
Men jailed for stealing golden toilet from UK mansion
Two men who stole a golden toilet from an English mansion have been sentenced to more than two years in prison.
The 18-carat fully functioning toilet was on display as a piece of contemporary art at Blenheim Palace - the country mansion where British wartime leader Winston Churchill was born - when five burglars smashed a window and yanked it from its plumbing in a brazen early-morning raid in September 2019.
It was never recovered and was believed to have been chopped up and sold.
James Sheen, 40, a roofer who pleaded guilty to burglary, conspiracy and transferring criminal property was sentenced in Oxford Crown Court to four years in prison.
Michael Jones, 39, who worked for Sheen and was convicted of burglary at trial, was sentenced to two years and three months.
The toilet weighed 98kg and was worth more than its weight in gold, being insured for more than $US6 million ($A9.2 million).
The toilet was part of a satirical commentary on consumer culture, titled America, by Italian conceptual artist Maurizio Cattelan, whose work of a banana duct-taped to a wall was sold in 2024 for $US6.2 million at auction in New York.
"This bold and brazen heist took no more than five-and-a-half minutes to complete," Judge Ian Pringle said in recounting the crime on Friday.
"America has never been seen again."
The piece that poked fun at excessive wealth had previously been on display at The Guggenheim Museum, in New York, which had offered the work to US President Donald Trump during his first term in office after he had asked to borrow a Van Gogh painting.
Jones had booked a viewing of the toilet the day before the theft to take photos, check out the lock and have his own private session on the golden throne.
He deemed the experience "splendid" during his testimony.
The next morning before dawn the gang of thieves crashed through the wooden gates of the palace in two stolen vehicles and tore well-tended lawns.
They pulled up to the estate's courtyard and smashed a window that Jones had photographed the day before.
The thieves used sledgehammers and a crowbar to wrench the toilet from its foundation, causing considerable damage to the 18th-century property, a UNESCO World Heritage site filled with valuable art and furniture that draws thousands of visitors each year.
Two men who stole a golden toilet from an English mansion have been sentenced to more than two years in prison.
The 18-carat fully functioning toilet was on display as a piece of contemporary art at Blenheim Palace - the country mansion where British wartime leader Winston Churchill was born - when five burglars smashed a window and yanked it from its plumbing in a brazen early-morning raid in September 2019.
It was never recovered and was believed to have been chopped up and sold.
James Sheen, 40, a roofer who pleaded guilty to burglary, conspiracy and transferring criminal property was sentenced in Oxford Crown Court to four years in prison.
Michael Jones, 39, who worked for Sheen and was convicted of burglary at trial, was sentenced to two years and three months.
The toilet weighed 98kg and was worth more than its weight in gold, being insured for more than $US6 million ($A9.2 million).
The toilet was part of a satirical commentary on consumer culture, titled America, by Italian conceptual artist Maurizio Cattelan, whose work of a banana duct-taped to a wall was sold in 2024 for $US6.2 million at auction in New York.
"This bold and brazen heist took no more than five-and-a-half minutes to complete," Judge Ian Pringle said in recounting the crime on Friday.
"America has never been seen again."
The piece that poked fun at excessive wealth had previously been on display at The Guggenheim Museum, in New York, which had offered the work to US President Donald Trump during his first term in office after he had asked to borrow a Van Gogh painting.
Jones had booked a viewing of the toilet the day before the theft to take photos, check out the lock and have his own private session on the golden throne.
He deemed the experience "splendid" during his testimony.
The next morning before dawn the gang of thieves crashed through the wooden gates of the palace in two stolen vehicles and tore well-tended lawns.
They pulled up to the estate's courtyard and smashed a window that Jones had photographed the day before.
The thieves used sledgehammers and a crowbar to wrench the toilet from its foundation, causing considerable damage to the 18th-century property, a UNESCO World Heritage site filled with valuable art and furniture that draws thousands of visitors each year.
Two men who stole a golden toilet from an English mansion have been sentenced to more than two years in prison.
