logo
Nashville's Own Jake Howell Gets a James Beard Award for Best Chef: Southeast

Nashville's Own Jake Howell Gets a James Beard Award for Best Chef: Southeast

Eater4 days ago

Jake Howell has received the prestigious James Beard Award in the category of Best Chef: Southeast.
The chef from Nashville's acclaimed Iberian restaurant Peninsula was the city's only finalist for the awards, sometimes nicknamed the 'Oscars' of the food world. Winners were announced at a ceremony yesterday evening in Chicago.
Howell faced stiff competition in the category, which also included Noam Bilitzer of Louisville's MeeshMeesh Mediterranean, Sarah Bradley of Freight House in Paducah, KY, Asheville's Silver Iocovozzi of Neng's Jr.'s, and Robbioe Robinson of City Limits Barbecue in West Columbia, S.C.
It was a big night for the industry, where the awards recognized excellence across the country, including New York's Jungsik Yim of Jungsik as Outstanding Chef across the nation, and Boulder, Colo.'s Frasca Food and Wine for Outstanding Restaurant.
A full list of winners is available here. See More: Nashville Restaurant News

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

The Oscars Finally Fell in Love With Tom Cruise. It's About Time
The Oscars Finally Fell in Love With Tom Cruise. It's About Time

Yahoo

time10 hours ago

  • Yahoo

The Oscars Finally Fell in Love With Tom Cruise. It's About Time

Congratulations are clearly in order. After decades of being overlooked, underestimated and sometimes just flat-out ignored, a Hollywood mainstay is finally getting some richly deserved recognition. Bravo! No, not to Tom Cruise for that honorary Oscar — to the Academy for making sure the world's last remaining movie star will turn up for its next broadcast. More from The Hollywood Reporter Film Academy Taps Tom Cruise, Debbie Allen and Wynn Thomas for Honorary Oscars, Dolly Parton for Hersholt Award Box Office: 'How to Train Your Dragon' Roars to Record $84M U.S. Opening, $198M Globally Natalie Portman-Produced French Animated Film 'Arco' Wins Annecy Let's face it, at this point the Oscars need Cruise more than Cruise needs an Oscar, particularly an honorary one, which frequently go to stars of more mature vintage (Mel Brooks got one last year, at 97). In recent times, the show's numbers — to say nothing of its cultural relevance — have been on the same spiraling trajectory as that biplane Cruise dangled from in the latest Mission: Impossible movie. Viewership has fallen some 66 percent since the Oscars' peak in 1998 (Titanic year), with only about 20 million tuning in these days, about the same audience that turns out for a run-of-the-mill midseason NFL game. Meanwhile, Cruise, at 62, continues to draw arena-size crowds to his tentpoles. The most recent Mission: Impossible – the Final Reckoning, grossed $500 million worldwide last month, while Dead Reckoning Part 1 grossed $550 million in 2023. And then there's 2022's Top Gun: Maverick, the film that proved the pandemic hadn't entirely crushed the theatrical business. It grossed a stratospheric $1.5 billion, Cruise's personal best. The dramatic flip here is almost as jaw-dropping as one of Ethan Hunt's mask-pulling reveals. For decades, the Academy seemed to keep Cruise at a vaguely disdainful distance, dismissing him as more of an action figure than a serious ack-TOOR. Sure, they'd occasionally toss him a polite nomination — in 1989 for Born on the Fourth of July, in 1996 for Jerry Maguire and in 1999 for Magnolia — but they never invited him up to the podium to collect a statuette. He'd always remain stuck in the audience with the other losers, gamely flashing that famous 500-watt smile for the reaction shot. Honestly, the honorary Oscar announced this week feels like too little, too late. Because over the years, when he wasn't climbing Burj Khalifa or jumping motorcycles off cliffs, Cruise has turned in some truly nuanced, brave and definitely Oscar-worthy performances. And we're not just talking about the roles the Academy deigned to nominate — at least one of which, by the way, probably should have won (how Michael Caine's largely unremarkable performance in Cider House Rules beat Cruise's unforgettable turn as the toxically masculine 'respect the cock' motivational speaker in Paul Thomas Anderson's underrated 1998 drama Magnolia is a mystery for the ages). There were also Cruise's unnominated but award-worthy performances in Rain Man (opposite Dustin Hoffman), in Interview With a Vampire (opposite Brad Pitt) and in the late Stanley Kubrick's final film, Eyes Wide Shut (opposite some actress named Nicole Kidman). A reasonable argument could even be made that Cruise's fat-suited, Diet Coke-swilling, profanity-spouting studio exec in Tropic Thunder — the scene-stealing Les Grossman — was a performance worthy of some sort of award (at least the Golden Globes gave it a nom). As for why it's taken the Oscars so long to pay Cruise his due, one can only speculate. Perhaps it's all that gleaming charisma — he's always been too smooth, too slick, too commercial for the Academy's insular voters. Maybe it was Cruise's unabashed embrace of movie stardom over methody self-flagellation. Or maybe the Academy just couldn't bring itself to hand a gold statue to someone who once made a movie called Cocktail. Whatever the reason, the Oscars can no longer afford the luxury of snobbery. Because at this point, Cruise doesn't need an Oscar to cement his legacy. But the Oscars might just need him to save theirs. Best of The Hollywood Reporter Hollywood's Most Notable Deaths of 2025 Harvey Weinstein's "Jane Doe 1" Victim Reveals Identity: "I'm Tired of Hiding" 'Awards Chatter' Podcast: 'Sopranos' Creator David Chase Finally Reveals What Happened to Tony (Exclusive)

