logo
Experience other-worldly sci-fi reality as TeamLab museum opens in Abu Dhabi on April 18

Experience other-worldly sci-fi reality as TeamLab museum opens in Abu Dhabi on April 18

Al Etihad17-04-2025

18 Apr 2025 00:13
KHALED AL KHAWALDEH (ABU DHABI) Growing up in Abu Dhabi as a child, Takashi Kudo would sit in the dunes of the Arabian desert. Scooping sand and pouring it slowly out of his hands, Takashi remembers how he marvelled at the gentle refraction of light through the grains of sediment. Years later, as an employee of TeamLab — a Japanese art collective known for their mind-bending installations around the world — Takashi shared this childhood story with an Emirati man, who sat next to him at a cultural summit in Abu Dhabi. That moment, he recalled, inspired his light-bending work as an artist. That man turned out to be Mohamed Khalifa Al Mubarak, now Chairman of the Department of Culture and Tourism of Abu Dhabi, and that conversation had set in motion a series of events that culminated in the opening of a first-of-its-kind permanent installation on the shores of the Arabian Gulf. 'He was sitting right next to me, and he's a cool-looking dude, you know, so we started talking. He told me, 'I work at TeamLab; it's good to be back home',' Mubarak recalled during a media briefing ahead of the much-anticipated TeamLab's Phenomena opening in Abu Dhabi on Friday. 'I was confused, what do you mean 'when you're back home'? I thought you were from Japan. He then told me that he had lived in Abu Dhabi and his father had worked in an oil company here. He said much of his creative mindset had been inspired by his very early visits to the deserts in Al Dhafra.' Following the conversation, Mubarak ended up flying to Tokyo, where he met TeamLab's founder Toshiyuki Inoko, and toured the famed Japanese exhibitions. Blown away by the almost hallucinogenic experience, Mubarak and the team at DCT approached TeamLab to bring the concept to Abu Dhabi. 'I told them that here in Abu Dhabi we don't like to do things easy. The easy thing is to just move the exhibition here, temporarily or permanently,' he said. 'But that's an easy way out. So, we sat down with them and said let's do something different. Let's create something together from scratch. Let's do something where your ideas aren't basically held down because of space.' 'Their eyes sort opened up with excitement, and then we started working with them to create something that could ignite curiosity — and from there, it evolved and evolved and evolved, and we came to Phenomena.'
Inside the Museum with Dozens of Rooms Nearly a decade in the making, the TeamLab's Phenomena exhibition is set to open to the public on April 18, joining a growing list of cultural institutions on Saadiyat Island, which is quickly becoming a cultural hub in the Middle East. The art museum has dozens of rooms, each containing expertly crafted installations that use light, water, space and even taste to transfer guests to an other-worldly, sci-fi reality. For Inoko, the space is all about creating a place that mimics, abstracts and explores nature in a way that is both awe-inspiring as well as provoking. He said the different exhibitions were all designed with interactive elements to instil a sense in the visitor that they were part of the artwork, rather than just passing through it.
'This concept is something that we call environmental phenomena. So, the environment produces various phenomena, and then those phenomena are the artworks themselves,' Inoko told Aletihad . 'We were interested in a different way of making from that of how people have created things so far, and transcending the conventional notions that people have towards objects. Whether that be by having ambiguous boundaries or this idea that even if people enter an artwork and break it apart, it repairs itself.'
What's In Store for Visitors The rooms include a Blade Runner-esque black hole, known as 'the void'; a semi-submerged cloud room; and an interactive light garden where children can scan their drawings and watch them dart across the room moments later. Every space draws on elements from the natural world; using projectors, handcrafted sculptures and technology to create a space that is somehow simultaneously terrestrial but earthly. 'The artworks are all related. They're interconnected. So, they move into various rooms, they overlap, they intersect, they influence each other,' Inoko said.
'Truly, everything is connected and continuously changing. So, the space has a relation with yourself, but also other people in the space.'

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Spooky Pictures and Image Nation Abu Dhabi unveil new horror film by Emirati director
Spooky Pictures and Image Nation Abu Dhabi unveil new horror film by Emirati director

Al Etihad

time11 hours ago

  • Al Etihad

Spooky Pictures and Image Nation Abu Dhabi unveil new horror film by Emirati director

