Samsung Brings Onyx Cinema LED to Europe at CineEurope
The Samsung Onyx Cinema LED is a groundbreaking display technology designed to redefine the movie-going experience. As the world's first DCI-certified cinema LED screen, it delivers unparalleled visual quality with 4K resolution, HDR support, and frame rates of up to 120Hz. With peak brightness levels of 300 nits and true black levels, the Onyx ensures every scene is vivid, dynamic, and true to life. This innovation is set to elevate the standards of cinematic storytelling, offering audiences a more immersive and visually stunning experience.
The Onyx Cinema LED's advanced technology surpasses traditional projector-based systems, eliminating common issues such as uneven brightness, color distortion, and pixelation. By using self-emitting LED pixels, the screen maintains consistent picture quality across its entire surface, ensuring viewers enjoy the same level of detail and clarity regardless of their seating position. Furthermore, the Onyx's ability to display a wider color gamut and deeper contrast ratios brings films to life with unprecedented realism, drawing audiences deeper into the narrative. Scalability and Reliability for Theaters
One of the standout features of the Samsung Onyx Cinema LED is its scalability. Available in four standard sizes—5, 10, 14, and 20 meters—it also offers flexible scaling options to fit various theater layouts. This adaptability allows cinema operators to maximize their space while maintaining exceptional image quality. Whether installed in a small art-house theater or a large multiplex, the Onyx delivers a consistent, high-quality viewing experience across all screen sizes.
Additionally, the Onyx is built for long-term performance, backed by the industry's first 10-year warranty for cinema LED screens. This extended warranty not only ensures reliability but also reduces the total cost of ownership, making it a future-proof investment for theater owners. The Onyx's durable design and energy-efficient LED technology minimize maintenance requirements and operating costs, allowing theaters to focus on providing an exceptional cinematic experience to their patrons. Pricing and Availability
The Samsung Onyx Cinema LED is now available for European theaters following its debut at CineEurope 2025. Pricing will vary depending on the screen size and customization options chosen by theater operators. Interested parties are encouraged to contact Samsung directly for detailed pricing information and installation timelines. With its premium features and extended warranty, the Onyx represents a significant investment in the future of cinema.
As more theaters adopt the Onyx technology, it is expected to become increasingly accessible to a wider audience. Samsung is working closely with cinema operators to assist the transition to LED screens, offering technical support, training, and financing options to help theaters embrace this innovative technology. As the Onyx gains traction in the European market, it is poised to set a new standard for the global cinema industry. HDR Collaboration with Pixar Animation Studios
Samsung's collaboration with Pixar Animation Studios highlights the Onyx's capabilities in HDR content. Pixar's latest film, 'Elio,' has been mastered in 4K HDR specifically for Onyx screens, ensuring audiences experience the highest levels of brightness and color fidelity. Pixar plans to continue mastering future films in HDR for Onyx-equipped theaters, further enhancing the cinematic experience.
This collaboration demonstrates the Onyx's potential to transform the way films are created and presented. By working closely with content creators like Pixar, Samsung is fostering a new era of filmmaking that takes full advantage of the Onyx's advanced capabilities. As more studios embrace HDR mastering for Onyx screens, audiences can expect a growing library of visually stunning content that pushes the boundaries of cinematic storytelling.
Additionally, Pixar is installing an Onyx screen at its California campus to support HDR content production and quality testing, underscoring the technology's importance in modern filmmaking. This move not only validates the Onyx's position as a leading cinema display technology but also highlights the growing demand for HDR content in the entertainment industry. Specifications Resolution: 4K
4K Frame Rate: Up to 120Hz
Up to 120Hz Brightness: Peak levels of 300 nits (87.6fL)
Peak levels of 300 nits (87.6fL) Screen Sizes: 5, 10, 14, and 20 meters with flexible scaling options
5, 10, 14, and 20 meters with flexible scaling options Warranty: 10-year warranty for cinema LED screens
10-year warranty for cinema LED screens HDR Support: Compatible with DCI HDR content Summary
For those intrigued by the Samsung Onyx Cinema LED, other areas of interest might include advancements in HDR filmmaking, the future of LED technology in commercial spaces, and the growing trend of immersive entertainment experiences. As cinema technology continues to evolve, innovations like the Onyx are paving the way for a new era of storytelling that captivates audiences like never before.
The rise of HDR filmmaking, in particular, is a fascinating development that goes hand-in-hand with the adoption of LED cinema screens. As more content creators embrace the expanded color gamut and increased dynamic range offered by HDR, the Onyx becomes an essential tool for showcasing their work in its full glory. This synergy between content and technology is driving a new wave of cinematic innovation that promises to engage and inspire audiences in unprecedented ways.
Moreover, the success of the Onyx in the cinema industry may have far-reaching implications for other commercial applications. The advanced LED technology and modular design of the Onyx could be adapted for use in live events, theme parks, and other large-scale entertainment venues, offering new possibilities for immersive experiences that blur the line between the real and the virtual.
As the Samsung Onyx Cinema LED continues to make its mark in Europe and beyond, it is clear that this groundbreaking technology is not just changing the way we watch movies, but also redefining the very nature of visual storytelling. With its unrivaled picture quality, scalability, and long-term reliability, the Onyx is poised to become the new gold standard in cinema display technology, ushering in a bright future for the movie-going experience.
