logo
The View co-host Sunny Hostin shares chilling story about how she 'almost DIED' on set

The View co-host Sunny Hostin shares chilling story about how she 'almost DIED' on set

Daily Mail​7 hours ago

Sunny Hostin revealed she 'almost died' after suffering a medical emergency during an episode of The View this week.
The TV personality, 56 — who recently left her fellow co-hosts speechless over comments on the Iran–Israel conflict — opened up about the harrowing incident on the ABC talk show on Friday.
Hostin found herself in danger on Wednesday, when guest Debbie Matenopoulos made an appearance to promote her new cookbook titled Greek.ish, and also brought along a few meals for the hosts to taste.
At one point, Matenopoulos — who previously was a host on The View in the late '90s — described the items she brought, such as an orzo dish. However, Hostin soon found out that she was deathly allergic to one of the ingredients.
'She has this wonderful food, Greek food. And I have a terrible allergy to walnuts. And as I'm eating the food, Alyssa [Griffin] asks, "Are those walnuts in here?" And she says, "Yes."'
Sunny shared that she began 'to panic immediately' and penned a 'death note' to Griffin who was sitting directly next to her at the time.
While telling the story on Friday, Hostin then held up a blue card which had the words, 'I am allergic to walnuts,' scribbled on the back.
Sunny continued, 'And she responds with, "Oh no!" And I'm looking at [executive producer] Brian [Teta] and he's like, "Is everything okay?"'
The star had simply responded, 'No, it's not,' by silently shaking her head in his direction.
Hostin was able to make it to the end of the segment before receiving medical aid from doctors on the set.
'But what was great was our Disney nurses, man, they are like superheroes. They came in — nurse Jen came in — with an EpiPen. She was testing me. I had Benadryl. I was scared.'
Griffin chimed in to explain that she couldn't read the note that Sunny had quickly written down, but added, 'We're glad you made it through.'
The TV personality went on to explain that she hadn't had an allergic reaction to that extent in a decade.
Hostin has been a co-host on The View since 2016, and currently works alongside Alyssa Farah Griffin, Whoopi Goldberg, Joy Behar, Sara Haines and Ana Navarro.
Hostin said, 'She has this wonderful food, Greek food. And I have a terrible allergy to walnuts. And as I'm eating the food, Alyssa [Griffin] asks, "Are those walnuts in here?" And she says, "Yes"'
Despite her allergy to walnuts, Sunny has talked about some of her favorite snacks during an interview with Us Weekly last year.
'My co-hosts on The View make fun of me, but I eat Funyuns,' the star said, referencing to the onion-flavored chips.
'I think it's kind of a strange thing, but I eat Funyuns. It's not great for the breath, so I have mints.'
However, Hostin has a special twist when it comes to munching on the snack and will dip the chips in hot sauce.
'Ana Navarro's right next door and she just looks in at me and she's just like, "Are you eating that again?" I am,' Sunny humorously added.
And a few months earlier in March, Hostin got candid about her weight loss journey and discussed using Mounjaro - an injectable medication for adults with type 2 diabetes.
She had turned to the drug due to feeling 'shame' for gaining 40 pounds during the COVID-19 pandemic.
Sunny told DailyMail.com, 'All I did was eat... I love to cook, and I found out, I love to eat. And I was horrified about the fact that I would have to come out on air. So I also took Mounjaro.'
And a few months earlier in March, Hostin got candid about her weight loss journey and discussed using Mounjaro - an injectable medication for adults with type 2 diabetes; seen earlier this month in NYC
When she stopped taking Mounjaro, Hostin talked about the 'different experience' that she had.
'I feel really great. I don't know what everyone else's experience with it is, but I never gained any weight back.'
The media personality further added, 'So, that was kind of weird. Hopefully, nothing bad will happen to me.'
The mom-of-two added that her body feels the same following her time taking the medication.
'I was never a big eater, so I just sort of eat to live. I don't live to eat,' Sunny explained, and emphasize she also 'never stopped working out.'
The author - who took Mounjaro over the span of four months - added, 'Yeah, I'm just living life and feeling pretty good.'
When the talk show host was asked if she would go back on the medication, she replied with, 'If I needed to, sure. Why not?'
Back in 2024 during an episode of The View, Hostin first revealed that she had taken Mounjaro.
'During Covid I gained 40 pounds. All I did was eat. I love to cook and I found out I love to eat. And I was horrified by the fact that I would have to come out on air. So I took Mounjaro.'
She had also shared some of the negative reaction she received in regards to her weight loss.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘I find it sad and difficult to listen to the Smiths': Ana Matronic's honest playlist
‘I find it sad and difficult to listen to the Smiths': Ana Matronic's honest playlist