The 18-carat fully functioning toilet was on display as a piece of contemporary art at Blenheim Palace - the country mansion where British wartime leader Winston Churchill was born - when five burglars smashed a window and yanked it from its plumbing in a brazen early-morning raid in September 2019.
It was never recovered and was believed to have been chopped up and sold.
James Sheen, 40, a roofer who pleaded guilty to burglary, conspiracy and transferring criminal property was sentenced in Oxford Crown Court to four years in prison.
Michael Jones, 39, who worked for Sheen and was convicted of burglary at trial, was sentenced to two years and three months.
The toilet weighed 98kg and was worth more than its weight in gold, being insured for more than $US6 million ($A9.2 million).
The toilet was part of a satirical commentary on consumer culture, titled America, by Italian conceptual artist Maurizio Cattelan, whose work of a banana duct-taped to a wall was sold in 2024 for $US6.2 million at auction in New York.
"This bold and brazen heist took no more than five-and-a-half minutes to complete," Judge Ian Pringle said in recounting the crime on Friday.
"America has never been seen again."
The piece that poked fun at excessive wealth had previously been on display at The Guggenheim Museum, in New York, which had offered the work to US President Donald Trump during his first term in office after he had asked to borrow a Van Gogh painting.
Jones had booked a viewing of the toilet the day before the theft to take photos, check out the lock and have his own private session on the golden throne.
He deemed the experience "splendid" during his testimony.
The next morning before dawn the gang of thieves crashed through the wooden gates of the palace in two stolen vehicles and tore well-tended lawns.
They pulled up to the estate's courtyard and smashed a window that Jones had photographed the day before.
The thieves used sledgehammers and a crowbar to wrench the toilet from its foundation, causing considerable damage to the 18th-century property, a UNESCO World Heritage site filled with valuable art and furniture that draws thousands of visitors each year.
Two men who stole a golden toilet from an English mansion have been sentenced to more than two years in prison.
The 18-carat fully functioning toilet was on display as a piece of contemporary art at Blenheim Palace - the country mansion where British wartime leader Winston Churchill was born - when five burglars smashed a window and yanked it from its plumbing in a brazen early-morning raid in September 2019.
It was never recovered and was believed to have been chopped up and sold.
James Sheen, 40, a roofer who pleaded guilty to burglary, conspiracy and transferring criminal property was sentenced in Oxford Crown Court to four years in prison.
Michael Jones, 39, who worked for Sheen and was convicted of burglary at trial, was sentenced to two years and three months.
The toilet weighed 98kg and was worth more than its weight in gold, being insured for more than $US6 million ($A9.2 million).
The toilet was part of a satirical commentary on consumer culture, titled America, by Italian conceptual artist Maurizio Cattelan, whose work of a banana duct-taped to a wall was sold in 2024 for $US6.2 million at auction in New York.
"This bold and brazen heist took no more than five-and-a-half minutes to complete," Judge Ian Pringle said in recounting the crime on Friday.
"America has never been seen again."
The piece that poked fun at excessive wealth had previously been on display at The Guggenheim Museum, in New York, which had offered the work to US President Donald Trump during his first term in office after he had asked to borrow a Van Gogh painting.
Jones had booked a viewing of the toilet the day before the theft to take photos, check out the lock and have his own private session on the golden throne.
He deemed the experience "splendid" during his testimony.
The next morning before dawn the gang of thieves crashed through the wooden gates of the palace in two stolen vehicles and tore well-tended lawns.
They pulled up to the estate's courtyard and smashed a window that Jones had photographed the day before.
The thieves used sledgehammers and a crowbar to wrench the toilet from its foundation, causing considerable damage to the 18th-century property, a UNESCO World Heritage site filled with valuable art and furniture that draws thousands of visitors each year.
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- West Australian
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The Advertiser
6 hours ago
- The Advertiser
Who doesn't love an Austen-tacious rom-com with a modern twist?
