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How they pulled off that wild ‘Mission: Impossible' plane stunt

How they pulled off that wild ‘Mission: Impossible' plane stunt

Of the many storied stunts that Tom Cruise has performed over eight Mission: Impossible movies – scaling the world's tallest building in Dubai, riding a motorcycle off a Norwegian cliff, retrieving a stolen ledger from an underwater centrifuge – it seems unlikely that one of the most shock-and-awe set pieces in the series' nearly 30-year history would involve two old-timey biplanes that look like they should have Snoopy at the controls.
And yet many viewers have emerged from the latest instalment of the franchise, Mission: Impossible – The Final Reckoning, astonished by that scene: a 12½-minute sequence in which Cruise, as indefatigable special agent Ethan Hunt, hitches a ride on the undercarriage of a small brightly coloured aircraft, overtakes the pilot, then leaps onto another plane midair to fight the film's grinning villain (Esai Morales) – all while being bashed and batted by the elements like a human windsock.

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Ben Harvey: A cuddly WA invention will work wonders for worried kids
Ben Harvey: A cuddly WA invention will work wonders for worried kids

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Ben Harvey: A cuddly WA invention will work wonders for worried kids

I never had a teddy bear as a child. Does that make me a survivor? I had a pretty impressive stuffed Snoopy but he was quite angular and not very soft, so ill-suited to snuggling. My brother Oliver had a stuffed monkey, which he imaginatively called Monkey. As was the style with toys and cartoons back in the day, monkey had a shirt but no pants. Our sister had several teddies, which Oliver and I considered (and still consider, if we're being honest) proof she was (and is) loved more than us. Georgina also had an array of Cabbage Patch dolls, which we took great delight in hanging from the ceiling fan in her bedroom. Can you imagine what would happen if a kid did that today? The Department of Child Protection would be onto the parents in a flash as part of a wide-ranging investigation into a hate crime. As you can see from the picture below, Monkey and Snoopy are still around. Snoop (that's his name, and yes I know that's only marginally more imaginative than Monkey) is still in mint condition because he lived at the foot of the bed. Monkey is a bit worse for wear because he spent most of his life wedged under Oliver's armpit. His neck was clearly a weak point because after a few years the stuffing started leaking, like a fluff-filled carotid artery had ruptured. We stitched him back together but then he looked like Frankenstein, hence the bandage. I don't know where the Cabbage Patch dolls ended up. They're probably stowed somewhere at Mum's house next to My Pretty Ponies, Alf dolls and other Hasbro relics from the 1980s. If someone had seen fit to give me a teddy in the 1970s when I was growing up (seriously, after re-reading that last sentence I really think I'm allowed to call myself a survivor*) then it would no doubt have been a pretty stock-standard bear-shaped, fabric-wrapped ball of stuffing. We had low expectations of a teddy bear back then so if it didn't poke my eye out like Snoopy's tail did then I would have been happy. Fast-forward a half a century or so and toy animals are very different beasts. They move, make noises and physically interact with their owners. Some are Bluetooth-enabled to ensure a constant life-like presence. They're furry companions that are almost like real animals. We had those kinds of things when I was young. We called them 'pets'. This could be repressed rage from my bear-deprived childhood speaking but I think teddy bears that try to be human are a complete waste of money which a parent could have used more wisely at Dan Murphy's. The bear in the picture is not a waste of money because it's not just a teddy; it's a cleverly disguised psychological tool. Louise Mansell invented Tedology (love that name!) after realising the humble teddy could be a delivery mechanism for mini psychology sessions when kids are a bit overwhelmed by life. In creating Tedology, Louise brought to bear (sorry) 15 years of experience as a clinical psychologist. The toy's functionality extends from the relatively simple (it's weighted differently, its crinkly ears make a pleasing sound when they are squeezed, and different-textured paws invite a child to soothe themselves by rubbing them) to advanced (each squeeze activates one of 10 guided audio activities designed to help a kid manage their feelings). The latest prototype (it's not on sale just yet) was unveiled in Perth on Friday at an event called Future by Design. Future by Design was created by one-time chief information officer for the WA Government, Marion Burchell, who wanted to 'empower individuals, communities, and organisations to actively shape the future through knowledge, innovation, and intentional collaboration'. I have no idea what any of that means but it sounds very exciting and I quite like the idea of designing the future instead of just passively waiting for it to happen. And if a fluffy, intelligent teddy bear is in that future alongside a garrotted monkey, a lynched Cabbage Patch Doll and uncomfortably rigid Snoopy, then all the better. *Plus I was ginger — surely that qualifies me for some kind of government compensation package?

Screen Queen TV Reviews: Pernille, Stranded On Honeymoon Island, The Bear, Squid Game S3 & The Gilded Age
Screen Queen TV Reviews: Pernille, Stranded On Honeymoon Island, The Bear, Squid Game S3 & The Gilded Age