The Guardian

timean hour ago

  • The Guardian

‘I find it sad and difficult to listen to the Smiths': Ana Matronic's honest playlist

The first song I fell in love with I was obsessed as a child with the Muppets and Sesame Street. My grandmother made me a puppet of the Count to help practise my counting. I loved The Pinball Number Count with the Pointer Sisters counting up 1, 2, 3, 4, 5 / 6, 7, 8, 9, 10 / 11/ 12 which is prophetic because I still consider the Pointer Sisters one of my all-time favourite bands. The first record I bought I was playing Delirious by Prince for my mother in 1982, and she said: 'He sounds like Little Richard.' I said: 'Who is Little Richard?' and she said: 'Get in the car, young lady,' and we went and bought a Little Richard greatest hits set. It was the start of a long conversation about music with my mom. The song I do at karaoke Psycho Killer by Talking Heads, Should I Stay Or Should I Go by the Clash, or – in the right mood – Pulp's Common People. The song I inexplicably know every lyric to You're speaking to someone who used to be a drag queen and is involved still in nightlife on Fire Island. I explicably know the words to lots of songs, especially if they are well known in the LGBTQ+ community. I've never owned Believe by Cher, but I can sing every word. The best song to get the party started I play so many kinds of parties: house music, disco, 80s, alternative. The one song they all agree is that Pull Up to the Bumper by Grace Jones is an absolute party starter. The song I can no longer listen to I find it sad and difficult to listen to the Smiths, but I still listen by pure virtue of Johnny Marr's guitar brilliance. How Soon Is Now was on such constant rotation when my father passed away, I'm sure my mom hates it now. The song I secretly like I don't believe in guilty pleasures. I think all pleasures should be enjoyed. I absolutely love – and can murder on karaoke – [US heavy metal band] Danzig. You'll often find me, late at night, headbanging. The song that changed my life I already loved Duran Duran and was a bit of a new romantic. But when my older sister brought home The Head on the Door by the Cure and I heard Inbetween Days, I went straight to the record store to talk to the guy behind the counter about my next purchase. The song that gets me up in the morning Straight Shooter by the Mamas and the Papas. Sign up to Inside Saturday The only way to get a look behind the scenes of the Saturday magazine. Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion The best song to have sex to Side one of Led Zeppelin IV. Preferably in a van. The song that makes me cry My friend Amber Martin does an incredible show, where she recreates Bette Midler's Bathhouse performances from the 1970s and you have to check your clothes and wear a towel, so it's just like going to the Continental Baths in 1972. When she does I Shall Be Released by Bob Dylan, it always makes me cry. The song I'd like played at my funeral Lavender Coffin by Lionel Hampton. I could get a lavender coffin, that'd be great. I could just rent it. I don't have to be inside. Maybe the Count from Sesame Street could be inside, and come out and sing. That's what I want. Ana Matronic's Good Time Sallies podcast is out now.