Jane Austen Wrecked My Life M, 98 minutes 3 Stars Once again, one of England's best and most popular novelists has a thing or two to answer for. Here we have another romantic comedy for the screen that was inspired by the wonderful books of Jane Austen about village life set in the south of England two centuries ago. It is a charmer. Set in the literary milieu in Paris, it is no surprise to hear bookseller Agathe (Camille Rutherford) tell a customer at Shakespeare and Company that Sense and Sensibility is her favourite Jane Austen read. And to confide that her favourite heroine is Anne Elliot in Persuasion. The fabled English-language bookshop in Paris that has featured in films by Woody Allen and Richard Linklater and more takes another bow. Agathe adores the company of characters in books, but life outside of work for this thirtysomething isn't scintillating. 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Set in the literary milieu in Paris, it is no surprise to hear bookseller Agathe (Camille Rutherford) tell a customer at Shakespeare and Company that Sense and Sensibility is her favourite Jane Austen read. And to confide that her favourite heroine is Anne Elliot in Persuasion. The fabled English-language bookshop in Paris that has featured in films by Woody Allen and Richard Linklater and more takes another bow. Agathe adores the company of characters in books, but life outside of work for this thirtysomething isn't scintillating. She quite fancies her good friend Felix (Pablo Pauly), but hasn't slept with anyone in two years and struggles with imposter syndrome as she tries her hand at writing fiction. Felix, she says, is a "breadcrumber". Well, if I'm leading women on, he replies, you're reclusive. Not into digital, not into likes on social media. Just not born into the right century. Touché! British-French actress Rutherford is a natural for her role as Agathe. She and Pauly, like most of the actors in this charming comedy of manners set on both sides of the English Channel, are bi-lingual. English suits Agathe's writing style and she wins a residency at the Jane Austen estate. She will spend two weeks deep in the English countryside, working alongside a small group of other writers who have also been selected for assistance with their development. One the day she departs, the Channel crossing isn't especially choppy, but as you might expect, Agathe gets seasick anyway. When her lift at the other end, Oliver (Charlie Anson) shows up in his vintage sports car, she cannot hold it any longer. Anyway, he has unbearable attitude, and he declares his celebrated great-great-great-great aunt overrated. Then his car breaks down and they have to complete their journey in sullen silence, with a lift in an apple cart. Although she's a sophisticated, cultivated Left Bank Parisian, Agathe clearly belongs to the tradition of clumsy and awkward female romantic leads, like Rene Zellweger of the first Bridget Jones film, famously inspired by the works of Jane Austen, and a hugely popular series. Of course, the wider the gulf between the romantic couple, the more fun it is. Agathe thinks Oliver is insufferable and arrogant, while he lets her know he finds her underwhelming. Of course, they will despise each other at the start. Think 10 Things I Hate About You. And so continues the never-ending tit-for-tat between the French and the English. No one besides the English themselves are better at sending themselves up, and the same can be said of the French. For both countries, farce is a national sport. Filmed in France, this charming frothy rom-com is the work of French writer-director, Laura Piani. It's a delicious concoction, a contribution to a genre that we barely see on the cinema screen these days, and hope will one day return. A film like Materialists, a rom-com for these digital times that was released last week, is unusual at the cinema these days. And Notting Hill was a very long time ago. Jane Austen died young and wrote anonymously during her lifetime. Yet her six novels were hugely influential and have had a life of their own on screen. You have to wonder what she would have thought of the many films and series made in her name. As a writer fed up with the gothic and exaggerated romanticism in popular literature in her time, she would have liked the humour mixed with realism, even if it couldn't match her incisive, comic insight into the absurdities of ordinary daily life. There is a touching moment at the end of Jane Austen Wrecked My Life that has a serious bit of advice for the wary and the uncertain, when a well-known American documentary filmmaker appears in a cameo, reading a poem about letting life in. It hints at a little more than froth and farce and is a good note to end on. Jane Austen Wrecked My Life M, 98 minutes 3 Stars Once again, one of England's best and most popular novelists has a thing or two to answer for. Here we have another romantic comedy for the screen that was inspired by the wonderful books of