logo
Palestinian author Yasmin Zaher wins Dylan Thomas prize with ‘audacious' novel The Coin

Palestinian author Yasmin Zaher wins Dylan Thomas prize with ‘audacious' novel The Coin

The Guardian15-05-2025

A novel about a Palestinian woman who participates in a pyramid scheme reselling Birkin bags has won this year's Swansea University Dylan Thomas prize.
Palestinian journalist Yasmin Zaher took home the £20,000 prize – awarded to writers aged 39 or under in honour of the Welsh poet Dylan Thomas, who died at that age – for her debut novel The Coin. She was announced as the winner at a ceremony in Swansea, Thomas's birthplace.
The Coin, chosen in a unanimous decision by judges, 'is a borderless novel, tackling trauma and grief with bold and poetic moments of quirkiness and humour', said writer and judging chair Namita Gokhale. 'It fizzes with electric energy', with Zaher bringing 'complexity and intensity to the page through her elegantly concise writing'.
Born in 1991 in Jerusalem, Zaher studied biomedical engineering at Yale University and creative writing at the New School, where she was advised by the novelist Katie Kitamura.
Kitamura described The Coin as a 'brilliant, audacious, powerhouse of a novel. A story of obsession and appetite, politics and class, it is deliciously unruly. An exceptional debut by an outrageous new talent.'
The novel follows a wealthy Palestinian woman as she tries to set down roots in New York, teaching in a school for underprivileged boys. However, she begins to feel stifled in the US, and develops an obsession with cleanliness and purity.
In an interview last July, Zaher said that she had 'very mixed feelings' about her novel coming out at this time. 'Publishing a novel is a dream come true for me, but the joy is muted by grief. Deep inside, I also know that current events are driving some of the interest in the book, and I feel very uncomfortable with that, because I never considered myself as speaking in the name of my people.
'But I tell myself that identity is not pure, that life is messy, and, maybe most importantly, that literature is at its best when it resists the boxes.'
Rapture's Road by Seán Hewitt (Cape)
Glorious Exploits by Ferdia Lennon (Fig Tree)
The Safekeep by Yael van der Wouden (Viking)
I Will Crash by Rebecca Watson (Faber)
Moderate to Poor, Occasionally Good by Eley Williams (4th Estate)
The Coin by Yasmin Zaher (Footnote)
Other writers shortlisted for this year's prize were Rapture's Road by Seán Hewitt, Glorious Exploits by Ferdia Lennon, The Safekeep by Yael van der Wouden, I Will Crash by Rebecca Watson and Moderate to Poor, Occasionally Good by Eley Williams.
Sign up to Bookmarks
Discover new books and learn more about your favourite authors with our expert reviews, interviews and news stories. Literary delights delivered direct to you
after newsletter promotion
Alongside Gokhale on the judging panel were the writer Jan Carson, poet Mary Jean Chan, critic Max Liu and academic Daniel Williams.
Previous winners of the prize, launched in 2006, include Max Porter, Bryan Washington and Patricia Lockwood. Last year, Caleb Azumah Nelson won the award for his novel Small Worlds.
'Zaher is an extraordinary winner to mark 20 years of this vital prize,' said Gokhale.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Naomi Watts and daughter Kai Schreiber pose up a storm at Armani Beauty event after model teen came out as transgender
Naomi Watts and daughter Kai Schreiber pose up a storm at Armani Beauty event after model teen came out as transgender

Daily Mail​

timean hour ago

  • Daily Mail​

Naomi Watts and daughter Kai Schreiber pose up a storm at Armani Beauty event after model teen came out as transgender

Naomi Watts and her daughter Kai Schreiber posed up a storm as they attended a Armani Beauty celebrating Luminous Silk Foundation and Concealer. The King Kong actress, 56, and her model daughter, 16, who she shares with actor Liev Schreiber, were among the stars at Wednesday's event, held at Twenty Three Grand in New York City. Naomi looked effortlessly chic as she donned a navy sparkly smock dress, featuring a boat neckline and draping fabric with stilettos. She was joined by her daughter Kai, who had her modelling debut at Paris Fashion Week for Valentino earlier this year. For the occasion, Kai wore a black high-neck sweater covered in multicoloured polka dots with a matching skirt. Naomi was seen helping her daughter with her make-up in sweet snaps from the event. Kai, who is transgender, recently spoke in-depth about how she had struggled 'with gender identity from a young age' and 'always wanted to grow up and be a beautiful, glamorous, influential woman, like Marilyn ' Monroe. She told Interview Magazine she has studied how people in the transgender community navigated stormy waters in the past. The daughter of the Ray Donovan star, 57, and two-time Oscar nominee, 56, named figures she found inspirational 'as a young trans girl' navigating life through turbulent times for the community. 'I'm always going to look up to the older generation of transgender people, especially in fashion,' Kai told the magazine. 'People like Alex Consani, Hunter Schafer, Hari Nef, Dara, Richie Shazam, Colin Jones, and so many more,' Kai said. 'It's so great that there's a strong community of us in the fashion world; it's really a doll takeover.' The nepo baby said that she had a breakthrough earlier this year when working for the fashion house Valentino. 'That job made me realise, 'OK, this is what I want to do,' Kai said. ' I want to be a supermodel. Period.' Kai opened up to the publication about what she's been doing in terms of honing her craft as a regular presence on the catwalk. Naomi looked effortlessly chic as she donned a navy sparkly smock dress, featuring a boat neckline and draping fabric with stilettos 'I've been practising my walks in the kitchen for years; my mom can show you all the videos I forced her to film,' Kai said. Kai also opened up about her fashion preferences in the wide-ranging chat with the publication - joking she's 'basic, but in a chic way.' Kai said of her couture choices: ' I love my low-rise jeans and black cardigan. That's my go-to outfit. I love when people have their own personal style. 'If you're presenting yourself in a unique, cool way, people are immediately drawn in and want to know more. If every person was walking around in the same outfit, fashion wouldn't be a thing.' Kai said that 'the world [is] more fun' with fashion in the mix. She took to Instagram to thank those involved with the feature as she said: 'I can't put into words how excited & grateful I am for this project. Thank you to the Interview team for the opportunity, and thank you Dara & everyone for making it such a fun and comfortable experience for me on set.' Naomi said on her Instagram that Kai was 'continuing to kill it' and that she was 'proud' of her. Kai has received public support from both of her famed folks, as Liev told Variety last month about what he felt was the most impactful moment as the parent of a trans child. 'Kai was always who Kai is,' The Manchurian Candidate actor said. 'But I suppose the most profound moment was her asking us to change her pronouns. 'To be honest with you, it didn't feel like that big of a deal to me only because Kai had been so feminine for so long.' The Perfect Couple star continued: 'Kai is such a fighter. It's important that she goes, "Hey, I am trans," and, "Look at me."'