LeBron James speaks out on when he will retire from the NBA
LeBron James speaks out on when he will retire from the NBA

Daily Mail​

time2 hours ago

  • Daily Mail​

LeBron James speaks out on when he will retire from the NBA

LeBron James admitted his days in the NBA are running out as the 40-year-old addressed possible retirement on Saturday. The Lakers legend appeared on stage alongside Tom Brady and Victor Wembanyama at Fanatics Fest in New York City. When asked how much longer he had in the league, James chuckled and pointed at Brady. 'He played until he was 58! 'I don't know, man... I can't play that much further.' LeBron then gestured to Wembanyama and suggested the 7ft 3ins Frenchman might push him into retirement. 'The more and more time I play as long as he keeps smacking my f***ing shots into the stands, it's going to make me retire,' he said. The NBA legend was egged on by former quarterback Brady, who shouted: 'You're still young!' Brady, who played in the NFL until he was 45, told James: 'You look so good out there!' WARNING - EXPLICIT CONTENT LeBron James says he won't play 'that much further' and jokes that Wemby might push him into retirement — Ryan Garcia (@RyanGarciaESM) June 21, 2025 The NBA legend will turn 41 in December and he is already teammates with his son, Bronny (L) LeBron's future has been the subject of renewed speculation since the Lakers were beaten in the first round of the playoffs by the Minnesota Timberwolves. James is a four-time NBA champion and the league's all-time leading points scorer. But he will turn 41 in December and is already teammates with his son, Bronny. The 40-year-old is under contract with the Lakers through the end of the 2026 season, when he would become an unrestricted free agent. Earlier this week, the NBA legend hinted he could move into acting after the end of his basketball career. James has previously hosted ' Saturday Night Live ' and was the star in the movie 'Space Jam: A New Legacy'. 'If the scripts start to roll in and there's an opportunity for me to do some acting and I have the time... I don't mind looking at it and seeing if I can make it happen,' James said to the Hollywood Reporter.

I'm no Ed Sheeran fan, but he's right: when it comes to musical plagiarism, guilt is in the ear of the listener
I'm no Ed Sheeran fan, but he's right: when it comes to musical plagiarism, guilt is in the ear of the listener

The Guardian

time2 hours ago

  • The Guardian

I'm no Ed Sheeran fan, but he's right: when it comes to musical plagiarism, guilt is in the ear of the listener