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Has it ever been harder to be a middle-aged woman? Seriously — it's tough out there. We've got young children to raise, and elderly parents to care for. Add in a bit of perimenopausal rage and honestly — it's a s..t show. And I get it — had I been born a couple of hundred years earlier, there'd be every chance I'd not have made it this far. And had I survived to the ripe old age of 47, I'd be considered positively ancient, hurtling towards the grave. Or being dunked in a village pond, or burned at the stake — or all of the above. So yeah, I guess in relative terms, it's not so bad. But it certainly feels like hard graft as I navigate life in The Sandwich Generation; that group of us born in the mid-to-late 70s and early 80s, stuck raising kids and caring for ageing boomer parents. Maybe that's why I identified so much with this great under-the-radar series. Pernille, or Pørni, as it's known in its country of origin, is a Norwegian comedy/drama all about a woman my age going through it. It originally aired on SBS, but Netflix picked it up and commissioned two more series, and honestly, it's one of the best things I've seen this year. Actor turned writer/director Henriette Steenstrup stars as the eponymous Pørni (pronounced Pernille), a recently divorced social worker raising two teenage girls. She's dealing with the grief of her recently deceased sister while also caring for her sister's son and elderly father, who recently came out as gay. To say her life is a hot mess would be an understatement. And yet, she approaches it all with so much positivity and relatability and grace, that it's literally impossible not to fall in love with this superb series. While you can watch it dubbed in English, I urge you to check out the original-language version — there's something lovely about listening to the lilting Norwegian, a language I mostly associated with grizzly Scandi Noir dramas. This is beautiful, heartwarming television that shot right to my heart. Women of a certain age: you'll feel SEEN. I don't get why so many people had such beef with season three of The Bear. Sure, it didn't have the urgency of those brilliant first two seasons, but in my mind, it was an essential building block for a story reaching crescendo with season four. The clock is ticking — literally in the trailer, which shows a clock counting down the money the team has left before Uncle Jimmy (Oliver Platt) shuts their doors for good — and it's make or break for Carmy (Jeremy Allen White) and his crew. Seasons three and four were shot back-to-back, and this picks up immediately where we left things, with that review, and Sydney's (Ayo Edebiri) possible departure hanging over their heads. Can't wait to see where it takes us. Your next favourite guilty pleasure is here! This 'MAFS-meets-Survivor' dating series sees newlywed strangers dumped on a deserted island in nothing but their wedding attire — what a concept. This crackers show will have you hooked. Before she was having existential crises over pina coladas at The White Lotus, Carrie Coon was trussed up in a bodice and bustle in this historical series from Downton Abbey creator, Julian Fellowes. It returns this week for its anticipated third season. Consistently enjoyable. It's one of the biggest shows in the world, with an audience in the hundreds of millions. So get ready for literally everyone you know to be talking about the third series of this Korean classic, which wraps up for good. Get ready for one heck of a showdown between Gi-hun (Player 456, played by Lee Jung-jae) and Front Man (Lee Byung-hun) — can't wait.

Under-the-radar Netflix show ‘one of the best of the year'
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Has it ever been harder to be a middle-aged woman? Seriously — it's tough out there. We've got young children to raise, and elderly parents to care for. Add in a bit of perimenopausal rage and honestly — it's a s..t show. And I get it — had I been born a couple of hundred years earlier, there'd be every chance I'd not have made it this far. And had I survived to the ripe old age of 47, I'd be considered positively ancient, hurtling towards the grave. Or being dunked in a village pond, or burned at the stake — or all of the above. So yeah, I guess in relative terms, it's not so bad. But it certainly feels like hard graft as I navigate life in The Sandwich Generation; that group of us born in the mid-to-late 70s and early 80s, stuck raising kids and caring for ageing boomer parents. Maybe that's why I identified so much with this great under-the-radar series. Pernille, or Pørni, as it's known in its country of origin, is a Norwegian comedy/drama all about a woman my age going through it. It originally aired on SBS, but Netflix picked it up and commissioned two more series, and honestly, it's one of the best things I've seen this year. Actor turned writer/director Henriette Steenstrup stars as the eponymous Pørni (pronounced Pernille), a recently divorced social worker raising two teenage girls. She's dealing with the grief of her recently deceased sister while also caring for her sister's son and elderly father, who recently came out as gay. To say her life is a hot mess would be an understatement. And yet, she approaches it all with so much positivity and relatability and grace, that it's literally impossible not to fall in love with this superb series. While you can watch it dubbed in English, I urge you to check out the original-language version — there's something lovely about listening to the lilting Norwegian, a language I mostly associated with grizzly Scandi Noir dramas. This is beautiful, heartwarming television that shot right to my heart. Women of a certain age: you'll feel SEEN. The Bear Season four is coming to Disney Plus. Credit: Supplied I don't get why so many people had such beef with season three of The Bear. Sure, it didn't have the urgency of those brilliant first two seasons, but in my mind, it was an essential building block for a story reaching crescendo with season four. The clock is ticking — literally in the trailer, which shows a clock counting down the money the team has left before Uncle Jimmy (Oliver Platt) shuts their doors for good — and it's make or break for Carmy (Jeremy Allen White) and his crew. Seasons three and four were shot back-to-back, and this picks up immediately where we left things, with that review, and Sydney's (Ayo Edebiri) possible departure hanging over their heads. Can't wait to see where it takes us. Stranded on Honeymoon Island starts this Monday on Seven Credit: Supplied. Your next favourite guilty pleasure is here! This 'MAFS-meets-Survivor' dating series sees newlywed strangers dumped on a deserted island in nothing but their wedding attire — what a concept. This crackers show will have you hooked. Carrie, that you? The Gilded Age returns to Paramount Plus. Credit: Supplied Before she was having existential crises over pina coladas at The White Lotus, Carrie Coon was trussed up in a bodice and bustle in this historical series from Downton Abbey creator, Julian Fellowes. It returns this week for its anticipated third season. Consistently enjoyable. The third and final season of Squid Game is headed to Netflix. And you KNOW it's not going to be smooth sailing for Player 456. Credit: No Ju-han/Netflix It's one of the biggest shows in the world, with an audience in the hundreds of millions. So get ready for literally everyone you know to be talking about the third series of this Korean classic, which wraps up for good. Get ready for one heck of a showdown between Gi-hun (Player 456, played by Lee Jung-jae) and Front Man (Lee Byung-hun) — can't wait.

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