
Gene Hackman in ‘Hoosiers': On Camera, ‘He Really Went to Town'
Gene Hackman portrayed a long list of acclaimed characters in his career: Buck Barrow, Little Bill Daggett, Popeye Doyle. But one of his most beloved roles was that of Coach Norman Dale in 'Hoosiers,' a 1986 film that is often cited as one of the greatest sports movies ever made.
In the film, set in the 1950s, Hackman's character arrives at tiny Hickory High in Indiana. Ups and downs, and eventual sporting triumph, await. The story is inspired by the real success of Milan High, a small school that won an Indiana state title in 1954.
While Hackman, who was found dead on Wednesday in New Mexico, didn't win either of his two Academy Awards for the film, his character's presence and quotability make him one of the actor's most memorable creations.
After Hackman's death, we spoke to cast members from the film about working with him to make an enduring underdog story.
'Leave the ball, will you George?'
'My first day on the set was the 'Leave the ball, George' scene,' said Chelcie Ross, who played George, the movie's antagonist. In the scene, George starts coaching the team without permission, only to be ordered out of the gym by Coach Dale, who says: 'First of all, let's be real friendly here. My name is Norm. Secondly, your coaching days are over.'
'As a young actor walking in to do a scene with Gene Hackman, it was a little intimidating,' Ross said in a phone interview. 'I was very nervous, and we did the one and only rehearsal.
'He didn't like to rehearse a lot. He didn't like to rehearse at all. Wanted to just do it.'
Ross fondly remembered asking Hackman for tips and being told: 'No, you've got this. Do what you're doing.'
The scene established George as a bit of a jerk (he eventually tries to have Hackman fired). Ross said he was told that after his audition the decision makers said, 'That's the jackass we're looking for.'
'Have fun Coach, trying to win with five.'
Early on, Coach Dale has problems fielding a full team, especially after Buddy, played by Brad Long, quits. 'In the script, it called for me to be kind of surprised,' Long said in a phone interview. 'Gene took me aside and said, 'Brad, I think you might be more angry.' And so I played that scene kind of angry.
'I walked out, and I smacked the door on my way out. That was improvised, and he told me that was a really good choice. We make our own choices, but he would give tips and advice, and I always cherish that.'
'I don't want to be a Terhune Tiger.'
That's a line you won't remember unless you watched the deleted scenes on the DVD version of the movie, one of which shows Buddy rejoining the team after deciding not to play for a different school.
'I share about a five-minute dialogue with Coach Dale, where I get my second chance, where I see the error of my ways,' Long said. 'It's just he and I; it's a kind of a tender moment, and it doesn't make it to the screen!'
Long said that while the director and writer of the film felt it was a crucial scene, the producers thought that he looked too much like another character, Jimmy, and that audiences would be confused.
'That is a scene that will stick with me,' Long said, 'because I remember concentrating on the scene, and then somebody grabbed me from behind. It was Gene, who said, 'That was great.' And I never forget that came from Gene Hackman.'
'I love you guys.'
Hackman's whispered words to his team are one of the movie's emotional high points.
'I was behind a locker, standing back there, just listening,' said Ross, who was not in the scene. 'He didn't make an emotional thing out of it; he did not emote at any point. But just the power of the sincerity of it struck me.'
'You're in my Army. Every day between 3 and 5.'
Hackman was an actor who knew what he wanted on set, much like the no-nonsense coach he played.
'He refused to do scenes that he knew instinctively were not going to be in the film, that were extraneous and were a waste of his time,' Ross said, 'and he absolutely would refuse to do them.
'I think he had an aversion to authority figures and would get his back up and be real stubborn about some things.'
Long said: 'He played Lex Luthor in 'Superman.' He played Popeye Doyle in 'The French Connection.' He could have come in and been a real prima donna. Gene did not do that. He came in and said, 'Hey, I want to learn; I've never played a high school coach before.'
'And so we proceeded to get him to some high school practices. And he learned their body language, he learned their verbiage. I thought, Man what a pro. There's an old dog that is willing to learn some new tricks.'
Long added: 'Gene was kind of quiet. It's when he got in front of the camera when he really went to town. I don't think he ever did the same scene exactly the same. I noticed that whenever we would do two or three takes, his choices were different every time.'
'In my book, we're going to be winners.'
That line, which Coach Dale delivers to his players before the big game, exemplified the collegiality that other actors said Hackman showed on set.