Jane Austen about village life set in the south of England two centuries ago. It is a charmer. Set in the literary milieu in Paris, it is no surprise to hear bookseller Agathe (Camille Rutherford) tell a customer at Shakespeare and Company that Sense and Sensibility is her favourite Jane Austen read. And to confide that her favourite heroine is Anne Elliot in Persuasion. The fabled English-language bookshop in Paris that has featured in films by Woody Allen and Richard Linklater and more takes another bow. Agathe adores the company of characters in books, but life outside of work for this thirtysomething isn't scintillating. She quite fancies her good friend Felix (Pablo Pauly), but hasn't slept with anyone in two years and struggles with imposter syndrome as she tries her hand at writing fiction. Felix, she says, is a "breadcrumber". Well, if I'm leading women on, he replies, you're reclusive. Not into digital, not into likes on social media. Just not born into the right century. Touché! British-French actress Rutherford is a natural for her role as Agathe. She and Pauly, like most of the actors in this charming comedy of manners set on both sides of the English Channel, are bi-lingual. English suits Agathe's writing style and she wins a residency at the Jane Austen estate. She will spend two weeks deep in the English countryside, working alongside a small group of other writers who have also been selected for assistance with their development. One the day she departs, the Channel crossing isn't especially choppy, but as you might expect, Agathe gets seasick anyway. When her lift at the other end, Oliver (Charlie Anson) shows up in his vintage sports car, she cannot hold it any longer. Anyway, he has unbearable attitude, and he declares his celebrated great-great-great-great aunt overrated. Then his car breaks down and they have to complete their journey in sullen silence, with a lift in an apple cart. Although she's a sophisticated, cultivated Left Bank Parisian, Agathe clearly belongs to the tradition of clumsy and awkward female romantic leads, like Rene Zellweger of the first Bridget Jones film, famously inspired by the works of Jane Austen, and a hugely popular series. Of course, the wider the gulf between the romantic couple, the more fun it is. Agathe thinks Oliver is insufferable and arrogant, while he lets her know he finds her underwhelming. Of course, they will despise each other at the start. Think 10 Things I Hate About You. And so continues the never-ending tit-for-tat between the French and the English. No one besides the English themselves are better at sending themselves up, and the same can be said of the French. For both countries, farce is a national sport. Filmed in France, this charming frothy rom-com is the work of French writer-director, Laura Piani. It's a delicious concoction, a contribution to a genre that we barely see on the cinema screen these days, and hope will one day return. A film like Materialists, a rom-com for these digital times that was released last week, is unusual at the cinema these days. And Notting Hill was a very long time ago. Jane Austen died young and wrote anonymously during her lifetime. Yet her six novels were hugely influential and have had a life of their own on screen. You have to wonder what she would have thought of the many films and series made in her name. As a writer fed up with the gothic and exaggerated romanticism in popular literature in her time, she would have liked the humour mixed with realism, even if it couldn't match her incisive, comic insight into the absurdities of ordinary daily life. There is a touching moment at the end of Jane Austen Wrecked My Life that has a serious bit of advice for the wary and the uncertain, when a well-known American documentary filmmaker appears in a cameo, reading a poem about letting life in. It hints at a little more than froth and farce and is a good note to end on. Jane Austen Wrecked My Life M, 98 minutes 3 Stars Once again, one of England's best and most popular novelists has a thing or two to answer for. Here we have another romantic comedy for the screen that was inspired by the wonderful books of Jane Austen about village life set in the south of England two centuries ago. It is a charmer. Set in the literary milieu in Paris, it is no surprise to hear bookseller Agathe (Camille Rutherford) tell a customer at Shakespeare and Company that Sense and Sensibility is her favourite Jane Austen read. And to confide that her favourite heroine is Anne Elliot in Persuasion. The fabled English-language bookshop in Paris that has featured in films by Woody Allen and Richard Linklater and more takes another bow. Agathe adores the company of characters in books, but life outside of work for this thirtysomething isn't scintillating. She quite fancies her good friend Felix (Pablo Pauly), but hasn't slept with anyone in two years and struggles with imposter syndrome as she tries her hand at writing fiction. Felix, she says, is a "breadcrumber". Well, if I'm leading women on, he replies, you're reclusive. Not into digital, not into likes on social media. Just not born into the right century. Touché! British-French actress Rutherford is a natural for her role as Agathe. She and Pauly, like most of the actors in this charming comedy of manners set on both sides of the English Channel, are bi-lingual. English suits Agathe's writing style and she wins a residency at the Jane Austen estate. She will spend two weeks deep in the English countryside, working alongside a small group of other writers who have also been selected for assistance with their development. One the day she departs, the Channel crossing isn't especially choppy, but as you might expect, Agathe gets seasick anyway. When her lift at the other end, Oliver (Charlie Anson) shows up in his vintage sports car, she cannot hold it any longer. Anyway, he has unbearable attitude, and he declares his celebrated great-great-great-great aunt overrated. Then his car breaks down and they have to complete their journey in sullen silence, with a lift in an apple cart. Although she's a sophisticated, cultivated Left Bank Parisian, Agathe clearly belongs to the tradition of clumsy and awkward female romantic leads, like Rene Zellweger of the first Bridget Jones film, famously inspired by the works of Jane Austen, and a hugely popular series. Of course, the wider the gulf between the romantic couple, the more fun it is. Agathe thinks Oliver is insufferable and arrogant, while he lets her know he finds her underwhelming. Of course, they will despise each other at the start. Think 10 Things I Hate About You. And so continues the never-ending tit-for-tat between the French and the English. No one besides the English themselves are better at sending themselves up, and the same can be said of the French. For both countries, farce is a national sport. Filmed in France, this charming frothy rom-com is the work of French writer-director, Laura Piani. It's a delicious concoction, a contribution to a genre that we barely see on the cinema screen these days, and hope will one day return. A film like Materialists, a rom-com for these digital times that was released last week, is unusual at the cinema these days. And Notting Hill was a very long time ago. Jane Austen died young and wrote anonymously during her lifetime. Yet her six novels were hugely influential and have had a life of their own on screen. You have to wonder what she would have thought of the many films and series made in her name. As a writer fed up with the gothic and exaggerated romanticism in popular literature in her time, she would have liked the humour mixed with realism, even if it couldn't match her incisive, comic insight into the absurdities of ordinary daily life. There is a touching moment at the end of Jane Austen Wrecked My Life that has a serious bit of advice for the wary and the uncertain, when a well-known American documentary filmmaker appears in a cameo, reading a poem about letting life in. It hints at a little more than froth and farce and is a good note to end on.


The Advertiser
13 hours ago
- The Advertiser
Superyacht pulled from seabed 10 months after sinking
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Fifteen people survived, including the captain and all crew members except the chef. Italian authorities are conducting a full criminal investigation. TMC Maritime said the vessel has been slowly raised from the seabed, 50m down, in the past three days to allow the steel lifting straps, slings and harnesses to be secured under the keel. Eight steel lifting straps are being used to support the hull upright and to form part of a steel wire lifting system that began raising the vessel out of the water on Saturday. As it is lifted up, sea water is pumped out of the hull. On Sunday, it is anticipated the floating crane platform will move the Bayesian to the Sicilian port of Termini Imerese, where a special steel cradle is waiting for it. The Bayesian is missing its 72m mast, which was cut off and left on the seabed for future removal. British investigators said in an interim report issued in May that the yacht was knocked over by "extreme wind" and could not recover. A British-flagged luxury superyacht that sank off Sicily in 2024, killing UK tech magnate Mike Lynch and six others, has partially resurfaced as salvage recovery crews finalise the complex operation to bring it ashore for further investigation. The white top and blue hull of the 56-metre Bayesian was visible on the surface on Saturday, but was not clear of the sea yet in a holding area of a yellow floating crane barge. "Pumping out of sea water will continue and it will be lunchtime, following a series of lifting and resting procedures to satisfy the salvage team, before Bayesian is fully and finally out of the water," said David Wilson, spokesman for TMC Maritime, which is conducting the recovery operation. The Bayesian sank August 19 off Porticello, near Palermo, during