22 June 2025 22:41 Abu Dhabi (ALETIHAD)Spooky Pictures and Image Nation Abu Dhabi, the Academy Award-winning film and entertainment studio, have announced the release their next psychological horror-thriller "HOBA", a new feature film by critically acclaimed Emirati filmmaker Majid Al the first Arabic-language Emirati film under the Spooky Pictures and Image Nation slate, HOBA marks a significant step forward for regional genre storytelling. The film is set for release in the UAE on October ("The Vile" in English) tells the story of a devoted wife and mother whose life begins to unravel when her husband returns home with a second wife and an unseen darkness infiltrates her Ross, CEO of Image Nation, said: "HOBA is a bold and compelling film that demonstrates the power of local storytelling on a global stage. We're proud to work with Majid Al Ansari once again and to bring forward a genre film that challenges, disturbs and deeply moves."Steven Schneider, co-founder of Spooky Pictures added: "HOBA is exactly the kind of film we love to champion at Spooky Pictures - intimate, unnerving and emotionally rich. Majid Al Ansari has crafted a story that's both deeply rooted in its cultural context and universally haunting. We're excited to be part of a project that pushes the boundaries of psychological horror while introducing audiences to a powerful up-and-coming voice in genre filmmaking."Starring Emirati actress Bdoor Mohammed ("Blood Wedding", "25 Fils") in the lead role as the first wife, Amani, the film also features Saudi artist and filmmaker Sarah Taibah ("Jameel Jeddan", "Night Courier") as the enigmatic second wife, talent Iman Doghoz ("Makr", "Kaboos") portrays Amani's vulnerable daughter, while Emirati actor Jassem AlKharraz (Zawaj Ella Roba'a, Ala Gad Alhal, Wadima and Halima) plays her father, the cast brings to life a deeply resonant story about family bonds, emotional conflict and the unseen forces that test by horror genre veterans Roy Lee ("Barbarian", "It"), Steven Schneider ("Insidious", "Paranormal Activity"), Derek Dauchy ("Late Night with the Devil", "The Plague") and Rami Yasin ("Hokum") the film blends supernatural tension with culturally grounded storytelling, offering a uniquely regional take on universal fears. Mohamed Hefzy ("Flight 404", "Voy! Voy! Voy!") is executive marks a return to the genre for Majid Al Ansari, whose breakout debut "Zinzana" earned international acclaim and became the first Arab language film acquired by Netflix. Known for blending bold visual style with emotionally charged storytelling, Al Ansari continues to push boundaries in Arab cinema, offering audiences globally resonant narratives grounded in regional Ansari said: "With HOBA, I wanted to tell a story that feels both intimate and unsettling; one that explores real emotional experiences through the lens of genre. It's about love, fear and resilience, and what happens when the familiar turns unfamiliar, when the people we trust most begin to feel like strangers."Hoba is part of a slate of upcoming projects from Spooky Pictures and Image Nation including Charlie Polinger's "The Plague" starring Joel Edgerton, which recently premiered in Cannes' prestigious Un Certain Regard competition, Randall Okita's "Menace" starring Isabel May, and Damian Mc Carthy's "Hokum", starring Adam Scott. Majid Al Futtaim - Vox Independent Distribution is handling the theatrical release for UAE, with Film Clinic handling the rights for post-theatrical in MENA, and AGC International handling the rights for the rest of the world.

Lights, camera, action as curtain rises on European Film Festival at Cultural Foundation Abu Dhabi
Lights, camera, action as curtain rises on European Film Festival at Cultural Foundation Abu Dhabi

Al Etihad

time15 hours ago

  • Al Etihad

Lights, camera, action as curtain rises on European Film Festival at Cultural Foundation Abu Dhabi

22 June 2025 18:54 ABU DHABI (ALETIHAD)Good news for film fans and European Film Festival (EUFF) is being held in Abu Dhabi on June 23 to 29 at the Cultural Foundation Abu second edition of the festival is being organised by the European Union Delegation to the UAE, the Department of Culture and Tourism – Abu Dhabi (DCT Abu Dhabi), with the support of EU Member States Embassies and Cultural Institutes in the can expect to be transported to diverse landscapes, experience captivating narratives, and witness the power of European year's festival features a curated selection of 17 European films from a diverse range of countries, including Latvia, Poland, Netherlands, Malta, Germany, Czechia, Austria, France, Italy, Bulgaria, Lithuania, Ireland, Hungary, Sweden, Spain, Romania and a significant first, an Emirati film will also be featured, 'Mountain Boy'. This award-winning production was brought to life by a team of 32 Emirati cast and crew members, including Emirati film director, Zainab festival offers a unique opportunity to immerse oneself in both European and Emirati cultures, discover exceptional cinematic talent, and engage in a vibrant exchange of EUFF will also host a free three-day workshop titled 'Developing and Funding Films: From Concept to Creation', led by European film expert, Graziella Bildesheim, an award-winning producer with over 30 years of experience in the film industry. The workshop is specifically designed for producers, aspiring filmmakers, screenwriters and industry professionals. Participants will have the chance to hone their craft, learn from experienced professionals and connect with fellow EUFF is designed to foster collaboration between EU and UAE film professionals, promote cultural exchange and empower local talent through the sharing of insights and best are Dh25 for one film, Dh150 for a multi-day pass. Screening programme:- Monday, June 23 'Flow' (animation, 7pm) – Latvia- Tuesday, June 24'Mountain Boy' (adventure, 6pm) - UAE'Dangerous Gentlemen' (crime comedy, 8pm) – Poland- Wednesday, June 25'Bigman' (family, 4pm) - Netherlands'Carmen' (romantic comedy, 6pm) - Malta'Two to One' (comedy, 8pm) – Germany- Thursday, June 26'Living Large' (animation, 4pm) - Czechia'Mond' (drama, 6pm) - Austria'The Musicians' (comedy musical, 8pm) – France- Friday, June 27'Io Sto Bene' (drama, 4pm) - Italy'The Trap' (drama, 6pm) - Bulgaria'Remember to Blink' (drama, 8pm) – Lithuania- Saturday, June 28'Tarrac' (sports drama, 4pm) - Ireland'Four Souls of Coyote' (animation, 6pm) - Hungary'UFO Sweden' (sci-fi adventure, 8pm) – Sweden- Sunday, June 29'Ramona' (romantic comedy, 2pm) - Spain'Horia' (adventure, 4pm) - Romania 'Riders' (adventure, 6pm) - Slovenia