'I think initially we were somewhat intimidated, maybe even scared,' Long said. 'But I would tell you that from the moment that we met him, just all that fear melted. He made us feel so at ease.'
Ross said: 'He stopped to talk to people and sign autographs, and when we got in the car, he said, 'You always want to remember that, ultimately, dinner is on them. They're paying your paycheck.'
'He had a great sense of humor. You think of some of the later films that he did, 'Heartbreakers,' 'The Royal Tenenbaums.' You really in those films got to see how funny he was.'
'Hoosiers' is a movie that people continue to watch almost 40 years later, sometimes for the third, 10th or 30th time.
'Any time you have an 'underdog makes good,' that is a recipe for success,' Ross said. 'Because that makes people feel good about themselves, and think that they might be able to overcome something. So I think that's always going to play well.'

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Cosmopolitan
2 hours ago
- Cosmopolitan
The Gilded Age: Carrie Coon and Morgan Spector Talk Season 3
The Gilded Age is back, baby!! Not only in the economic climate of our country, but on our TV screens. After two long years, we finally get to head back to New York with Bertha, George and the whole crew. While last season's main drama was the battle for top opera house, this season seems to be squarely focused on Gladys's marriage, with the premiere episode giving us a little bait-and-switch. We are reintroduced to Gladys's love interest Billy only to be reminded that Bertha still has bigger plans for her daughter, namely the Duke of Buckingham. Will Bertha pull it off and get the match she wants? Will forcing Gladys into marriage ruin Bertha's relationship with George? Does Billy Carlton stand a chance? Cosmopolitan hopped on Zoom with Carrie Coon, who plays Bertha, and Morgan Spector, who plays George, to talk through the season premiere. CC: And what's interesting is I don't think they realize how far apart they actually are. Bertha certainly doesn't realize how far apart they are. MS: I think that's right. The minute that George understands why the Duke came to the ball, he starts to feel like Bertha has nefarious intentions with regard to Gladys. When they first start to have these discussions, they assume they're going to be able to resolve it, and it quickly turns out that that's not going to be the case. CC: Our values are not really aligned in this moment, even though Bertha is very confident things will work out. CC: She believes that she is actually supplying her daughter with happiness in the long term. She doesn't believe that this puppy love is going to last, and the young man doesn't really rise to the occasion. He caves, and she doesn't feel he has the character that will sustain Gladys in a fulfilling life, in a life that gives her a sense of purpose. And what she wants is for her daughter to have power and influence in the in all facets of the world. And unfortunately, the way she does that is through marriage. It will also elevate the family status, which in her mind, is something she's doing for George to help his business interests. So Bertha's feeling very selfless in her pursuits. She's feeling like everything she's doing is for the good of her family, and she feels profoundly misunderstood. MS: Isn't it just? CC: He's lovely. Bertha really likes him. They had a charming first dinner. We remember this. It was delightful to see them together. MS: They did. It was very charming. MS: Absolutely not. And George doesn't think so either. And I think that's also part of why George's advocacy for Gladys kind of falls flat, because the only real ace that he has in up his sleeve is Billy, and Billy utterly fails. MS: George is outmatched in Bertha's sphere of influence. I don't think he truly understands the stakes for a woman at this time, what Bertha is trying to accomplish with Gladys's marriage. He's coming from the privileged position of, well, I had a love match, and that worked out for me. I want that for my daughter. And that's as far as he's thought about it. He has believed, erroneously it turns out, that he's going to be able to just put his foot down and Bertha will retreat. And when she doesn't, when she marshals all of these arguments about how much this marriage could mean for Gladys, George really doesn't have a sufficient reply. George has misjudged his adversary in this. CC: And to be fair, you're very distracted. The railroad across the country is is very high stakes gamble you're taking and gambling our entire livelihood, which he's not being entirely honest about. MS: No, it's true. George is also caught up in his own massive commercial drama. CC: She figures he'll figure it out. She says that she's comfortable going back to scrubbing her own floors, but that's not true. There's much more Parker Posey in White Lotus in her than she lets on. MS: There is an interesting contrast, because in the first season, George risks it all on another occasion, and Bertha says, bring it on. I'll gamble with you anytime. And I think it's clear in this third season, that's not the case. She has too much now. She's too high up the ladder in New York society to let it go. CC: That's the crux of the biscuit for her this year. She's not really taking them into consideration. The fact that her son starts slipping away from her is pretty startling. She's had a fairly easy time dealing with Larry, and the fact that he starts to take a stand against her in a very real way is surprising. It shouldn't be, but because she's so myopic about her goal, it is. MS: They're both turned on by power, and they're both engaged in this never-ending quest for more and that. And they also have quite separate lives. They have a lot of autonomy in terms of how they express their ambition. That charge is something that they can rely on. They're both pursuing power, they're both turned on by power, and they're getting more and more of it all the time. CC: Yes. There's a lot of vitality required for that kind of pursuit. CC: Yeah, that's it. It's respect. MS: It's camaraderie. CC: If you don't respect your partner the relationship will not last. It will fall apart, I promise you. Morgan and I both have very egalitarian and respectful marriages. And it's fun to play a healthy marriage. There's a lot of material. Oftentimes marriages are in trouble in drama land, in TV show land. And actually the healthy marriage is just as interesting and just as complicated. MS: Marriage is often presented in drama as a trap that constrains your individuality. It's a thing that stops you from expressing yourself, and it's a thing that keeps you from being free. In my life, I certainly find the opposite. I find that there's tremendous freedom in being in that kind of relationship. That's part of what's in these characters, as well as being each other's biggest supporter, they're both each other's biggest advocate. They're both trying to make sure that the other person is fulfilled. And in that kind of relationship, there can be tremendous freedom. So although George does have that great line about marriage not being the place to look for freedom, that's not necessarily reflective of their relationship.