Danny Boyle admits he couldn't make 'Slumdog Millionaire' today because of cultural appropriation concerns
Danny Boyle admits he couldn't make 'Slumdog Millionaire' today because of cultural appropriation concerns

Yahoo

timea day ago

  • Yahoo

Danny Boyle admits he couldn't make 'Slumdog Millionaire' today because of cultural appropriation concerns

English director Danny Boyle said that he would not direct "Slumdog Millionaire" if it was made today due to "cultural appropriation" and would rather have a "young Indian filmmaker" make it instead. "We wouldn't be able to make that now. And that's how it should be. It's time to reflect on all that. We have to look at the cultural baggage we carry and the mark that we've left on the world... At the time it felt radical," Boyle told The Guardian. 'Snow White' Becomes Disney's Worst-performing Live-action Remake In Nearly 10 Years Set in India, the movie tells the story of Jamal, a young "slumdog" who's been selected to appear on the country's version of "Who Wants to Be a Millionaire?", and hopes to also find his childhood lost love, Latika. Throughout his appearance, events from his tumultuous life are shown in flashback and help him answer the questions. Released in 2008, "Slumdog Millionaire" was a hit with audiences and critics, grossing nearly $380 million on a $15 million budget and winning eight Oscars, including Best Picture and Director for Boyle. Denzel Washington Shuts Down Reports He Bailed On Cannes Film Festival After Red Carpet Incident Read On The Fox News App However, despite its success, the movie was controversial for appearing to exploit Indian culture and portray stereotypes of India from a western perspective. Some Indian critics enjoyed the movie, but some Indian artists were underwhelmed, claiming it was "saturated with stereotyped images of India," TIME magazine reported. Boyle added that while the film was in production over 15 years ago, he was sensitive to the exploitative implications of making the movie as a foreigner then. "We made the decision that only a handful of us would go to Mumbai. We'd work with a big Indian crew and try to make a film within the culture. But you're still an outsider. It's still a flawed method. That kind of cultural appropriation might be sanctioned at certain times," Boyle told The Guardian. He went on to say, "But at other times it cannot be. I mean, I'm proud of the film, but you wouldn't even contemplate doing something like that today. It wouldn't even get financed. Even if I was involved, I'd be looking for a young Indian filmmaker to shoot it." Boyle's other notable movies include "Trainspotting," "Steve Jobs," "127 Hours" and the "28 Days Later" horror series. The latest, "28 Years Later", was released on Friday. Boyle nor his representatives immediately responded to Fox News Digital's request for comment. Click Here To Read More On Fox NewsOriginal article source: Danny Boyle admits he couldn't make 'Slumdog Millionaire' today because of cultural appropriation concerns

Danny Boyle admits he couldn't make 'Slumdog Millionaire' today because of cultural appropriation concerns
Danny Boyle admits he couldn't make 'Slumdog Millionaire' today because of cultural appropriation concerns

Fox News

timea day ago

  • Fox News

Danny Boyle admits he couldn't make 'Slumdog Millionaire' today because of cultural appropriation concerns

English director Danny Boyle said that he would not direct "Slumdog Millionaire" if it was made today due to "cultural appropriation" and would rather have a "young Indian filmmaker" make it instead. "We wouldn't be able to make that now. And that's how it should be. It's time to reflect on all that. We have to look at the cultural baggage we carry and the mark that we've left on the world... At the time it felt radical," Boyle told The Guardian. Set in India, the movie tells the story of Jamal, a young "slumdog" who's been selected to appear on the country's version of "Who Wants to Be a Millionaire?", and hopes to also find his childhood lost love, Latika. Throughout his appearance, events from his tumultuous life are shown in flashback and help him answer the questions. Released in 2008, "Slumdog Millionaire" was a hit with audiences and critics, grossing nearly $380 million on a $15 million budget and winning eight Oscars, including Best Picture and Director for Boyle. However, despite its success, the movie was controversial for appearing to exploit Indian culture and portray stereotypes of India from a western perspective. Some Indian critics enjoyed the movie, but some Indian artists were underwhelmed, claiming it was "saturated with stereotyped images of India," TIME magazine reported. Boyle added that while the film was in production over 15 years ago, he was sensitive to the exploitative implications of making the movie as a foreigner then. "We made the decision that only a handful of us would go to Mumbai. We'd work with a big Indian crew and try to make a film within the culture. But you're still an outsider. It's still a flawed method. That kind of cultural appropriation might be sanctioned at certain times," Boyle told The Guardian. He went on to say, "But at other times it cannot be. I mean, I'm proud of the film, but you wouldn't even contemplate doing something like that today. It wouldn't even get financed. Even if I was involved, I'd be looking for a young Indian filmmaker to shoot it." Boyle's other notable movies include "Trainspotting," "Steve Jobs," "127 Hours" and the "28 Days Later" horror series. The latest, "28 Years Later", was released on Friday. Boyle nor his representatives immediately responded to Fox News Digital's request for comment.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store