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Harry Connick Jnr: ‘I saw a billboard of a Victoria's Secret model and I married her'

Harry Connick Jnr: ‘I saw a billboard of a Victoria's Secret model and I married her'

This story is part of the June 15 edition of Sunday Life. See all 15 stories.
Harry Connick Jr is a musician best known for winning multiple Grammy Awards. Here, the 57-year-old talks about losing his mother at a young age, how he first noticed his future wife, and working with some 'amazing' women.
I lost my mother, Anita Livingston, to ovarian cancer when I was 13. Mom was a bright, 'woody' woman – she didn't really follow the norm. She was sensitive and communicative.
When I was five, I wanted to run away from home. Rather than convince me to stay or tell me I was being silly, Mom said, 'Sorry to hear that.' As I went out the front door, she was right behind me with her suitcase. She said, 'You're right. I don't like it here either. Let's go.' I started crying and told her I didn't want to run away.
When it was time to lay down the law, Mom did, but she always made sure we had the power to make our own decisions. My memory of her is frozen in time. She'll always be young to me.
Mom became a lawyer in the mid-1950s. She ran for the position of Louisiana Supreme Court justice when she was diagnosed with cancer, against seven men. Because she was a public figure, they found out she had cancer and used that against her. She was emotionally strong, and I am proud of her ability to win that election.
My paternal grandmother, Jessie Connick, died in 1985, several years after my mom. She was a great cook and had eight kids during the Depression. She was quiet, but maintained a deep Catholic faith.
My sister, Suzanna, is three-and-a-half years older than me. I was a pain in the rear-end growing up. She was studious and I was an attention-seeker. We are incredibly close now. She spent 38 years in the military. She's a hero and I look up to her.
I would notice girls at school, but they didn't notice me. I had a crush on a girl in the sixth grade; she was sweet and smart. I couldn't work up the courage to tell her. I saw her in New Orleans 20 years ago; I recognised her face, and got the courage to tell her I had the biggest crush on her as a child. She replied, 'I had the biggest crush on you, too.'
My mother was aware I loved music from the age of three. I played the piano for the first time when my dad, Harry, was running for political office. He opened his campaign quarters and Mom got a piano in there for me to play.

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One of the most powerful artworks I've seen is on show in Tasmania
One of the most powerful artworks I've seen is on show in Tasmania

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  • Sydney Morning Herald

One of the most powerful artworks I've seen is on show in Tasmania

The exhibition takes its name from one of the installations, a new work made up of a series of five water wells sitting in pitch darkness behind a glass wall. Into these, molten steel drips at hypnotic intervals, generating sparks reminiscent of a working foundry, although these sparks are artfully curated. An earlier version debuted at the 2022 Venice Biennale, where Sassolino used fiery droplets of molten steel to evoke what he described as the dramatic chiaroscuro of Caravaggio's 17th-century paintings, specifically The Beheading of Saint John the Baptist. In this version, the chiaroscuro is certainly dramatic. While it's difficult to imagine a saintly beheading amid the sparks, the eight-minute sequence, observed from pews placed for this purpose, is mesmerising, in the tradition of the transcendent religious artworks adorning Europe's great cathedrals. 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One of the most powerful artworks I've seen is on show in Tasmania
One of the most powerful artworks I've seen is on show in Tasmania

The Age

timea day ago

  • The Age

One of the most powerful artworks I've seen is on show in Tasmania

The exhibition takes its name from one of the installations, a new work made up of a series of five water wells sitting in pitch darkness behind a glass wall. Into these, molten steel drips at hypnotic intervals, generating sparks reminiscent of a working foundry, although these sparks are artfully curated. An earlier version debuted at the 2022 Venice Biennale, where Sassolino used fiery droplets of molten steel to evoke what he described as the dramatic chiaroscuro of Caravaggio's 17th-century paintings, specifically The Beheading of Saint John the Baptist. In this version, the chiaroscuro is certainly dramatic. While it's difficult to imagine a saintly beheading amid the sparks, the eight-minute sequence, observed from pews placed for this purpose, is mesmerising, in the tradition of the transcendent religious artworks adorning Europe's great cathedrals. 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The festival made its return this year under new artistic director Chris Twite, following a hiatus in 2024. With its music, food, numerous bars, and warming fire pits for the bundled-up crowds, Dark Mofo evokes a blokey theme park. It carries the air of a last hurrah of the heterosexual white man. In the right-on landscape of Australian arts, there's something incredibly quaint about experiencing what feels like a Gen X fun park. Indeed, Dark Mofo offers a wondrously unique and intriguing experience, almost as if it's an arts festival from a world that froze in 1994, upon Kurt Cobain's death. Loading Unapologetically created in Walsh's image, music headliners ranged across punk, electronica and the 'extreme metal and absurdist mayhem' of US outfit Clown Core. Winter Feast is as visually arresting as its offerings are smokey and delicious, by no mistake. There is wild goat, wallaby and camel on the menu, their skeletons arranged above the grill long after the flesh has been stripped. 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Thousands of revellers explored the multi-stage, all-night jamboree of music, performance art, and installations that transformed a city block into something resembling a sticky-carpet nightclub adorned with share-house decor. I haven't even mentioned Simon Zoric's Coffin Rides (as it says on the tin) or the Sex + Death Day Spa installation at MONA, where a nana in a white towelling robe at the entry deadpanned options: 'Do you want anal bleaching or a Brazilian?' Did I mention the 90s?

SZA was worried that fans would only go to Grand National Tour shows for Kendrick Lamar
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Perth Now

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  • Perth Now

SZA was worried that fans would only go to Grand National Tour shows for Kendrick Lamar

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