June tunes: The best gigs to see in Sydney this month
Warren Ellis
City Recital Hall, June 8
Yes, there will be a short solo set from the Dirty Three and Nick Cave & The Bad Seeds member at this event (billed as 'An Evening With Warren Ellis'), but the real draw here will be a conversation with Ellis covering his life, music and work in animal conservation, all topics covered in the new documentary film Ellis Park, which will screen before this Q&A as part of the Sydney Film Festival (a separate ticketed event to this one, it should be noted).
10 Years of NLV Records
Metro Theatre, June 8
Australian DJ and music producer Nina Las Vegas (born Nina Elizabeth Agzarian) started the electronic music label NLV Records in 2015 (on the same day she left her gig as a triple j presenter), with this mammoth anniversary show set to take over both rooms of the Metro. Acts set to appear include rising EDM star Ninajirachi, Trinidadian-born Australian singer and rapper Gold Fang, afro swing vocalist Big Skeez, Korean boyband 1300, South Florida ravers Jubilee, plus a host of others.
Black Star
C arriageworks, June 10
Yasiin Bey - the rapper, singer and actor formerly known as Mos Def - was at Carriageworks last year to perform both a solo show and a show covering the work of late rapper MF DOOM. He's back this year with Talib Kweli, his rhyme partner in hip-hop duo Black Star. They'll be performing music from across the decades, including the aptly titled 2022 album No Fear of Time, which arrived almost 25 years after the pair's classic 1998 debut, Mos Def & Talib Kweli Are Black Star.
Supergrass
Sydney Opera House Concert Hall, June 10
Although a champagne supernova's worth of hype has been directed at the upcoming Oasis reunion tour, more discerning Britpop fans will be excited to see Oxford quartet Supergrass back in action for their first headline Australian shows in 17 years. The band will be celebrating the 30th anniversary of debut album I Should Coco, featuring hit singles Caught by the Fuzz and Alright, by playing it in its entirety; expect bandmates and brothers Gaz and Rob Coombes to behave better than the Gallagher siblings.
Mel Parsons
The Vanguard, June 15
New Zealand singer-songwriter Mel Parsons has proved herself a master of indie-folk and alt-country over half a dozen celebrated albums, including last year's excellent Sabotage, which has been nominated for three Aotearoa Music Awards. A seasoned live performer with a spellbinding voice, Parsons will be playing old favourites and a few new tunes; if recent singles Brick by Brick and Post High Slide are anything to go by, her winning streak shows no sign of slowing down anytime soon.
Cloud Control
Enmore Theatre, June 20
2010 feels like a lifetime ago, but anyone paying attention to Australian music at the time would be familiar with Blue Mountains four-piece indie band Cloud Control. The recently reunited group will be touring to celebrate the 15th anniversary of debut album Bliss Release, which was everywhere in 2010: Five of its 10 songs were singles, it scored two ARIA Award nominations, took home the Australian Music Prize and, bizarrely, had a song that wound up in Channing Tatum stripper flick Magic Mike.
Jimmy Barnes
State Theatre, June 27
Fifteen solo number one albums in Australia - more than any other solo artist - and an induction into the ARIA Hall of Fame as both a solo performer and as part of Cold Chisel: at 69, Jimmy Barnes has nothing left to prove. It's a pleasant surprise, then, to discover his 21st solo album, Defiant (out June 6), is an absolute belter, featuring some of his strongest songs in decades. Head along to her Barnsey belt them out live, along with the classics.
June is jam-packed with great gigs, including visitors from the US (indie rockers Soccer Mommy and DIIV, astronaut Katy Perry, hip-hop producer Knxwledge), the UK (septuagenarian rappers Bas & Dave, much younger rapper Central Cee, alternative rockers Palace), South Korea (rapper Sik-K, girl group Nmixx, rockers Boohwal) and Europe (James Vincent McMorrow and Inhaler, both from Ireland, and Germany's Tangerine Dream). Australian artists doing the rounds include indie pop band Spacey Jane, Ngaiire, debuting her new show PAIA (provocatively described as 'an eruption of rage, sex, ecstasy, ceremony, ancestry, and cleansing'), Skegss, Polish Club, Short Stack, The Superjesus, Straight Arrows, Parkway Drive, Chasing Ghosts, Eggy, Kisschasy, The Beautiful Girls, Ruby Fields, Party Dozen, The Ferguson Rogers Process, Bachelor Girl and Killing Heidi.
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Sydney Morning Herald
4 hours ago
- Sydney Morning Herald
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The Age
4 hours ago
- The Age
‘We have no choice': Bar owners drive a levy to make sure the music won't die
In a move that its owners claim is an Australian first, Sooki Lounge in Belgrave will begin charging customers a $1 levy to help cover the costs of public liability insurance the bar has identified as a threat to its ongoing operation as a live music venue. 'We have no choice,' says Stephen Crombie, who runs the venue in the foothills of Melbourne's Dandenong Ranges with his partner, Suzana Pozvek. 'But I don't want to just whack up the booking fee because it needs to be educational. 'I need the customer to understand that's where it's going, and that Oztix [the venue's online ticketing partner] is not gouging and Sooki Lounge is not gouging here.' To that end, he plans to share a video explaining the move on social media in the next two weeks, including his latest premium, a copy of which is already on public display at the bar. 'Insurance' is probably not the first word that springs to mind when you think live music (the words 'sex, drugs and rock 'n' roll', on the other hand …) But for many venue operators who have been struggling to stay afloat since the disruptions wrought by COVID and ongoing cost-of-living pressures, the issue is an absolute chart topper. Loading Multiple inquiries into the state of live music and the festival scene have heard that the soaring cost of public liability insurance is a key factor in a crisis that has plagued the sector for more than four years. The increase for cover on Sooki's 330-capacity venue – which is open four nights a week and is only occasionally sold out – has been massive. Pre-COVID, it cost about $15,000 annually. The latest bill, issued less than a fortnight ago, came in at $61,035. To pay it, Crombie and Pozvek need finance, and that increases the total to about $65,000. It's little wonder then that so many venues have simply given up. According to an industry survey released in late 2023, more than 1300 had closed doors or stopped hosting live music since the pandemic, which is about one-quarter of all the sector's venues in Australia. More recent figures are not available, but anecdotal evidence suggests the situation has not improved, as higher living costs and the trend to lower alcohol consumption on premises continue to blow holes in the business model.


The Advertiser
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