Japan's high-tech sunscreens tap into skincare craze
Japan's high-tech sunscreens tap into skincare craze

Gulf Today

time16 hours ago

  • Gulf Today

Japan's high-tech sunscreens tap into skincare craze

When YouTuber Hannah Price set out to compare Japanese and Australian sunscreen, she wasn't expecting her deep dive into the subject to rack up over two million views. The huge number of people poring over Price's video shows the growing interest in skincare products from Japan, much like the K-beauty phenomenon from South Korea. It includes sun protection, increasingly recognised as a daily essential by influencers who want to shield their skin from ageing and enthuse about the lightweight texture of Japanese brands. Companies that have perfected their secret formulas want to capitalise on booming demand, including by building factories overseas and selling to Japan's record influx of foreign tourists. Price, 32, fell into a "year-long rabbit hole" while making her video, learning about everything from SPF science to cultural attitudes to sun exposure. "I always loved Japanese sunscreen, since I first moved to Japan in 2012," she told the media at her studio in Tokyo. "I remember trying it for the first time and thinking, 'this is so much better than anything I tried in Australia'," her home country where sun cream felt "thick, sticky, greasy". "I thought that the video would be popular... but I wasn't expecting it to reach as far" as it did, Price said. The habit of regular sunscreen use is spreading, especially among younger generations, said Takuya Wada, who works in marketing for Japanese chemical and cosmetics firm Kao. "There are no borders when it comes to obtaining information on social media, especially Instagram and TikTok," he said, adding that influencer posts have a "very large" impact on global sunscreen sales. This photo shows Takashi Fukui speaking in an interview at the company's research lab in Tokyo. AFP 'Beautifully white' The global skincare market was worth more than $115 billion in 2024 and is expected to grow to $194 billion by 2032, according to Fortune Business Insights. A boom in celebrity skincare brands has contributed to the industry's growth -- with A-listers like Kylie Jenner using social media to share their beauty routines, including sun protection, with hundreds of millions of followers. When it comes to sunscreen, country-specific regulations mean no single company dominates the field, as the entry barriers to new markets are higher. Kao's main sunscreen brand Biore UV is ranked 10th worldwide for sales, and second in Asia -- competing with the likes of L'Oreal and Beiersdorf, and Japanese rivals such as Shiseido. The company wants sales from sun protection to reach 35 billion yen ($240 million) in 2027, up 1.6 times from 2023. It plans to boost overseas production by opening three new sunscreen factories, in Indonesia, Brazil and Germany. It is technically difficult to develop formulas that block the rays effectively with a smooth texture, as demanded by Japanese consumers, said Takashi Fukui, research and development director for Kao skincare products. But using scientific know-how to strike this tricky balance is what makes Kao "different from other European or American makers". In Japan, a cultural obsession with light skin dates back to the sixth century and using white powder imported from China later became a status symbol among nobility. Fair skin indicated a life away from outdoor labour and sun exposure, and an old Japanese proverb says "white skin covers the seven flaws". In the 1990s, people began using sunscreen or other cosmetics to avoid tanning -- a trend dubbed "bihaku", or beautifully white. These days, Japanese women use sunscreen as everyday protection against sunspots and ageing, caused when UV rays penetrate into the skin, said Fukui. Winter sun Tans have long been fashionable in Western countries, but awareness of skin cancer risks is rising, making sunscreen an important healthcare product there, Fukui said. One fan of Japanese brands is Thai skincare influencer Suari Tasanakulpan, who calls them "lightweight" compared to "heavy and uncomfortable" Western offerings. "There are always new technologies and innovative textures that are often ahead of other countries," the 40-year-old, who reviews sunscreens on YouTube, told the media. At an outlet of drugstore chain MatsukiyoCocokara in Tokyo's Shibuya district, around 90 sunscreen products are lined up on the shelves. "Sales of sunscreen is improving year on year," said Takeshi Otsuki, deputy manager of the chain's cosmetic division. "More people are using sunscreen on a daily basis these days, so their needs are becoming more diverse," he said. The number of male customers is also increasing, and Japanese sunscreens are very popular with overseas tourists who buy them in multipacks, Otsuki said. While summer is high season, sunscreen is popular year-round, because Japan has a "relatively high number of sunny days in the winter, and the sunlight hours are long". YouTuber Price now uses both Japanese and Australian sunscreen, depending on the occasion. She sees the rise in education about sunscreens worldwide as a win-win situation. It "means you're going to be better protected in general, which is great for everyone", she said. Agence France Presse

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store