Source Samsung Filed Under: Displays News, Technology News
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Just like Mi-rae did when things got too hard, Ro-sa decides to hang up the call and turn her phone off, running from the problem. Meanwhile, Sang-yeong packs up his things and leaves the branch, turning the entire workforce against her. They all shoot daggers at her but Mi-rae, this time, actually scoffs at them. She's not going to take paid leave or shy away from this either, which throws doubts for some of the workers. When Tae-i finds out about her pressing charges, he offers to help her. She confirms that she's going to fight back but do so on her terms and at her pace. She's not going to lose this time, so she needs to be thorough. As for Wol-sun, she's not eating given Mi-ji isn't around as much. Ok-hui puts her foot down and doesn't want to bring Mi-ji back, given it's not her responsibility. Over in Seoul, Mi-rae and Se-jin start to spend more time together. As business partners, they visit a whole bunch of different establishments with owners that know Se-jin. He admits they've become friends over time and he wanted her to see some nice people in Seoul. When they arrive at the observatory, Se-jin has made his mind up and he's heading off to the States after all. Mi-rae thinks this is the right call and he even offers her the chance to come join him when she finishes up with her current cases. Meanwhile, Mi-ji heads over to see Ho-su. She does some digging into the Ro-sa situation and finds a letter from the prosecution office, and decides to jump in and help no matter what. Ho-su isn't sure this is a good idea, until he finds out Chung-gu was the one filing the lawsuit against Ro-sa. Ho-su is shocked when he hears Chung-gu so flippant and blasé about the whole ordeal. Chung-gu shrugs it off, arrogantly claiming he sees each client the same and they should all be treated accordingly. When Chung-gu keeps calling Ro-sa by the name of Sang-wol, Ho-su eventually leaves. Ho-su rings Mi-ji next and explains that KFMC are the ones behind this, alongside Chung-gu. Outside, Mi-ji convinces Ro-sa to come clean about what happened and not give up. She eventually does, and we learn the truth about the past. Ro-sa is Sang-wol and she grew up alongside her friend at the orphanage. She couldn't read after high school so she ended up doing various jobs but found herself constantly berated and assaulted by the staff and management due to her poor education. Only Ro-sa was there for her and read to Sang-wol whenever she could. Ro-sa wrote numerous poems during this time and even called Sang-wol her twin. The pair have an inseparable bond and lived together when they left the orphanage. When others moved in with them, Sang-wol started to feel how different she really was to everyone else, ostracised for being uneducated, while Ro-sa started to flourish. Realizing this, Sang-wol decided to leave the house and run away, not telling Ro-sa the real reason. She ended up working in a restaurant and after some time, rang Ro-sa only to find out she's married to a guy called Jong-du. Years passed and Sang-wol ran into Ro-sa by chance in Seoul. However, she's got a small child and she's been badly beaten by her husband. Ro-sa has blamed herself, thinking her child's condition was her fault, but it was never reported and all of their friends took his side. Sang-wol took Ro-sa and the child and fled. Things were okay for a while but Jong-du caught up to them and looked set to kill Ro-sa… until Sang-wol smacks him in the back of the head and kills him. Sang-wol took the fall for the man's death, but while she was in prison, people judged Ro-sa even worse. Ro-sa sold her poems for next to nothing to try and get by but with word out that Sang-wol is a murderer, very few people would take her on to work. She decided to use Ro-sa's name to try and hide her own past. After a few years of scraping by, they bought the house together. Ro-sa came up with the name of Rosa Restaurant but unfortunately, Ro-sa passed away from cancer after admitting her son to psychiatric care. Ro-sa also hands over the death report and pleads with Sang-wol to adopt her name and pretend Sang-wol is dead. Now, if ownership passes to Jong-du's family, Sang-wol is well aware that they would just seize the money and leave the poor kid to rot. This also explains why the house is so important and why she hasn't sold up yet. When Ho-su checks over the official documents that Sang-wol has, there's a letter in here from Ro-sa. She willingly hands everything over to Sang-wol and has the official documents to confirm this. Ho-su excitedly tells Sang-wol what he's found, explaining that they need to admit to the identity theft charges but the Will confirms that everything is legit, and all money has been passed to her son too, which gets her completely off the hook. As a result of all this, Chung-gu is left with egg on his face, while Mi-ji hands over a whole ton of petitions from students that received the Kim Ro-sa Scholarship. Sang-wol gets off with a suspended indictment, which is good news and it means that the case is effectively kept on hold and then later dismissed if she complies with what the court ask of her. For now, we don't actually know what those terms are. However, there's a bigger problem. Ho-su loses his hearing completely, cutting short any celebrations. He turns and walks away, with Mi-ji and Sang-wol unaware. The Episode Review This episode is by far the most emotional in the entire run of Our Unwritten Seoul. It's hard not to shed a tear when Sang-wol is reflecting on Ro-sa's words about meeting good people. Everything that's happened to her, and how she's been acting toward the redevelopment plan now makes a lot more sense with context around the past. It really is so sad to see how badly Ro-sa and Sang-wol had it growing up. It feels a little similar to Pachinko in the sense of having to deal with sexism, domestic violence and overwhelming prejudice, and it's amazing that the pair survived as long as they did. However, the big twist here comes from Ho-su losing his hearing completely, which has been foreshadowed but it's another bitter blow for our characters to handle. Just when we think things are turning a corner, our boy gets levelled with another low blow! We do get some nice moments though, like Mi-rae smirking at her manager, her ties with Se-jin and the development for Ok-hui too which are all nice inclusions. With two episodes left, this emotionally charged K-drama has left everything wide open and it's anyone's guess what will happen next. Previous Episode Next Episode Expect A Full Season Write-Up When This Season Concludes!