Leave Ed Sheeran alone. Four words I never expected to write, but we live in very strange times. Cards on the table: I'm no fan of his music, but that's neither here nor there when it comes to making sense of the recently concluded epic battle over alleged copyright infringement. To catch you up to speed: on 20 June 2014, Sheeran released his second studio album X, a worldwide chart-topper. On 24 September 2014, he released the third single from it, Thinking Out Loud, a standard love song about vowing eternal devotion, which was another worldwide chart-topper. In between, that July, BBC Radio 1Xtra announced its Power List of the most important figures in black and urban music, which, to much derision, placed the very white Sheeran at the top. This was nothing new: Sheeran had already received four nominations for a Mobo Award. And, at least according to the owners of Marvin Gaye's 1973 bedroom ballad Let's Get It On, Thinking Out Loud was indeed music of black origin. The family of Ed Townsend, Gaye's co-writer, launched a copyright infringement case in 2016, seeking $100m in damages. In 2023, a New York jury ruled in Sheeran's favour. However, a company called Structured Asset Sales, which owns a stake in Townsend's songwriting, launched a separate case in 2018. This week, that case, too, was rejected by the US supremecourt. This comes as a particular relief to Amy Wadge, Sheeran's co-writer. Wadge is a true Welsh success story (she grew up in Somerset but cut her teeth on the grassroots Cardiff scene), and deserved better than a decade-long shadow over her first major hit. There is the very vaguest similarity in the way Thinking Out Loud's syncopation drags its heels, the trick that gives Let's Get It On its sexiness. If anything, at the risk of precipitating another legal case, Thinking Out Loud reminds me more of Tracy Chapman's Baby Can I Hold You, and I'm not alone. (A YouTuber has created a mashup called Baby Can I Think Out Loud Tonight, and the two songs are also paired together on the SoundsJustLike website.) This was not the first time a Marvin Gaye song has sparked a copyright case. In 2015, the Gaye estate successfully won a case against Robin Thicke and Pharrell Williams regarding their hit, Blurred Lines, not on the basis of melody or lyrics but, controversially, a similarity to the vibe and feel of Gaye's 1977 single Got To Give It Up. Nor is it the only time Sheeran has been the target of such a claim. His 2017 mega-hit Shape of You was targeted, unsuccessfully, by grime artist Sami Switch in 2022. Anyone immersed in pop history can rattle off dozens of previous cases, fruitful or failed. Most famously of all, George Harrison paid out £587,000 due to his 1971 hit My Sweet Lord's strong resemblance to the Chiffons' He's So Fine. Sugar Hill Gang's epochal Rapper's Delight eventually gave a co-credit to Nile Rodgers and Bernard Edwards of Chic, whose Good Times bassline it interpolates. Radiohead ceded a small percentage of the royalties for Creep to the composers of the Hollies' Air That I Breathe. When Jonathan King launched a media campaign accusing Pet Shop Boys of plagiarising Cat Stevens' Wild World, even recording a cover of Stevens' song in a PSB style, Neil Tennant and Chris Lowe turned the tables by successfully suing King, donating the proceeds to charity. (And that's before we even touch upon the countless samples-based cases.) Whether or not a case has merit is a question for musicologists and lawyers to consider (and, in the case of Sheeran's Thinking Out Loud, they've answered it conclusively). But in the court of public opinion, guilt or innocence is in the ear of the listener. We all enjoy spotting examples. Searching through my own social media, there are countless times I've observed: 'You never see (Song A) and (Song B) in the same room.' But we don't always enjoy having them pointed out to us. I remember being annoyed when my dad told me the Jam's Start! made generous use of the bassline from the Beatles' Taxman. And it isn't as if the Beatles were innocent of such things (look up Bobby Parker). Ultimately, we are all hypocrites. How we react to alleged rip-offs depends on how fond we are of the alleged ripper-offer. If the Manics do it to Goldfrapp (Europa Geht Durch Mich), or Pulp to Laura Branigan (Disco 2000), or Suede to Judy Garland via Bowie (The Drowners), I might hail it as evidence of their taste, their cleverness and their adeptness at intertexual referentiality, or 'dialogic composition'. If Oasis do it to T Rex (Cigarettes and Alcohol), I cite it as proof of their oafish derivativeness. Sometimes, the originator takes a magnanimous view. In 2013, it was alleged that One Direction's Best Song Ever bore a close resemblance to the Who's Baba O'Riley. Pete Townshend quickly distanced himself from the furore. 'The chords I used and the chords they used,' he wrote in a statement, 'are the same three chords we've all been using in basic pop music since Buddy Holly, Eddie Cochran and Chuck Berry.' In 2021, Olivia Rodrigo was accused of lifting the riff of her single Brutal from Elvis Costello & the Attractions' 1978 classic Pump It Up. Costello was fine with the steal. 'It's how rock & roll works,' he tweeted. 'You take the broken pieces of another thrill and make a brand new toy. That's what I did.' In 2014, Sam Smith scored a major hit with Stay With Me, whose chorus was melodically similar to I Won't Back Down by Tom Petty. The latter and co-writer Jeff Lynne reached a 12.5% settlement with Smith and their team, and Petty bore no grudge. 'All my years of songwriting have shown me these things can happen,' he said. 'Most times, you catch it before it gets out the studio door, but in this case, it got by.' This feels like the most enlightened approach. That's how the chain of influence functions, from generation to generation. The caveat being that there's sometimes a power dynamic at play, and it's often black artists who get shafted (it still leaves a sour taste that Led Zeppelin only gave co-writing credits to bluesmen such as Willie Dixon decades too late). As the saying goes, where there's a hit there's a writ. 'I feel like claims like this are way too common now,' said Ed Sheeran after the Sami Switch case, adding: 'Coincidence is bound to happen if 60,000 songs are being released every day on Spotify. That's 22m songs a year, and there's only 12 notes that are available.' Referring to the Gaye case, he said: 'I am not and will never allow myself to be a piggy bank for anyone to shake.' Sheeran has a point. Claims of plagiarism too often stifle pop, and only result in lawyers getting richer. The message to plaintiffs, especially if they're faceless corporations, is simple: be less petty, and be more Petty. Simon Price is a music journalist and author

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store