New York Post
11 hours ago
- New York Post
Johnny Depp makes rare comments about raising his kids Lily-Rose and Jack with ex Vanessa Paradis
Johnny Depp is proud to be a family man. The 'Pirates of the Caribbean' actor, 62, looked back on raising his two kids, Lily-Rose, 26, and Jack, 22, with ex Vanessa Paradis in France in a new interview with The Sunday Times. 'This is a portrait of my daughter, Lily-Rose,' Depp, 62, told the interviewer about the painting hanging behind him. Advertisement 11 Johnny Depp and Vanessa Paradis at the 2009 Academy Awards. AP 11 Throwback photos of Lily-Rose Depp and Jack Depp. Lily Rose Depp/ Instagram 'I never finished it,' the actor continued. 'She was ten then, and 25 now.' Advertisement He went on, 'Years get away from us, don't they? I'm of the empty-nest syndrome.' 11 Lily-Rose Depp, Johnny Depp, Amber Heard at the Stella McCartney 2016 Fall Presentation party. David X Prutting/BFA/Shutterstock Depp and Paradis, 52, welcomed Lily-Rose in 1999 and Jack in 2002. Lily-Rose is an actress best known for her roles in 'The Idol' and 'Nosferatu,' while Jack lives his life out of the spotlight as a bartender in Paris. The former couple, who dated from 1998 to 2012, raised their kids in an estate near St. Tropez before they later moved to Los Angeles. Advertisement 11 Lily-Rose Depp attends 'The Idol' photocall at the 2023 Cannes Film Festival. FilmMagic 11 Lily-Rose Depp attends a 2025 NBA playoffs game in Los Angeles. NBAE via Getty Images When asked what he misses about having his children around, Depp replied: 'Oh man, my kids growing up in the south of France in their youth?' 'I was Papa,' he recalled. 'I cannot tell you how much I loved being Papa. Then, suddenly, Papa was out the window. I was Dad. But Papa was awesome and I'm getting old enough for Papa to possibly come back. Some motherf—er's going to have to call me Papa!' Advertisement 11 Johnny Depp with Vanessa Paradis at the 2006 Golden Globe Awards. Getty Images Depp also explained that he barely spends time in the US anymore and mostly splits his time between the UK and the Bahamas. 'Truly, the first time I felt I had a home was the place in the south of France where Vanessa and I raised the kiddies,' he told the outlet. 'That's the only place that ever felt like home.' 11 Johnny Depp and Vanessa Paradis at the 'Sleepy Hollow' premiere in 1999. Getty Images Elsewhere in the interview, Depp made rare comments about his relationship with his ex-wife Amber Heard, three years after their televised defamation trial that culminated with the jury siding with Depp on June 1, 2022. 'So, what were my initial dealings with what we call love? Clearly obtuse,' he said to The Sunday Times. 11 Johnny Depp and Amber Heard at 'The Rum Diary' premiere in London in 2011. UK Press via Getty Images 'And what that means is, if you're a sucker like I am, sometimes you look in a person's eye and see some sadness, some lonely thing and you feel you can help that person,' the 'Sweeney Todd' star continued. Advertisement 'But no good deed goes unpunished, because there are those who, when you try to love and help them, will start to give you an understanding of what that malaise, that perturbance was in their eyes. It manifests itself in other ways,' Depp added. 'And the interesting thing is that it is merely a sliver of my life I have chosen to explore.' Depp and Heard, 39, split in 2016 after less than two years of marriage. 11 Johnny Depp in court during his defamation trial against Amber Heard. AFP via Getty Images 11 Amber Heard after losing her case against Johnny Depp. Getty Images Advertisement The 'Alice in Wonderland' actor sued Heard over her 2018 Washington Post op-ed that didn't name him but indirectly accused him of domestic abuse. The jury ultimately awarded Depp $10.35 million in damages, while Heard won $2 million in her countersuit. The 'Aquaman' star filed to appeal the verdict in the case, but she later withdrew and then settled. She agreed to pay Depp $1 million. 