian startups is trying to tap into. Micro-dramas, 2 to 3-minute serialized episodes packed with plot twists and emotional payoffs, are vying for eyeballs that would otherwise be doomscrolling through Instagram Reels or YouTube Shorts. 'We want to borrow time from Instagram Reels or YouTube Shorts," says Kushal Singhal, founder of Flick TV, which recently raised $2.3 million in a funding round led by Stellaris Venture Partners. 'Storytelling was missing in snackable time. Everyone was consuming reels and shorts, but they weren't remembering them." A Flick TV series packs 50–60 micro-episodes, each 2–3-minute long—designed to fit into commute windows, tea breaks, or lunch lulls. Inspired by China's 3-7-21 content formula—scene changes every 3 seconds, hook every 7, and emotion shifts every 21—these bite-sized sagas aim to turn passive scrolling into active engagement. Also read | Instagram's 'Blend' lets friends share Reels; influencers see audience surge While 70% of India's video consumption now happens on mobile, attention spans have plunged. 'We're adapting storytelling to fit the new attention window," says Singhal. 'The audience hasn't disappeared—they've just changed formats." Unlike traditional user-generated content (UGC), these platforms focus on Professionally Generated Content (PGC) across genres like love, crime, heartbreak, and fantasy. The audience is largely commuters, shopkeepers, and housewives—people with 'wait time," not 'spare time." Another entrant, Bullet, co-founded by Azim Lalani and backed by Zee Entertainment, is going even deeper beyond metros to tier-2 and tier-3 towns. Bullet is preparing to launch in seven regional languages across India. 'This is the same audience that used to watch 30-minute soap operas—now they want that in two minutes," says Lalani. Each Bullet story spans 60–100 minutes, with serialised episodes running between 60 and 120 seconds. Moreover, Lalani emphasised their focus on culturally-resonant content. 'We don't want to show a lot of things which are not acceptable as Indian culture," he said. Read this | Shorts and reels make Netflix to Amazon Prime sweat Gamified mechanics let users unlock episodes via daily check-ins, referrals, and earned tokens. 'It's not just content—it's entertainment layered with game design, affordability, and personalization," Lalani explains. Monetisation remains a challenge Despite the promise that short videos hold, monetization remains the single biggest challenge for micro-drama platforms. 'Advertising is constrained by India's low cost per mille (CPMs), and subscriptions rarely work for short-form content. Micro-payments may hold promise—but they remain unproven at scale," says Ashish Pherwani, partner, media and entertainment at EY India. Advertising revenues alone may not be enough to sustain high-quality micro-drama production, he added. Bullet and Flick TV both plan to experiment with micro-payment models—users can unlock episodes individually or opt into flexible subscription packs. Brand integrations and narrative-based product placements are also being explored as alternative revenue streams. 'There's a belief that good content is platform-agnostic," says Pherwani. 'But short-form alone doesn't guarantee stickiness. You need compelling stories, not just format." Also read | Long-format content consumption growing on YouTube in India as connected TV penetration deepens Newer entrants are building with a tech-first and data-backed approach. 'The real moat is on the supply side: content velocity and hit rate," says Mayank Jain, principal at Stellaris Venture Partners, adding that this category won't be built on branded talent or stars—it'll be built on compelling storylines and high-volume original content. Bullet is already building a Customer Data Platform (CDP) from day one to track viewer behaviour, content preferences, and monetisation trends. 'Once you have this data, it will lead to better personalization and pricing strategies," says Lalani. Format is the wrapper, story is the core According to Tracxn data and Mint research, short-form video platforms in India are surging in 2025. Reel Saga, founded in 2024, has more than 50,000 downloads and raised $2.1M from Picus Capital. Flick TV crossed 50,00,000 downloads, while Reelies has downloads in excess of 500,000, more than 3,000 monthly content hours from 450,000 users, and viral hits like Contract Marriage with 3.5 million views. Kuku TV, launched by Kuku FM in 2025, crossed 5 million beta downloads, offering 2-min vertical dramas powered by its 45,00,000 million paying audio user base. However, industry veterans caution against chasing format fads. 'Micro-dramas are not new—we're just calling them something else," says Pherwani. 'What matters is the story. A strong IP should be adaptable to any format—film, audio, series, or short," he added. And read | Content studios turn to YouTube to launch new originals despite surge in premium streaming platforms But even as platforms fight for seconds of screen time, the goal remains simple: deliver emotional payoff in the least amount of time possible. As Lalani puts it, 'It's not spare time—it's wait time. And that's now becoming entertainment time."
Deccan Herald
41 minutes ago
- Deccan Herald
South Africa marks International Day of Yoga with events at UNESCO sites
One local Indian and three expatriate performers joined choreographer Saswati Das to enthral participants there with Yoga Nrity, a fusion of yoga and music that combines the physical and spiritual aspects of both disciplines.