My cultural awakening: I watched Sleepless in Seattle and realised I had to cancel my wedding
My cultural awakening: I watched Sleepless in Seattle and realised I had to cancel my wedding

The Guardian

timean hour ago

  • The Guardian

My cultural awakening: I watched Sleepless in Seattle and realised I had to cancel my wedding

When my boyfriend proposed, I said yes – not because I was madly in love with him, but because it seemed like the correct thing to do. We'd been together for eight years and all of our friends were getting engaged; my life felt like a constant cycle of hen nights. I knew something was wrong but I suppressed it. Sometimes I'd get these flashes of anxiety. I'd worry about the fact that I no longer felt excited when my boyfriend walked into a room, or that we didn't have sex any more – but I was 28, which at that point felt ancient to me, and I was frightened of being alone. I told myself I was experiencing nothing more than a classic case of pre-wedding jitters. I threw myself into buying the big white dress and designing the invitations. I planned to stash a bottle of gin in the church, so I could have a shot to calm my nerves before I walked down the aisle. About three months before the wedding, I was home alone one evening and decided to watch Sleepless in Seattle. It was my father's favourite film – he loved the classic jazz soundtrack and Nora Ephron's dialogue. It had been on in the background a lot during my childhood and teenage years, so I was expecting it to be a comfort watch; something to almost lull me to sleep. I'd remembered the film as being about a man (Tom Hanks) and his cute son grieving the death of his wife. But that night I interpreted the film completely differently. I was sucked into the perspective of Meg Ryan's character, Annie, who is engaged to a perfectly decent but slightly boring man – and deciding whether or not to call it off. I'd always seen Sleepless in Seattle as being about bereavement, but that night on my sofa, it felt like a film about one woman's decision whether to get married, and play it safe, or give it all up and take a leap. There's a scene towards the beginning where Annie is trying on a wedding dress at her family home. Her mother is talking about the 'magic' she felt when she first laid eyes on her own husband, and Annie's face just goes completely blank. You can tell she doesn't feel anything close to 'magic' with Walter, her fiance. Watching that scene, I felt the familiar squirm of panic, but I squashed it down. I did love my boyfriend, in a way. We trusted each other and were good friends and he cared for me. I told myself: I'm not going to be the person who has the magic, and I'm OK with that. I'm going to be the person who has a sensible, kind husband, and children, and a life that is beautifully mapped out. But as the film went on I began to feel this overwhelming sadness. My wedding venue was booked, the deposit was paid – but watching Annie agonise over whether or not to leave Walter, I began to realise that the way I was feeling about my own wedding couldn't be ignored. Right at the end, Annie tells Walter about her doubts, and he has a line that illuminated everything for me: 'I don't want to be someone that anyone settles for. Marriage is hard enough without bringing such low expectations into it, isn't it?' I realised, listening to that, how selfish I was being. My boyfriend was good and generous. He didn't deserve to be 'settled' for. He didn't deserve to have a wife who had to get drunk to force herself down the aisle. That night when he came home, I said I wanted to postpone the wedding. I wasn't brave enough to outright ask to call it off, but he told me that if I didn't want to marry him now, he didn't want to be with me. I like to think perhaps he was having doubts too, but wasn't able to voice them – I hope that's true. I emailed all of our guests and told them that the wedding was cancelled, and people were generally supportive. I remember being so grateful that I didn't have to 'face' anyone. I could call the whole thing off while hiding behind a screen. I told my father that Sleepless in Seattle had inspired me to make the decision, but I kept that part a secret from everyone else in my life. He understood, but I suspected other people would think I'd gone mad. I spent about 11 years being single after the breakup, so I definitely had to face my fear of being alone. Often it was hard, feeling like a spare part at my friends' parties, but as I got older, being 'coupled up' and safe lost some of its allure. I saw the cracks in the marriages around me, and I realised coupledom doesn't actually insulate you from loneliness. I am married now, but I don't completely buy into the idea that there has to be 'magic' in a romantic partnership. I don't believe in the Disneyland, mind-altering, life-completing version of romance – that part of Sleepless in Seattle just doesn't ring true to me. But I still believe you should never settle for anyone. Sign up to Inside Saturday The only way to get a look behind the scenes of the Saturday magazine. Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion You can tell us how a cultural moment has prompted you to make a major life change by filling in the form below or emailing us on Please include as much detail as possible Please note, the maximum file size is 5.7 MB. Your contact details are helpful so we can contact you for more information. They will only be seen by the Guardian. Your contact details are helpful so we can contact you for more information. They will only be seen by the Guardian. If you include other people's names please ask them first.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store