11 Amber Heard and Johnny Depp attend The Art of Elysium 2016 HEAVEN Gala presented by Vivienne Westwood. Getty Images for Art of Elysium Speaking about the accusations and the trial with The Sunday Times, Depp said: 'Look, it had gone far enough. I knew I'd have to semi-eviscerate myself. Everyone was saying, 'It'll go away!' But I can't trust that. What will go away? The fiction pawned around the f—ing globe? No, it won't.' Advertisement 'If I don't try to represent the truth it will be like I've actually committed the acts I am accused of, and my kids will have to live with it,' he continued. Depp added, 'So the night before the trial in Virginia I didn't feel nervous. If you don't have to memorize lines, if you're just speaking the truth? Roll the dice.'
Yahoo
a day ago
- Yahoo
Steven Spielberg says he thought Jaws would be the ‘last movie I would ever be given to direct'
Steven Spielberg may be one of the most recognisable directors today, but he thought his career was over 50 years ago. At 78 years old, Spielberg has made iconic films such as Schindler's List (1993), Close Encounters of the Third Kind (1977), E.T. the Extra-Terrestrial, and The Post (2017). Among other prizes, he has won three Academy Awards, including two accolades for Best Director for Saving Private Ryan (1998) and Schindler's List as well as the Irving G Thalberg Memorial Award in 1987. In a new interview, as per The Hollywood Reporter, the filmmaker reflected on one of his earliest hits, Jaws, telling audiences that he thought it 'would be the last movie I would ever be given to direct'. Released in 1975, the shark thriller became a classic, but the disaster-plagued production left a mark on its maker. 'In most circumstances, summer in the Vineyard is a dream,' he said in reference to Martha's Vineyard, Massachusetts where Jaws was filmed. 'But when you are over budget and over schedule and when I am over my head, that summer of 1974 was a bad dream before it ever became the dream of a lifetime.' Spielberg made the comments as part of a video message to an audience in Martha's Vineyard attending a National Geographic world premiere for Jaws @ 50: The Definitive Inside Story on Friday (20 June). He had been a 27-year-old director at the time and chose to shoot in Martha's Vineyard because he wanted his mechanised shark to swim in real waters. Speaking about Jaws @ 50, he continued: 'It details how young and unprepared all of us were for the challenges of shooting in the Atlantic Ocean with a mechanical shark that was more temperamental than any movie star I have ever worked with since, and how in the wake of running over schedule and budget, I truly believed that Jaws would be the last movie I would ever be given to direct.' The film budget ultimately tripled to $9m, with the schedule stretching from the originally planned 55 days to 159. Jaws proved so troublesome to produce that Spielberg said he had a 'full-blown panic attack' after the film wrapped. 'I couldn't breathe, I thought I was having a heart attack. I couldn't get a full breath of air,' he said. 'I kept going to the bathroom and splashing water on my face. I was shaking. I was out of it – completely out of it' Spielberg said it was thanks to cinema-goers that he was able to work again, recalling how theatrical audiences threw him a 'life preserver' in 1975. 'Fifty years after its initial release, making Jaws remains a seminal experience for every single one of us, and five decades has done nothing to dim the memories of what remains one of the most overwhelming, exciting, terrifying and rewarding experiences of my entire career,' the director concluded. Jaws went on to earn over $475m at the box office, becoming the first true summer blockbuster. It won three Academy Awards and has gone down in cinema history, but the experience left Spielberg with 'consistent nightmares' for years. Directed by Laurent Bouzereau, Jaws @ 50 will air on National Geographic on 10 July before it is later released on streaming services Disney+ and Hulu.