a violent storm as Lynch was treating friends to a cruise to celebrate his acquittal two months earlier in the US on fraud charges. Lynch, his daughter and five others died. Fifteen people survived, including the captain and all crew members except the chef. Italian authorities are conducting a full criminal investigation. TMC Maritime said the vessel has been slowly raised from the seabed, 50m down, in the past three days to allow the steel lifting straps, slings and harnesses to be secured under the keel. Eight steel lifting straps are being used to support the hull upright and to form part of a steel wire lifting system that began raising the vessel out of the water on Saturday. As it is lifted up, sea water is pumped out of the hull. On Sunday, it is anticipated the floating crane platform will move the Bayesian to the Sicilian port of Termini Imerese, where a special steel cradle is waiting for it. The Bayesian is missing its 72m mast, which was cut off and left on the seabed for future removal. British investigators said in an interim report issued in May that the yacht was knocked over by "extreme wind" and could not recover. A British-flagged luxury superyacht that sank off Sicily in 2024, killing UK tech magnate Mike Lynch and six others, has partially resurfaced as salvage recovery crews finalise the complex operation to bring it ashore for further investigation. The white top and blue hull of the 56-metre Bayesian was visible on the surface on Saturday, but was not clear of the sea yet in a holding area of a yellow floating crane barge. "Pumping out of sea water will continue and it will be lunchtime, following a series of lifting and resting procedures to satisfy the salvage team, before Bayesian is fully and finally out of the water," said David Wilson, spokesman for TMC Maritime, which is conducting the recovery operation. The Bayesian sank August 19 off Porticello, near Palermo, during a violent storm as Lynch was treating friends to a cruise to celebrate his acquittal two months earlier in the US on fraud charges. Lynch, his daughter and five others died. Fifteen people survived, including the captain and all crew members except the chef. Italian authorities are conducting a full criminal investigation. TMC Maritime said the vessel has been slowly raised from the seabed, 50m down, in the past three days to allow the steel lifting straps, slings and harnesses to be secured under the keel. Eight steel lifting straps are being used to support the hull upright and to form part of a steel wire lifting system that began raising the vessel out of the water on Saturday. As it is lifted up, sea water is pumped out of the hull. On Sunday, it is anticipated the floating crane platform will move the Bayesian to the Sicilian port of Termini Imerese, where a special steel cradle is waiting for it. The Bayesian is missing its 72m mast, which was cut off and left on the seabed for future removal. British investigators said in an interim report issued in May that the yacht was knocked over by "extreme wind" and could not recover. A British-flagged luxury superyacht that sank off Sicily in 2024, killing UK tech magnate Mike Lynch and six others, has partially resurfaced as salvage recovery crews finalise the complex operation to bring it ashore for further investigation. The white top and blue hull of the 56-metre Bayesian was visible on the surface on Saturday, but was not clear of the sea yet in a holding area of a yellow floating crane barge. "Pumping out of sea water will continue and it will be lunchtime, following a series of lifting and resting procedures to satisfy the salvage team, before Bayesian is fully and finally out of the water," said David Wilson, spokesman for TMC Maritime, which is conducting the recovery operation. The Bayesian sank August 19 off Porticello, near Palermo, during a violent storm as Lynch was treating friends to a cruise to celebrate his acquittal two months earlier in the US on fraud charges. Lynch, his daughter and five others died. Fifteen people survived, including the captain and all crew members except the chef. Italian authorities are conducting a full criminal investigation. TMC Maritime said the vessel has been slowly raised from the seabed, 50m down, in the past three days to allow the steel lifting straps, slings and harnesses to be secured under the keel. Eight steel lifting straps are being used to support the hull upright and to form part of a steel wire lifting system that began raising the vessel out of the water on Saturday. As it is lifted up, sea water is pumped out of the hull. On Sunday, it is anticipated the floating crane platform will move the Bayesian to the Sicilian port of Termini Imerese, where a special steel cradle is waiting for it. The Bayesian is missing its 72m mast, which was cut off and left on the seabed for future removal. British investigators said in an interim report issued in May that the yacht was knocked over by "extreme wind" and could not recover.